1990er Jahre Kunst

Dieses Foto von Bill Costa wird von CLAMP in New York City angeboten. Er arbeitete fleißig und hart an diesem Fleisch 1993 Signiert, betitelt, datiert und nummeriert in Tinte, rect...

P.1995 ist eine Wandskulptur von Toshio Iezumi. Wärmereflektierendes Glas und Halbspiegel, 9,8 x 9,8 x 2,7 Zoll (25 × 25 × 7 cm). Die Skulptur ist signiert und in 5 Editionen erhält...

TECHNISCHE DETAILS Technik : Gouache auf Papier Datum: 1988 Abmessungen : 31 x 24 cm Gerahmte Abmessungen : 40 x 50 cm Signatur : Signiert und datiert unten rechts, "M. Gueffen 1.8....

Original-Ausstellungsplakat für Keith Harings wegweisende Ausstellung Future Primeval - Drawings, Paintings, and Artifacts, die 1985 im Queens Museum and University Galleries gezeigt...

George Dannatt (1915-2009) Unbenannt 1992 Medium: Gemischte Medien auf dem Papier Bild: 11,5 x 16,5 cm Passepartout: 26,0 x 30,5 cm George Dannatts lange Karriere als Maler und...

Tracey Emin - Sei deinen Träumen treu, 1999 Limitierte Auflage eines bestickten Baumwolltaschentuchs mit gestickter Unterschrift und Begleitkarte Seltenes Vintage-Sammlerstück für ec...

Van Nazareth ist eine eher zurückgezogene Persönlichkeit und seine Bronzeskulpturen konzentrieren sich auf ursprüngliche, illusionäre Formen. Seine Figuren sind distanziert und unkom...

SHARING THE CHORES ist eine handgezeichnete Lithographie des afroamerikanischen Künstlers JONATHAN GREEN in limitierter Auflage, gedruckt im Handlithographie-Verfahren auf archivtaug...

Imants Vecozols (b. 1933.22.VII) Imants Vecozols absolvierte die Kunstschule J. Rozentals in Riga (1954) und die Abteilung für Malerei der Lettischen Kunstakademie (1960, mit Ausze...

Dieses exquisite Ölgemälde von Ian Hornak (1944-2002) mit dem Titel Les fleurs a la Maniere de Redon #7: Anemones (Blumen in der Manier von Redon #7: Anemonen) wurde 1998 geschaffen....

Paul Giovanopoulos, Grieche (1939 - ) - Herzen, Jahr: 1991, Medium: Poster, Größe: 28 x 22 Zoll (71,12 x 55,88 cm)

Öl auf Holz verkauft mit Rahmen Gesamtgröße mit Rahmen 54x72 cm Signiert Morini Zolfanelli, Schweizer Künstler unbekannt aus der Galerie Datiert 1993

Signiert unten rechts, "R. Hornak" für Rosemary Hornak (Amerikanerin, geboren 1951); zusätzlich verso signiert, betitelt "Perroquets Impasto, Variation 2" und datiert 1992. Rosemary...

George Dannatt (1915-2009) Zeichnung - Papier Dechiré 1998 Mischtechnik & Collage auf Karton 20.3 x 26.6 cm 33.8 x 39.0 cm Provenienz: The George & Ann Dannatt Collection'S und...

Das Bild ist eine Originalzeichnung von Wile E. Coyote und dem Road Runner von Virgil Ross. Graphit, Farbstift auf Animationspapier. Ungekürzt. Circa 1990. Der Zustand ist ausgezeic...

Capeláns Werk zeichnet sich durch einen rigorosen Umgang mit verschiedenen künstlerischen Techniken und Verfahren aus, die von der Zeichnung bis zur Installation reichen und auch Mal...

David Kimball Andersons Werk ist kühn und anmutig, respektvoll und spirituell. Als praktizierender Buddhist, begeisterter Surfer und Bildhauer hat Anderson in vier Jahrzehnten ein We...

Jedes Jahr veranstaltet Robin Rice eine Ausstellung im Stil eines Salons, um ihre Künstler zu präsentieren und neue Künstler einzuladen. Dank Robins umfassender Erfahrung als Kurato...

Radierung von Hand aquarelliert, realisiert von dem italienischen Künstler Benito Trolese. Handsigniert. Nicht nummeriert. Erstklassiger Zustand.

Limitierte Auflage von 8 Exemplaren + 4 Probedrucke des Künstlers. Jeder Abguss ist signiert und nummeriert. Verkauft mit einem Sockel aus Granit. Maße der Bronzeskulptur: 67 H x 37...

