1990er Jahre Kunst

Dieses Werk von Blue Dog zeigt eine blaue Kuh im Profil auf rotem Hintergrund. Der Körper der Kuh ist eine Ansammlung von Blue Dog Gesichtern in verschiedenen Größen. Die Augen all...

Feines Paar vergoldeter Bronze-Hundeskulpturen. Der Artikel ist sowohl für den Innen- als auch für den Außenbereich gut geeignet.

MEDIUM: Original-Produktionszeichnung BILDGRÖSSE: 10,5' x 9,5' PRODUCTION: Superman the Animated Series, Two's A Crowd SKU: IFA8142 ÜBER DAS BILD: Superman: The Animated Series ist ...

Ungerahmte Collage "Latitude" auf Kunstdruckpapier der Künstlerin Melanie Boone. Signiert Melanie Boone ©, datiert 1998 und betitelt "Latitude" verso. Die Collage zeigt Schmetterling...

Das Gemälde wird mit einem Werk- und Echtheitszertifikat angeboten

Robert Motherwell (1915-1991) bildete zusammen mit Jackson Pollock, Mark Rothko und Willem de Kooning das Quartett amerikanischer abstrakter Maler, das die Abstraktion radikal defini...

Künstler: Norman McGrath Titel: Guggenheim-Museum Jahr: 1995 Medium: Fotografie, signiert und datiert in l.r. Papierformat: 22 x 17 Zoll/ 56 x 43 cm Rahmengröße: 26 x 21 Zoll/ 66 x ...

Über Bord... 1994. Papier, Tinte. 17x25 cm Illustriert in der Zeitschrift "Schule und Familie" im Jahr 1994.

Gilbert Pauli wurde 1944 im Kanton Freiburg geboren und lebt heute in Genf, wo er sich der Malerei und Bildhauerei widmet, einer Leidenschaft, die er seit seiner Kindheit pflegt. Sei...

Dieses professionell gerahmte Thangka "Medizin-Buddha" ist mit 24 Karat Echtgold von Hand auf Leinwand gemalt. Dem Medizinbuddha wird Heilkraft zugeschrieben. Messung: Einschließlic...

Bemalter plastischer Karton Einzigartige Arbeit Aus dem Atelier des Künstlers Jacques ROUBY, die Ästhetik des Geheimnisses "Jacques Rouby ist ein experimenteller Träumer, ein leide...

Vue des Grands Boulevards à Paris von H. CLAUDE PISSARRO (geb. 1935) Pastell auf Karte 37 x 50 cm (14 ⅝ x 19 ⅝ Zoll) Signiert unten rechts, H. Claude Pissarro Dieses Werk wird von e...

Gelatinesilberdruck Gestempelt und nummeriert, verso 14 x 11 Zoll, Blatt 5 x 7 Zoll, Bild (Auflage von 15) 20 x 16 Zoll, Blatt 12 x 15,75 Zoll, Bild (Auflage von 10) Aus der Serie...

Zwei Freunde 1991, Karton, Öl, 31x22,5 cm

Die kommenden 1994, Acryl auf Karton, 40x50 cm Ilze Avotina (1952) "Malen ist für mich wie die Hingabe an eine höhere Instanz, das heißt, wie ein Mann eine Frau liebt, wie eine Mu...

Caviar20 hat ein besonderes Interesse an Bildhauern. Jeff Koons, so polemisch er auch ist, ist einer der wichtigsten und kühnsten Bildhauer des 20. Dieser Druck zelebriert eine sein...

Original-Gemälde im Fauvismus-Stil: Strandszene an der französischen Riviera – Mittelmeer-Meereslandschaft Künstler: Unbekannt Zeitraum: CIRCA 2000 Technik: Acryl auf Büttenpapier, ...

MEDIUM: Originalproduktion Cel auf gedrucktem Hintergrund BILDGRÖSSE: 12,5" x 10" PRODUKTION: Looney Tunes, Invasion der Hasenfresser SKU: IFA9098 ÜBER DAS BILD: Looney Tunes ist e...

MEDIUM: Originalproduktion Cel auf Originalhintergrund BILDGRÖSSE: 10,25" x 9" PRODUCTION: Batman The Animated Series, Herz aus Stahl - Teil 1 SKU: IFA7105 ÜBER DAS BILD: Batman: T...

Bruce Adams war ein Maler, Kunstpädagoge und Schriftsteller. Er wurde 1952 in Buffalo, N.Y., geboren und erhielt 1976 einen B.S.-Abschluss und 1983 einen M.A.-Abschluss vom Buffalo S...

