1990er Jahre Kunst

M.F. Husain - Unbetitelt Auflage - 96/150 39,5 x 27,5 Zoll (ungerahmtes Format) Serigrafie auf Papier, 1998 (Ungerahmt & Geliefert) MF Husain, weltbekannter Künstler, ist für versch...

"Metamorphosis" ist ein 40" x 26" großes abstraktes Gemälde des amerikanischen Malers Ray Leight in Acryl auf Papier. Das Gemälde ist im Originalzustand, stammt aus dem Nachlass des ...

Satz von drei Aquatinten auf Twinrocker Büttenpapier. Jeweils am linken Rand mit Bleistift paraphiert, betitelt und datiert sowie mit Bleistift nummeriert (17/53). Gedruckt von I.M.E...

Georges R. Quinio (1927 - 1999) Nach seinem Studium an der Ecole Nationale des Beaux-Arts in Paris lebte Georges R. Quinio auf seiner Heimatinsel Korsika und widmete sich der Malere...

Jean Miotte - Seltene original signierte Lithographie Titel: Abstrakte Komposition Abmessungen: 76 x 56 cm Auflage: 64/99 Mit Bleistift signiert und nummeriert Jean Miotte, 1926 - 2...

Ein netter Kunde, der ein wenig Arabisch lesen kann, klärte mich darüber auf, dass der vollständige Name des Künstlers Afif Benanni lautet. Der Titel des Gemäldes bezieht sich auf "d...

Judy Chicago Logo-Pin und -Anhänger, 1993 Emaillierte Anstecknadel mit Anhängerschleife in originaler Präsentationsbox 2 1/2 × 2 1/2 × 1/5 Zoll Judy Chicagos eingeritzter Name und Da...

Manhattan-Brücke Richard Haas, Amerikaner (1936) Datum: 1999 Lithographie und Siebdruck auf Aluminium, signiert und nummeriert Ausgabe von SP Größe: 40 x 20 Zoll (101,6 x 50,8 cm)

Gordon House wurde 1932 in Pontardawe, Südwales, geboren. Schon als kleiner Junge kam House bei Besuchen in der Glynn Vivian Art Gallery mit Kunst in Berührung, was ihn zu kreativen ...

NORTH Jahr: 1992 Medium: 2-farbige, weichgrundige Radierung Papierformat: 28 x 25 Zoll (71 x 64 cm) Plattengröße: 19 x 18 Zoll (48 x 46 cm) Auflage: 60 Preis: $6.000 Vierer-Suite e...

Siebdruck auf handgeschöpftem Napalese-Papier. Auflage von 3000 Stück. Gedruckt von der Universität für angewandte Kunst, Wien. Herausgegeben von der MAK Galerie, Österreichisches Mu...

Owl's Head, Maine von Gretchen Dow Simpson ist ein atemberaubender Siebdruck in limitierter Auflage, der den idyllischen Charme dieses Küstenortes einfängt. Der von Pamplemousse Pres...

John Biggers in seinem Studio von Earlie Hudnall, JR. zeigt John Biggers beim Malen in seinem Atelier, umgeben von Bildern und Kunstzubehör. Gelatinesilberdruck Papierformat: 20 x ...

Wunderschöne Cello-Bronze- und Holzskulptur von dem bedeutenden Künstler ARMAN. signiert und nummeriert "6/8". Dieses Werk ist in den Arman Studio Archives New York unter der Nummer:...

Signiert unten rechts, "A. Dygert" für Audrey Dygert (Amerikanerin, 1922-2010) mit Künstlersiegel und gemalt um 1995. Audrey Dygert war ein Leben lang Malerin und ließ sich von ihre...

Original-Aquarell auf Archivpapier des bekannten Künstlers aus Tennessee, Jim Gray. Ca. 1995. Signiert Mitte unten. Das Gemälde zeigt eine typische Hütte in Tennessee im Frühherbst ...

Hunting" aus dem Film Immaculate Springs - 1998 Auflage von 5, 58x56cm, plus 2 Artist Proofs. Analoger C-Print, von der Künstlerin handgedruckt, basierend auf einem abgelaufenen P...

Original-Acrylgemälde auf Leinwand. Vorderseite handsigniert von Peter Max. Leinwandgröße 36 x 24 Zoll. Individueller Rahmen mit handgemaltem Filet. Rahmengröße ca. 46 x 33,75 Zol...

Künstler: Peter Max, deutsch/amerikanisch (1937 - ) Titel: Dame und Segelboot Version II #1 Jahr: ca. 1995 Medium: Tusche und Aquarell, signiert u.l. Größe: 15 Zoll x 18 Zoll (38,1 ...

Ann Miller in Follies Broadway Musical Zeitgenössische Zeichnung Illustration Eloise Ann Miller in Stephen Sondheims "Follies". Die Produktion von 1998 wurde im Papermill Playhouse ...

Tracey Emin Ich + Paul Wir sind die Trolle, 1995 Monoprint auf Papier Signiert, betitelt und datiert in Graphitstift auf der Vorderseite Einzigartig Inklusive Rahmen: trägt Original...

"Patio in Peru" ist ein Original-Ölgemälde auf Leinwand, das unten rechts von Ernesto Gutierrez signiert ist. Es zeigt einen Torbogen, der zu einem Innenhof führt, in den das Sonnenl...

Bemalte Bronzeskulptur von Yayoi Kusama. Die Originalform stammt aus dem Jahr 1976; gegossen wurde sie 1994. Dieses Werk ist die Nummer 12 aus einer limitierten Auflage von 30 Stück....

Herausgegeben von der Edition GKM. Ungerahmt. Auflage: 250 Ex Papier: 300gr. Goya. Vom Künstler signiert. Kostenloser Versand weltweit. Corneille, einer der Mitbegründer der COBRA...

