Louise Nevelson Sculptures

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

This offset lithograph in colors from the Project for Central Park, New York City, was created by the artist in 2004. One of 300 hand-signed by the artist in pencil from an unnumbere...

Sculpture Close to Heart 1 & 2 Limited edition of 12 (each sculpture) Dimensions: - Close to heart 1 (black): H. 73. x D. 34 cm - Close to heart 2 (natural): H. 82. x D. 22 cm Medi...

This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...

This offset lithograph in colors on wove paper from the Project for Central Park, New York City, was created by the artist in 2005. One of 300 hand-signed (in pencil) prints from an ...

Angelo Di Benedetto (American, 1913–1992) Untitled, Mid-20th Century Welded industrial metal Signed Dimensions: 13¼ × 11¼ × 7½ inches A rare and compelling example of mid-century Am...

Ted Egri (American, 1913-2010) Bronze sculpture Rabbi Signed Egri and numbered 4/30 on side. Dimensions: 12"L x 8.5"H x 6.75" D Born in New York city in 1913 to a Hungarian Jewish emigre family (both of his parents were born in Hungary), Egri was first exposed to music later dropping that for art. He studied with Howard Giles at the Master Institute of the Roerich Museum in New York where he was introduced to Oriental arts, Chinese and Japanese art forms, and later with Hans Hofmann. He worked for the Federal Arts Project, the WPA, making mural paintings and silkscreen prints as well as easel painting. Once WWII began, Egri signed up to serve as a map maker for the Navy, and was witness to some of the fiercest battles in the Pacific. As an artist, he painted many important depictions of his wartime experiences and these works have all be donated to the U.S. Naval Museum. Already a practicing painter and instructor at the Kansas City Art Institute, Ted Egri came to Taos, New Mexico with his wife Kit in 1950 to continue his study of painting at Ribak's Taos Valley Art School on the GI Bill. Louis Ribak quickly introduced Egri to Eulalia Emetaz, the owner of La Galleria Escondida, who gave him his first one-person show in 1951. A prolific and versatile artist, as well as arts organizer and advocate, Egri's contributions to underserved African American, Native American, Hispanic and women were honored by two Taos mayors, with no less than two Ted Egri days during his 50-year art career in Taos. Egri remained in Taos. He became widely known for his sculpture, influenced by cubism and painting, with his style ranging from abstract to realistic. Egri had incredible draftsmanship - charcoal, pencil, pastel, watercolor, oils, mixed media, pen and ink, acrylic, gouache Over time his work gradually shifted from its focus on human struggle to an exploration of natural elements and the changes that come about as a result of living in a physical environment like Taos. "The impact of the majestic Sangre de Cristo Mountain Range and the vast spaces of the mesas directed me toward space and form. I moved into sculpture," Egri said in a 1987 interview with ARTSPACE magazine. He was included in a show at Stables Gallery along with Emil Bisttram, Louis Catusco, Edward Corbett, Lawrence Calcagno, Keith Crown, Andrew Dasburg, John De...

Blue Copper – 24" x 24” x 1” Wood, paint, lacquer on MDF- Wood, paint, wax on MDF Blue Copper is a discreet and elegant minimalist contemporary wall sculp...

This small exquisite "Bronze Sculpture I" is in excellent condition and a perfect example of Eugene Caples craftsmanship. Although it is mainly abstract, there are bits that look figurative either an arm or a leg attempting to emerge from a fold or attempting to hold a pose such as in yoga. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), and Paul Evans (Created Brutalist-inspired sculpted metal furnishings.) Gene worked...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts, Philadelphia. A son of Italian immigrants from Calabria, William Pellicone Was a self-taught American Modernist who received scholarships to Temple University, the Pennsylvania Academy of Art and Philadelphia's famed Barnes Foundation. He was a friend of Edward Hopper and others of that Milieu. He was a merchant marine during World War II and a four-year farmer in Pennsylvania for New York City, where he became known for his works done with paint and fire. The work drew attention from both "Life" and "Look" magazine. With time William's style changed to more Surrealist, fantastic realism subjects. This piece has a brutalist, Arte Povera, art brut feel to it. He work is associated with Modernism and Surrealism. He was included in the show with catalogue Gene Swenson : Retrospective for a Critic. Artists included: James Rosenquist, Arman (Armand Fernandez), Stuart Davis, Robert Indiana, Roy Lichtenstein, Alain Jacquet, Ellsworth Kelly, Agnes Martin, Andre Masson, Henri Matisse, Peter Max, Robert Motherwell, Claes Oldenburg, George Ortman, Kenneth Patchen, William Pellicone, Larry Poons, Joseph Raffaele, Robert Rauschenberg, Ad Reinhardt, James Rosenquist, Frank Stella, Cy Twombly, Andy Warhol, Tom Wesselmann, Jim Dine, Jasper Johns and Paul Thek...

Artist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art studio left...

Spillway is a low relief, bent laminated, wall-hung sculpture made from ash veneer and formed using a vacuums technique. The shapes mimic two bodies of water connecting through a "s...