Auflage von 3 Signiert, betitelt und datiert mit Bleistift verso auf dem Druck Earlie Hudnall, einer der bedeutendsten heute lebenden afroamerikanischen Fotografen, hat die afroamer...

Patton Blackwells "Softly" besteht aus vier in Galeriefolie verpackten Leinwänden mit den Maßen 71 x 31,5 Zoll, insgesamt 71 x 126 Zoll. Es kann wie ein Gemälde an die Wand gehängt w...

Vintage American modernist surreal painting. Oil on canvas, circa 1990. Unterschrieben. Image size 20L x 24H. Framing is available.

Unleserlich rechts unten signiert und um 1995 auf J. Whatman-Lagedruckpapier gemalt. Auf einem alten Kartonträger mit der Aufschrift „The Escorts“ betitelt. Eine skurrile Szene, di...

Expressive abstrakte, grüne Farbe, Original-Ölgemälde, signiert Von dem französischen Künstler Gustave von Loo Undeutlich in der linken unteren Ecke signiert und datiert '1990'. Ölge...

Sidney Chafetz Druckkatalog Raisonné. Columbus Museum of Art, Ohio. Medium: Lithographie. Druckbildgröße: 21 3/4 x 26 1/4 Zoll. Gedruckte Ausgabe: 10. Es ist nicht signiert oder nu...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

La Plage d'Arromanches von Hugues Pissarro dit Pomié (geb. 1935) Öl auf Leinwand 130 x 195 cm (51 ¹/₈ x 76 ³/₄ Zoll) Signiert, betitelt und datiert auf der Rückseite Vollstreckt im M...

Radier-Aquatinta-Stiche auf Papier, herausgegeben 1995. Limitierte Auflage, nummeriert 47/50 Signiert mit Bleistift vom Künstler in der rechten unteren Ecke. Sehr guter Zustand. Papi...

Brice Marden Lithografisches Plakat in limitierter Auflage, Museum für Gegenwartskunst Basel (gerahmt), 1993 Ausgezeichnete Provenienz aus dem Nachlass und der Sammlung des Künstlers...

Albert Watson Carre Otis mit Kopfbedeckung im Geparden-Print, Venedig, Italien, 1992 Archivierungs-Pigmentdruck 107 x 142 cm (42 1/8 x 55 7/8 in.) Auflage: 10 Stück plus 2 Probedruck...

Sam Francis Unbenannt 1991 Radierung in Farben, Auflage 19, Farbmusterdruck 119.4 x 71,1 cm (47 x 28 Zoll) SF17883

LESLEY DILL WEISSES KLEID MIT SCHARNIER (#3), 1993 mischtechnik Papierkonstruktion Gerahmt: 22 1/2 x 17 1/2 Zoll Auflage von 20 Stück signiert, datiert und nummeriert 12/20 in Bleistift

Robert Padilla (geb. 1947) Porträt, 1991. Öl auf Holztafel, 7,75 x 10,25 Zoll. Signiert und datiert oben rechts. Ungerahmt. Robert Padilla wurde 1947 in Paris, Frankreich, gebor...

Signiert und nummeriert, verso Archivierungs-Pigmentdruck 20 x 16 Zoll (Ausgabe von 10 + 2 APs) 1.830 Dollar 24 x 20 Zoll (Auflage: 7 + 2 APs) 2.745 Dollar Dieses Kunstwerk wird ...

Yvonne Jacquette verwendet Pastellkreide auf schwerem Büttenpapier, um eine nächtliche Stadtszene mit pulsierenden Lichtern darzustellen. Das Papier hat eine schwere Textur und die ...

Marina Abramović Unbetitelte Sanduhrzeichnung, 1992 Originalzeichnung mit schwarzem Filzstift, handsigniert und mit Anmerkungen versehen, im Innenteil des Katalogs der Ausstellung "B...

Fishermen's Mission, ist eine Fotografie, die einen bestimmten Moment in einem funktionalen Raum festhält. Durch Richards künstlerische Linse wird das scheinbar einfache Interieur zu...

Das Werk Blue Dog besteht aus einem Hintergrund in Braun, Rosa, Grau und Blau mit einem schwarzen Baum. links vom Baum ist ein blauer Hund und vor dem Baum ist ein roter Hund. Beid...

Keine Ausgabe Verso mit Bleistift signiert, betitelt und datiert von Earlie Hudnall, JR. Gelatinesilberdruck, 20 x 16 Zoll. Earlie Hudnall, einer der bedeutendsten heute lebenden af...

Herausgegeben von Portfolio London. Papierformat: 31,75 x 23,5 Zoll (80,645 x 59,69 cm) Bildgröße: 31,75 x 23,5 Zoll (80,645 x 59,69 cm) Gerahmt: Einrahmung verfügbar. Bitte anfra...

