Massier Charger
Antique Early 1900s French Art Nouveau Ceramics
Ceramic
Antique 1890s French Art Nouveau Vases
Earthenware
People Also Browsed
Vintage 1950s French Art Deco Convex Mirrors
Mirror, Talosel
Antique Late 19th Century Rustic Planters, Cachepots and Jardinières
Stoneware
Antique 1890s French Art Nouveau Vases
Earthenware
Early 20th Century American Renaissance Revival Tableware
Sterling Silver
Antique 1890s French Art Nouveau Vases
Earthenware
Antique 1890s French Art Nouveau Vases
Earthenware
Antique Early 1900s French Art Nouveau Cabinets
Fruitwood
Antique 19th Century French Napoleon III Centerpieces
Ormolu
Antique 19th Century French Art Nouveau Cupboards
Bronze
Vintage 1910s French Renaissance Tea Sets
Sterling Silver
Antique 18th Century Chinese Decorative Bowls
Porcelain
Antique Early 19th Century Chinese Qing Pottery
Stoneware
Antique Early 1900s French Art Nouveau Vases
Earthenware
20th Century French Art Nouveau Wardrobes and Armoires
Walnut
Antique 1880s French Other Vases
Gold Leaf
Antique Late 19th Century Japanese Meiji Ceramics
Pottery
Recent Sales
Early 20th Century French Art Nouveau Dinner Plates
Early 1900s Art Nouveau More Art
Earthenware, Luster
Antique Early 1900s French Art Nouveau Vases
Earthenware
Antique 19th Century French Art Nouveau Pottery
Antique 19th Century French Art Nouveau Platters and Serveware
Earthenware
Early 20th Century French Platters and Serveware
Earthenware
Clement Massier for sale on 1stDibs
Clément Massier, an accomplished ceramist born into a multi-generational family of potters working in Vallauris, France in the second half of the 19th century, transcended his family’s metier. Rather than creating utilitarian objects as a means unto themselves, he used the ceramic medium as an aesthetic platform to make art. Among the many international awards earned during his lifetime, Massier was awarded a gold medal at the world’s fair, Exposition Universelle held in Paris in 1889. At the Exposition, it was Massier’s ceramic glazing techniques, using turquoise metallic luster, which captured the world’s attention. Massier’s metallic luster glazes produce the dual properties of reflectivity and transparency to create iridescence. To achieve this, Massier fired his ceramics in a three-tiered process at increasingly lower temperatures. He applied the final glaze created from a metallic clay compound with a brush. When the blackened vessels had fully cooled, they were buffed until shiny to reveal his iridescent inspirations of nature. Each piece produced was a unique object revealing not only the hand of the artist but also the variable effects of temperature, natural elements and their interactive relationships. His glazes are illusory interpretations fused into fired earthenware. Conversely, the ceramic object’s solidity belies its ephemeral nature which constantly changes in light. This duality naturally inherent to this art medium is a theme that Massier echoes in his subject matter.
A Close Look at art-nouveau Furniture
In its sinuous lines and flamboyant curves inspired by the natural world, antique Art Nouveau furniture reflects a desire for freedom from the stuffy social and artistic strictures of the Victorian era. The Art Nouveau movement developed in the decorative arts in France and Britain in the early 1880s and quickly became a dominant aesthetic style in Western Europe and the United States.
ORIGINS OF ART NOUVEAU FURNITURE DESIGN
- Emerged during the late 19th century
- Popularity of this modernizing style declined in the early 20th century
- Originated in France and Britain but variants materialized elsewhere
- Informed by Rococo, Pre-Raphaelite art, Japanese art (and Japonisme), Arts and Crafts; influenced modernism, Bauhaus
CHARACTERISTICS OF ART NOUVEAU FURNITURE DESIGN
- Sinuous, organic and flowing lines
- Forms that mimic flowers and plant life
- Decorative inlays and ornate carvings of natural-world motifs such as insects and animals
- Use of hardwoods such as oak, mahogany and rosewood
ART NOUVEAU FURNITURE DESIGNERS TO KNOW
ANTIQUE ART NOUVEAU FURNITURE ON 1STDIBS
Art Nouveau — which spanned furniture, architecture, jewelry and graphic design — can be easily identified by its lush, flowing forms suggested by flowers and plants, as well as the lissome tendrils of sea life. Although Art Deco and Art Nouveau were both in the forefront of turn-of-the-20th-century design, they are very different styles — Art Deco is marked by bold, geometric shapes while Art Nouveau incorporates dreamlike, floral motifs. The latter’s signature motif is the "whiplash" curve — a deep, narrow, dynamic parabola that appears as an element in everything from chair arms to cabinetry and mirror frames.
The visual vocabulary of Art Nouveau was particularly influenced by the soft colors and abstract images of nature seen in Japanese art prints, which arrived in large numbers in the West after open trade was forced upon Japan in the 1860s. Impressionist artists were moved by the artistic tradition of Japanese woodblock printmaking, and Japonisme — a term used to describe the appetite for Japanese art and culture in Europe at the time — greatly informed Art Nouveau.
The Art Nouveau style quickly reached a wide audience in Europe via advertising posters, book covers, illustrations and other work by such artists as Aubrey Beardsley, Henri de Toulouse-Lautrec and Alphonse Mucha. While all Art Nouveau designs share common formal elements, different countries and regions produced their own variants.
In Scotland, the architect Charles Rennie Mackintosh developed a singular, restrained look based on scale rather than ornament; a style best known from his narrow chairs with exceedingly tall backs, designed for Glasgow tea rooms. Meanwhile in France, Hector Guimard — whose iconic 1896 entry arches for the Paris Metro are still in use — and Louis Majorelle produced chairs, desks, bed frames and cabinets with sweeping lines and rich veneers.
The Art Nouveau movement was known as Jugendstil ("Youth Style") in Germany, and in Austria the designers of the Vienna Secession group — notably Koloman Moser, Josef Hoffmann and Joseph Maria Olbrich — produced a relatively austere iteration of the Art Nouveau style, which mixed curving and geometric elements.
Art Nouveau revitalized all of the applied arts. Ceramists such as Ernest Chaplet and Edmond Lachenal created new forms covered in novel and rediscovered glazes that produced thick, foam-like finishes. Bold vases, bowls and lighting designs in acid-etched and marquetry cameo glass by Émile Gallé and the Daum Freres appeared in France, while in New York the glass workshop-cum-laboratory of Louis Comfort Tiffany — the core of what eventually became a multimedia decorative-arts manufactory called Tiffany Studios — brought out buoyant pieces in opalescent favrile glass.
Jewelry design was revolutionized, as settings, for the first time, were emphasized as much as, or more than, gemstones. A favorite Art Nouveau jewelry motif was insects (think of Tiffany, in his famed Dragonflies glass lampshade).
Like a mayfly, Art Nouveau was short-lived. The sensuous, languorous style fell out of favor early in the 20th century, deemed perhaps too light and insubstantial for European tastes in the aftermath of World War I. But as the designs on 1stDibs demonstrate, Art Nouveau retains its power to fascinate and seduce.
There are ways to tastefully integrate a touch of Art Nouveau into even the most modern interior — browse an extraordinary collection of original antique Art Nouveau furniture on 1stDibs, which includes decorative objects, seating, tables, garden elements and more.