Louise Nevelson

Ancient Landscape II (Ancient City)

1953-55

Baby, Baby Etching & aquatint printed in colors, 1991 Signed, dated, titled & numbered in pencil (see photos) Edition: 35 (4/35) plus 10 AP Condition: Excellent, colors fresh Image...

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on reverse Sheet: 9 7/8 x 12 3/4" Image/Plate: 5 x 7" Note: Goetz was born in the United States, moved to Paris and became a noted Surrealist artist and journalist of the surrealist movement. As a printmaker, Goetz invented carborundum printmaking in the 1960’s. In 1968, La gravure au carborundum, a treatise on carborundum printing, was published by the Maeght Gallery. It was prefaced by Joan Miró. Goetz created many abstract prints using this method. Other artists such as Antoni Clavé, Antoni Tàpies, and in particular Joan Miró, employed carborundum printing in their work. Henri Bernard Goetz (1909-1989) Henri Bernard Goetz was born 29 September 1909 in New York, in a family of French and American origin. He studied at Harvard University and the Grand Central Art School before moving to Paris in 1930 where he continued his studies at the Academies Julian and Academies Ozenfant in Montparnasse. After a brief return to the US in the early 1930’s he settled permanently in France, taking a Parisian studio next to Victor Brauner. With Brauner Goetz became involved with the Surrealist group and was soon a highly accomplished exponent. 1935 would be a year of major importance for Goetz: he exhibited for the first time at the Salon des Surindependants, he married the Dutch painter Christine Boumeester and he met Hans Hartung, who would become a close lifelong friend. In 1937 Goetz held his first solo show at Galerie Van Leer, Paris. During the war, having neglected to become naturalized French citizens, Goetz and Boumeester became illegal aliens and both worked in the resistance movement. They printed leaflets on a simple printing press and created posters to paste...

Ancient Landscape II (Ancient City) Etching and drypoint, 1953-1955 Signed and titled in pencil by the artist; (see photo) Annotated: "E130 A/1" in pencil lower right Estate stamp v...

Red Mountain Three color lithograph, 1986-7 Signed, titled and dated in pencil lower right Annotated "B.A.T." for Bon a Tire lower left corner This example is the printers guide for printing the editon of 40 Printed on BFK Rives paper Printed at Derriere L'Etoile Studios, New York Printer: Maurice Sanchez Condition: Excellent, never framed Image/Sheet size: 45 1/4 x 30 inches Louisa Chase came to prominence in the 1980's as one of the outstandingNeo-Expressionist painters. Her work then was characterized by bold colors and brush strokes, often incorporating natural elements and fragments of the figure. Louisa Chase's works have been featured in gallery and museum shows in Cologne, Nurnberg, Luzem, Switzerland, Toronto, and Tokyo, and various galleries and museums throughout the US. She has also been featured at the American Pavillion at the 1984 Venice Biennale. Also in 1984, the Institute of Contemporary Art in Boston organized as travelling exhibition of her work. In 1997, the Madison Art Center organized a retrospective of her prints, Louisa Chase: Prints, 1981-1996. She has been a featured artist at the University of Wisconsin's Tandem Press and at the Tamarind Press; ahe was also invited to do a print for Lincoln Center in New York City. The recipient of two grants from the National Endowment for the Arts, Chase's works are in the permanent collections of such museum as The Museum of Modern Art, the Metropolitan Museum of Art, The Whitney Museum of American Art (New York), The Brooklyn Museum of Arts, The Corcoran Gallery and The Library of Congress (Washington D.C.), The Walker Art Center (Minneapolis), the Mount Holyoke College Art Museum, the Denver Museum of Art, and the Chazin Museum of Art of the University of Wisconsin, Madsion and the Madison Museum of Contemporary Art (Madison WI). Bibliography: Elizabeth Armstrong, Painters who print (Minnapolis: Walker Art Center, 1984); Ruth S...