"Steve Jobs war 1997 gerade zu dem angeschlagenen Unternehmen Apple Computer zurückgekehrt. Jobs und Lee Clow hatten bereits 1984 bei der Einführung des MacIntosh zusammengearbeitet....

Guerrilla Girls Geroge Bush 1991: Seltenes Originalplakat der Guerrilla Girls aus den frühen 90er Jahren, das als politisches Statement in Reaktion auf den Golfkrieg veröffentlicht w...

Richard Mock, Amerikaner (1944 - 2006) - Kosovo, Jahr: 1999, Medium: Linolschnitt auf BFK Rives, signiert, betitelt, nummeriert und datiert mit Bleistift, Auflage: 80, Bildgröße: ...

Früher Herbst. 1990, Karton, Öl, 70x93 cm, Karton Edgars Vinters (1919-2014) Edgars Vinters arbeitet in den Techniken Öl, Aquarell und Monotypie. Er malt Landschaften in verschieden...

GEOGRAPHIE, OSTEN Jahr: 1992 Medium: 2-farbige, weichgrundige Radierung Papierformat: 28 x 25 Zoll (71 x 64 cm) Plattengröße: 19 x 18 Zoll (48 x 46 cm) Auflage: 60 Preis: $6.000 Vi...

Titel des Kunstwerks: Alineació, París Künstler: Josep Maria Vayreda Canadell Technik: Öl auf Leinwand Abmessungen ohne Rahmen: 16,1 x 13 Zoll Abmessungen mit Rahmen: 22,8 x 19,7 Zol...

Künstler: Robert Mangold Titel: Unbenannt Mappe: Ein Buch mit Siebdrucken: Multiple Panel Paintings, Edition C Medium: Siebdruck in Farben Jahr: 1992 Ausgabe: AP 1/25 Blattgröße: 11 ...

Schöner, detailliert gestalteter, glasierter Porzellanteller mit Transferdruck. Herausgegeben und hergestellt von Rosenthal Limitierte Kunstreihen, ...

Dies ist eine Einzelblatt-Offsetlithografie mit dem Titel "Nude with Blue Hair" aus Roy Lichtensteins ikonischem Nudes-Portfolio, herausgegeben von Tyler Graphics. Gerahmt in einem ...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

Lisa - Auflage von 5 signiert + nummeriert vom Künstler mit Echtheitszertifikat, ungerahmt Bitte beachten. Es gibt drei Größen dieses Archivpigmentdrucks; jede hat eine Auflage von...

BASTED WAVES ist eine handgezeichnete Lithografie der amerikanischen surrealistischen Künstlerin Fanny Brennan in limitierter Auflage, die in traditioneller Handlithografie-Technik a...

Unregelmäßiges Dreieck, 1993 Laminiertes Acryl Handsigniert und datiert: Vasa / 1993 4" H x 12" B x 3" T (ungefähre Größe) Vasa Velizar Mihich (geboren 1933), bekannt als Vasa, ist ...

Eine unbekannte Kate Moss mit 16 von Jake Chessum 1990 limitierte Auflage Auflage Größe 20 nur diese Größe gedruckt 2024 Archivierungs-Pigmentdruck nummeriert und vom Künstler...

Aus dem Portfolio Nudes, Einzelblatt mit dem Titel "Thinkng Nude" von Roy Lichtenstein, veröffentlicht von Tyler Graphics. Nicht nummeriert und unsigniert. Papierformat: 8,5 x 11 Zo...

Die Skulptur stellt ein nacktes Mädchen dar, das spazieren geht. Ihr Körper ist stilisiert und verfeinert. Die polierte Bronze erzeugt ein Spiel von Reflexen auf dem Metall, als ob d...

Gelatinesilberdruck Signiert mit Bleistift, verso Dieses Kunstwerk wird von ClampArt mit Sitz in New York City angeboten. Geboren in Vinhedo, einer kleinen Stadt am Rande von Sao P...

Abstrakte Komposition „River 2“ aus Acryl und Blattgold auf Holzplatte Kühne abstrakte Komposition der kalifornischen Künstlerin Janet Trenchard (Amerikanerin, geb. 1947). Dieses St...

Elizabeth Murray Abstrakte Komposition ohne Titel, 1990 Graphit, Farbstift und Papiercollage auf Papier (der Rahmen trägt das Original Label der Paula Cooper Gallery) Signiert und da...

Emily Mason Ohne Titel (Für Douglas), 1990 Carborundum-Radierung und Monotypie auf Papier Mit Bleistift signiert, datiert und beschriftet "Für Douglas". Inklusive Vintage Holzrahmen ...