Alex Katz (nach) Taglilien (handsigniert und beschriftet von Alex Katz), 1992 Großes Siebdruckposter auf Velinpapier Unten rechts auf der Vorderseite mit schwarzem Marker fett signie...

Die Filmfestspiele von Cannes 1992 feierten ihre 45. Ausgabe mit einem Bild, das von zeitlosem Glamour und Filmgeschichte zeugt: einem eindrucksvollen Schwarz-Weiß-Porträt von Marlen...

Dieses Bild wurde als Cover für An Unlikely Attraction von Melinda McRae, Signet Regency Romance, Signet Books, 1991, veröffentlicht. Illustration eines jungen Paares. Signiert...

"Chicago" Broadway Musical Tony Award Signiert von Ann Reinking & Bebe Neuwirth Al Hirschfeld (1996) "Chicago" Lithographie auf schwerem Papier Anblick: 20 x 20 Zoll Nummeriert V/L...

Branding, Deep Creek von Adam Jahiel ist ein 13 x 13 Zoll großer Silbergelatineabzug, der in einer Auflage von 50 Stück erhältlich ist. Dieses Foto ist trocken auf einen 24 x 20 Zol...

*BITTE BEACHTEN SIE, DASS BRITISCHE KÄUFER NUR 5% MEHRWERTSTEUER AUF DIESEN KAUF ZAHLEN. Sobald eine Bestellung aufgegeben wurde, werden wir dafür sorgen, dass die Mehrwertsteuer von...

Seit 1956 ist Jean Claude Picot hauptberuflich als Künstler tätig. Er hat sich intensiv mit den Werken der fauvistischen Meister Vlaminck, Derain und Matisse auseinandergesetzt. So w...

Alex Katz (geb. 1927) widmet sich seit den 1950er Jahren dem Kunstschaffen - doch erst in den 60er Jahren etablierte er seinen charakteristischen "flachen" figurativen Stil. In den f...

CAKE & BLOOMS Größe: 35 x 30 cm (einschließlich Rahmen) Öl auf Karton Diese Ölkomposition für Innenräume, die auf der Rückseite mit 1991 datiert ist, ist ein einladendes und charman...

Christo Die Regenschirme (Gelb) (GERAHMT - entweder schwarzer oder weißer Rahmen - Sie wählen) Lithoserigrafie Jahr: 1991 Größe: 14,6 × 16,4 auf 19,1 × 19,9 Zoll Gerahmt: 20,5 x 20,5...

Sehr beeindruckende und monumentale Textilarbeit von Marco Barberio, Italien. Es handelt sich um eine Arbeit aus gefilzter Wolle mit den Maßen 81" x 48,25" in einem Rahmen aus Blatts...

Frühling im Tal, lebendige Landschaftsmalerei in Öl auf Papier, signiert Lebendiges Pleinair-Gemälde blühender Wiesen und Landschaftsbild in Öl auf Papier von J. A. Johnson (Amerika...

Lincoln Del South – Fingerhut Gallery von Harry McCormick (1942–) Datum: 1998 Medium: Plakat, mit Tinte signiert Größe: 26 x 39 Zoll (66,04 x 99,06 cm)

Künstler: Peter Max Titel: Sonnenuntergang im Schilf III Medium: Acryl auf Leinwand Größe: 16" x 20" Jahr: 1997 Signatur: Unten rechts signiert mit „Max“ Registrierungsnummer des Pet...

Künstler: Peter Max (US-Amerikaner, geb. 1937) Titel: Sonnenuntergang im Schilf I Medium: Acryl auf Leinwand Leinwand Größe: 16" x 20" Jahr: 1997 Signatur: Unten rechts signiert mit ...

Jack Roth (Amerikaner, 1927-2004), Ohne Titel, Acryl auf Leinwand, 1995, rechts unten signiert und datiert "Roth 95", verso bezeichnet "JR-3840" mit Stempel "Jack Roth Estate", unger...

Farbenfrohe mediterrane Strandpromenade mit Caféterrassen und Figuren Künstlerin: Elisabeth Ollé Curiel Titel: La Playa Medium: Öl auf Leinwand Maße: 60 × 73 cm / 23,62 × 28,74 Zoll...

Radierung handkoloriert. Handsigniert und nummeriert. Auflage: 100 Stück. Erstklassiger Zustand.

Das Werk "Blauer Hund" besteht aus 2 blauen Hunden, jeder auf einem separaten Hintergrund, einem roten und einem schwarzen mit einem Strang gelber Blumen, der über beide Hunde gestre...