Annotated in pencil on detached bottom margin: “Printed by the artist’s own press at 4 rue d’universite, Paris, Sept. 1958” Edition: 10 (8/10) Printed in red, black with gold leaf highlights Dedicated in pencil by the artist: “For Alice and Albert Turner...

Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil lower margin (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on the verso top margin from previous matting. Image/Plate size: 4 1/2 x 4 inches Note: Goetz was born in the United States, moved to Paris and became a noted Surrealist artist and journalist of the surrealist movement. As a printmaker, Goetz invented carborundum printmaking in the 1960’s. In 1968, La gravure au carborundum, a treatise on carborundum printing, was published by the Maeght Gallery. It was prefaced by Joan Miró. Goetz created many abstract prints using this method. Other artists such as Antoni Clavé, Antoni Tàpies, and in particular Joan Miró, employed carborundum printing in their work. Henri Bernard Goetz (1909-1989) Henri Bernard Goetz was born 29 September 1909 in New York, in a family of French and American origin. He studied at Harvard University and the Grand Central Art School before moving to Paris in 1930 where he continued his studies at the Academies Julian and Academies Ozenfant in Montparnasse. After a brief return to the US in the early 1930’s he settled permanently in France, taking a Parisian studio next to Victor Brauner. With Brauner Goetz became involved with the Surrealist group and was soon a highly accomplished exponent. 1935 would be a year of major importance for Goetz: he exhibited for the first time at the Salon des Surindependants, he married the Dutch painter Christine Boumeester and he met Hans Hartung, who would become a close lifelong friend. In 1937 Goetz held his first solo show at Galerie Van Leer, Paris. During the war, having neglected to become naturalized French citizens, Goetz and Boumeester became illegal aliens and both worked in the resistance movement. They printed leaflets on a simple printing press and created posters to paste...

44.5 x 44.5 cms (17.5 x 17.5 ins) Edition of 70 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