Veröffentlicht 1998. Limitierte Auflage Serigraphie. (Bildbereich) Abmessungen 30,75″ x 38,5." Nummerierung 105/458 Signiert und nummeriert von LeRoy Neiman. Ebenfalls signiert von J...

Vintage Blanko-Postkarte, herausgegeben von der VG Bild-Kunst, Bonn 1992 für die Pop Art Show im Museum Ludwig Köln. Gedruckt in Deutschland. Gerahmt in einem weißen Holzrahmen mit e...

Gilbert Pauli (1944 - 2020) wurde im Kanton Friborg geboren und lebte in Genf, wo er sich seit seiner Kindheit der Malerei und der Bildhauerei widmete. Sein Lieblingsthema war der Di...

Vintage-Postkarte, herausgegeben von der Neuen Publishing Company, New York. gedruckt in Deutschland. In einem schwarzen Holzrahmen mit einem 1-Zoll-Frontprofil und einem 3/4-Zoll-Se...

Die berüchtigte Zunge und die Lippen der Rolling Stones sind in dieser einzigartigen, handgemalten Version des Künstlers zu sehen, die auf seinem kultigen Design aus den 1970er Jahre...

Baby, Baby Radierung und Aquatinta in Farben gedruckt, 1991 Signiert, datiert, betitelt und nummeriert mit Bleistift (siehe Fotos) Auflage: 35 (4/35) plus 10 AP Zustand: Ausgezeichn...

Seltene Serigraphie in limitierter Auflage von John Lennons handgeschriebenem Text für den Song "Clean Up Time", der erstmals 1980 auf "Double Fantasy" veröffentlicht wurde. Es wurd...

Mary Cassatt, Nach, Amerikanerin (1844 - 1926) - Mütterliche Liebkosung, Jahr: 1991; Originalveröffentlichung: 1890 - 1891, Medium: Farbradierung auf Arches-Papier, Bildgröße: 13 ...

Ausstellungsplakat der ersten Auflage, entworfen und gestaltet von Bruce Nauman für seine Einzelausstellung in der Leo Castelli Gallery, die vom 22. Januar bis 19. Februar 1994 statt...

Katherine Chang Liu "Kette", Acryl und Collage auf Papier, montiert auf Karton mit einem Trompe L'Oeil 3D-Effekt. zeitgenössische abstrakte Malerei Handsigniert "Katherine Liu" Abm...

Museumstaugliches Gemälde des Sagg Pond in Sagaponack, New York, von dem bekannten amerikanischen Künstler Robert Dash. Longview von Sagg Teich, Ackerland, Dünen und dahinter der At...

Ein klassischer britischer Fisch- und Pommeswagen an einem klassischen englischen Tag, dem Haddenham Steam Rally Country Fair, Foto von Richard Heeps. Dieses Kunstwerk ist ein auf ...

Diese Vintage-Grußkarte zeigt Roy Lichtensteins "We Rose Up Slowly", veröffentlicht 1994 von Achenbach Art Edition, Düsseldorf. Es wird mit dem Originalumschlag geliefert und ist pro...

1990 veröffentlichte der TeNeues Verlag in Kempen, Deutschland, mit Genehmigung der Keith Haring Foundation eine Offsetlithografie von Keith Harings "Andy Mouse Dollar Bill". Diese...

Entdecken Sie ein beeindruckendes Kunstwerk des renommierten französischen Bildhauers Roland Masson: eine seltene abstrakte Bronzeskulptur von außergewöhnlicher Schönheit und Eleganz...

Palma Mallorca Bay original impressionistische Acrylgemälde. SOLÁ PUIG malt auf eine natürliche Art und Weise, die die alten Meister widerspiegelt, indem er die Farben, die Luft, de...

Originalgemälde in Öl auf Karton mit einer schönen jungen Frau in einer üppigen Umgebung. Signiert unten links und datiert "91". Außerdem signiert unten rechts. Galerie-Label mit Ti...

Capeláns Werk zeichnet sich durch einen rigorosen Umgang mit verschiedenen künstlerischen Techniken und Verfahren aus, die von der Zeichnung bis zur Installation reichen und auch Mal...

Linda Stein, Blade Vibration 247 - Aquarell auf Papier, impressionistisch, bunt, grün, blau In den 1990er Jahren begann Linda Stein mit der Arbeit an der Serie Blades, einer Serie v...

Harding Schwarz (1912-2004) San Antonio's Künstler 8 Zoll groß 4 Zoll Durchmesser an der breitesten Stelle Medium: Kunsttöpferei Keramik Datiert 1996 "Vase" signiert auf dem Boden Si...