S.O.C. #1 2014 Etching 76.5 x 91cm Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings, Virginia Museum of Fine Arts, Richmond, Virginia 1985 Studio Programs, 1984 -1985, The Institute for Art and Urban Resources, Inc, The Clocktower, New York City 1985 Surplus, Exit Art, New York City 1985 Four Painters From New York, Janet Steinberg Gallery, San Francisco, California 1985 Harvest, Ruth Siegel Ltd, New York City 1986 The Object Revitalized, The Paine Art Center and Arboretum, Oshkosh, Wisconsin 1986 Annual Juried Exhibition '86, The Queens Museum, New York City 1986 Summer Group Show, Galleri Mustad, Sweden 1987 New Work - New York, Helander Gallery, Palm Beach, Florida 1988 The Shell: Design Spirit, Bergen Museum of Art and Science, Paramus, New Jersey 1988 Works on Paper, Nina Freudenheim Gallery, Buffalo, New York 1988 The Flower Show, Betsy Rosenfield Gallery, Chicago, Illinois 1988 Classical Myth and Imagery in Contemporary Art, The Queens Museum, Flushing, NY 1988 Continuity and Change; Five Contemporary Chinese Artists, Yale University Art Gallery 1988 First Anniversary Exhibition, Michael Walls Gallery, New York City 1989 Second Anniversary Exhibition, Michael Walls Gallery, New York City 1990 The Matter At Hand; Contemporary Drawings, UWM Art Museum, University of Wisconsin, 1991 Entr'acte, Michael Walls Gallery, New York City 1991 Taipei - New York: Confrontation of Modernism, The Taipei Fine Arts Museum. Taiwan 1991 Past Becoming Future, The Contemporary Art Gallery, Seibu, Tokyo, Japan 1992 Intimate Universe; Small-Scale Paintings By Twenty-five American Artists, Michael Walls 1993 Paper Trails; The Eidetic Image, Krannert Art Museum, University of Illinois, Champaign, 1993 Intimate Universe, Nina Freudenheim Gallery, Buffalo, New York 1994 Isn't It Romantic? On Crosby Street, New York City 1994 To enchant (blue), Cynthia McCallister Gallery/Bixler Gallery, New York City 1994 Singapore International Art Fair, Sarina Tang Fine Art, Singapore 1994 Taipei Modem Art Exhibition, The National Gallery, Bangkok, Thailand 1995 A Romantic Impulse: Seventeen American Artists, O'Hara Gallery, New York City 1995 Chinese Artists in the United States, Hong Kong Land Limited, The Rotunda, Hong Kong 1996 Taipei Modern Art Exhibition, Shanghai Museum, Shanghai, China 1996 In Full Bloom: Flower and Garden Paintings, Lizan-Tops Gallery, East Hampton, New York 1997 Intimate Universe [Revisited], Robert Steele Gallery, New York City 1997 A Thought Intercepted, California Museum of Art, Santa Rosa, California 1997 Forces of Nature, Taipei Gallery, New York City, 1997 Lizan-Tops Gallery, East Hampton, New York 1998 Asian Aesthetic, Takara/Yukiko Lunday Gallery, Houston, Texas 1998 Contemporary Art from the Overseas Chinese, Galerie Pierre, Taichung, Taiwan 1999 Looking for the Light, The Gallery on the Hudson, Irvington, New York 1999 Visions of Pluralism, National Art Museum of China, Beijing, China; Mountain Art Museum, Kaohsiung, Taiwan 2001 Fifteen Asian American Artists, Staller Center For the Arts, University at Stony Brook, Stony Brook, New York (Artists: Arai, Tomie; Byun, Chong Gon; Huang, Wennie; Jo, Sook Jin; Kawata, Tamiko; Le, Dinh; Lee, Bing; Li, lan; Ng, Chee Wang; Rahman, Ram; Shin, Jean; Snyder, Kit-Yin; Wong, Paul; Yamaoka, Carrie; Yang, Chihung) 2001 Rain Forest/Contemporary Paintings Kaohsiung Museum of Fine Arts, Taiwan 2001 Taipei Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China 2001 Rain Forest, Taipei Gallery, Chinese Information and Culture Center, New York 2002 Rain Forest, Las Vegas Art Museum, Las Vegas 2002 Contemporary Chinese Abstraction, Guangdong Museum of Art, Guangzhou, China 2002 Contemporary Chinese Abstraction, SenJuing Museum of Art , Guangdong, China 2003 Vision, 456 Gallery and Cork Gallery / Lincoln Center, New York 2003 World Artist's Calligraphy Biennale, Son Arts Center of Jeollabuk-do, Korea 2003 Fifty Years of Post War Taiwanese Art, Chan Liu Art Museum, Taoyuan, Taiwan 2004 Salon Comparaisons, Espace Auteuil, Paris, France 2005 Kuandu Extravaganza, Kuandu Museum of Fine Arts, Taipei, Taiwan 2005 China-Korea Modern...

S.O.C. #2 2014 Etching 76.5 x 91cm Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings, Virginia Museum of Fine Arts, Richmond, Virginia 1985 Studio Programs, 1984 -1985, The Institute for Art and Urban Resources, Inc, The Clocktower, New York City 1985 Surplus, Exit Art, New York City 1985 Four Painters From New York, Janet Steinberg Gallery, San Francisco, California 1985 Harvest, Ruth Siegel Ltd, New York City 1986 The Object Revitalized, The Paine Art Center and Arboretum, Oshkosh, Wisconsin 1986 Annual Juried Exhibition '86, The Queens Museum, New York City 1986 Summer Group Show, Galleri Mustad, Sweden 1987 New Work - New York, Helander Gallery, Palm Beach, Florida 1988 The Shell: Design Spirit, Bergen Museum of Art and Science, Paramus, New Jersey 1988 Works on Paper, Nina Freudenheim Gallery, Buffalo, New York 1988 The Flower Show, Betsy Rosenfield Gallery, Chicago, Illinois 1988 Classical Myth and Imagery in Contemporary Art, The Queens Museum, Flushing, NY 1988 Continuity and Change; Five Contemporary Chinese Artists, Yale University Art Gallery 1988 First Anniversary Exhibition, Michael Walls Gallery, New York City 1989 Second Anniversary Exhibition, Michael Walls Gallery, New York City 1990 The Matter At Hand; Contemporary Drawings, UWM Art Museum, University of Wisconsin, 1991 Entr'acte, Michael Walls Gallery, New York City 1991 Taipei - New York: Confrontation of Modernism, The Taipei Fine Arts Museum. Taiwan 1991 Past Becoming Future, The Contemporary Art Gallery, Seibu, Tokyo, Japan 1992 Intimate Universe; Small-Scale Paintings By Twenty-five American Artists, Michael Walls 1993 Paper Trails; The Eidetic Image, Krannert Art Museum, University of Illinois, Champaign, 1993 Intimate Universe, Nina Freudenheim Gallery, Buffalo, New York 1994 Isn't It Romantic? On Crosby Street, New York City 1994 To enchant (blue), Cynthia McCallister Gallery/Bixler Gallery, New York City 1994 Singapore International Art Fair, Sarina Tang Fine Art, Singapore 1994 Taipei Modem Art Exhibition, The National Gallery, Bangkok, Thailand 1995 A Romantic Impulse: Seventeen American Artists, O'Hara Gallery, New York City 1995 Chinese Artists in the United States, Hong Kong Land Limited, The Rotunda, Hong Kong 1996 Taipei Modern Art Exhibition, Shanghai Museum, Shanghai, China 1996 In Full Bloom: Flower and Garden Paintings, Lizan-Tops Gallery, East Hampton, New York 1997 Intimate Universe [Revisited], Robert Steele Gallery, New York City 1997 A Thought Intercepted, California Museum of Art, Santa Rosa, California 1997 Forces of Nature, Taipei Gallery, New York City, 1997 Lizan-Tops Gallery, East Hampton, New York 1998 Asian Aesthetic, Takara/Yukiko Lunday Gallery, Houston, Texas 1998 Contemporary Art from the Overseas Chinese, Galerie Pierre, Taichung, Taiwan 1999 Looking for the Light, The Gallery on the Hudson, Irvington, New York 1999 Visions of Pluralism, National Art Museum of China, Beijing, China; Mountain Art Museum, Kaohsiung, Taiwan 2001 Fifteen Asian American Artists, Staller Center For the Arts, University at Stony Brook, Stony Brook, New York (Artists: Arai, Tomie; Byun, Chong Gon; Huang, Wennie; Jo, Sook Jin; Kawata, Tamiko; Le, Dinh; Lee, Bing; Li, lan; Ng, Chee Wang; Rahman, Ram; Shin, Jean; Snyder, Kit-Yin; Wong, Paul; Yamaoka, Carrie; Yang, Chihung) 2001 Rain Forest/Contemporary Paintings Kaohsiung Museum of Fine Arts, Taiwan 2001 Taipei Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China 2001 Rain Forest, Taipei Gallery, Chinese Information and Culture Center, New York 2002 Rain Forest, Las Vegas Art Museum, Las Vegas 2002 Contemporary Chinese Abstraction, Guangdong Museum of Art, Guangzhou, China 2002 Contemporary Chinese Abstraction, SenJuing Museum of Art , Guangdong, China 2003 Vision, 456 Gallery and Cork Gallery / Lincoln Center, New York 2003 World Artist's Calligraphy Biennale, Son Arts Center of Jeollabuk-do, Korea 2003 Fifty Years of Post War Taiwanese Art, Chan Liu Art Museum, Taoyuan, Taiwan 2004 Salon Comparaisons, Espace Auteuil, Paris, France 2005 Kuandu Extravaganza, Kuandu Museum of Fine Arts, Taipei, Taiwan 2005 China-Korea Modern...

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...

Title: SIEMPRE SOMBRA - Always Shadow Etching and soft-ground etching on hand-made paper, in four colors, 2017. Edtion of 5 printed on 100% cotton paper. Signed, titled and numbere...

José Manuel Broto - Iris 6 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...