Album Nr. 6 Mappe mit 3 Lithografien. Herausgeber GKM. Ungerahmt. Auflage von 150 Ex. Signiert, datiert und nummeriert. Kostenloser Versand weltweit. Vladimir Velickovic wurde 1935...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

Natalia Paschukowa (Russisch, geboren 1950) Absolvent des Moskauer Surikov-Kunstinstituts. Mitglied der Russischen Künstlervereinigung Lebt in Moskau Natalia absolvierte die Moskau...

Siebdruck auf Vélinpapier. Papierformat: 22 x 17 Zoll. Beschriftung: Unsigniert und nicht nummeriert, wie ausgegeben. Anmerkungen: Aus dem Album, Gedichte von Léopold Sédar Senghor, ...

Künstler: Francois Fanch Ledan Titel: Monte Carlo - Die Waffen, Jahr: 1997 Medium: Lithographie auf Arches-Papier Größe: 19 x 22 Zoll Mit Bleistift signiert und bezeichnet 198/200 ...

Charles Fazzino 3D-Lithographie Signiert und nummeriert In ausgezeichnetem Zustand Maße 23x19 Internationale Käufer müssen den Versand übernehmen

Château Pichon-Longueville. 1994. Segeltuch, Öl, 80x40 cm Vladimirs Pavlovs (1950) Geboren am 6. Mai 1950 in Riga. Im Jahr 1981 schloss er die Abteilung für künstlerisches Bauen der...

HIROSHI SUGIMOTO (*1948, Japan) 310 Japanisches Meer, Oki 1987 Gelatinesilberdruck Blatt 50,8 x 61 cm (20 x 24 in.) Auflage 25; Ausgabe Nr. 15/25 Seit über 40 Jahren schafft der j...

Kiki Smith Tattoo-Druck, 1995 Siebdruck und Tintentransfer auf Velinpapier Signiert, datiert 1995 und nummeriert 96/100 in Graphitstift auf der Vorderseite Ein weiteres Exemplar dies...

越波飛翼 (Yuè bō fēi yì) von 朱永 Überwindung der Wellen Fliegende Flügel von ZhuYong Bild, 26,5 "H x 40,5 "W Rahmen, 35,5 "B 49,5 "B . 1.5 "D Ein chinesisches Gemälde, das zwei Kraniche...

Dieser exquisite 11-Farben-Siebdruck mit dem Titel "Flags" stammt von der bekannten Künstlerin Gretchen Dow Simpson und wurde von Pamplemousse Press gedruckt. Handsigniert, betitelt ...

Anne Sager (Amerikanerin, 1930-2024), Kniende weibliche Figur, Farbfotografie, Chromogener Druck auf Kodak-Papier, auf Plakatkarton montiert, aus der Serie "Women Over 50", zeigt ein...

A travers.Portfolio mit 14 Siebdrucken. Herausgeber GKM. Ungerahmt. Auflage von 200 Ex. Signiert, datiert und nummeriert. Kostenloser Versand weltweit. "Ich male, weil die Male...

"Some of What I Know, A Lot of What You Thought Was a Mistake" (Einiges von dem, was ich weiß, und vieles von dem, was du dachtest, war ein Fehler) ist eine Original-Ölpastellzeichnu...

Wunderschönes herbstliches Stillleben mit Kürbis, Äpfeln und Veilchen von einem unbekannten Künstler (Amerikaner, 20. Jahrhundert). Unleserlich signiert ("Barbara ...") und datiert "...

Dies ist eine schöne Vintage-Ölgemälde auf Leinwand, die eine ländliche Landschaft mit einer alten Wassermühle im Vordergrund, ein Fluss Blick, und die Figur eines jungen Mädchens we...

Die komplette Serie von neun Kaltnadelradierungen, acht mit selektiver Wischtechnik, eine mit Monodruck und Prägung, auf Dieu Donné Papier, mit vollem Rand. #Nr. 30 aus der Auflage ...

Aus der Shawl Suite. Serigrafie auf Papier. Vom Künstler handsigniert und nummeriert. Das Kunstwerk ist in ausgezeichnetem Zustand. Größe des Bildes: 18 x 11 Zoll. Gerahmte Größe: c...

konstellation original acryl papier gemälde . gerahmt Als Sohn von Josep Tharrats i Vilà zog er 1932 nach Béziers, bis er 1935 nach Barcelona zurückkehrte, um an der Massana-Schule z...

Dieses beeindruckende Mixed-Media-Kunstwerk mit dem Titel Walpi #9 (Hopi Village on First Mesa, Arizona) ist eine meisterhafte Kombination aus Aquarell, Tinte und Kohle auf Papier vo...

Herausgeber GKM. Ungerahmt. Auflage von 120 Ex. Signiert und nummeriert. Kostenloser Versand weltweit. Arman erforscht die Realität. Er strebt danach, Artefakte in Kunstwerke zu ver...

Naturalistische Berglandschaftsmalerei des texanischen Künstlers Robert W. Boyle. Das Werk zeigt einen Fluss, der durch einen Wald von Bäumen fließt, während der erste Schneefall ihr...

Anne Sager (Amerikanerin, 1930-2024), Stehender weiblicher Akt, Farbfotografie, Chromogener Druck, aus der Serie "Women Over 50", Frau zieht Strumpfhose aus, verso gestempelt "Anne S...

David Ogburn, Amerikaner (1942 - ) - Alexander O'Neal, Medium: Gelatinesilberdruck, Größe: 10 x 8 Zoll (25,4 x 20,32 cm)

Louisa Chase, Amerikanerin (1951 - 2016) - Untitled - Hands (Primary), Jahr: 1990, Medium: Radierung und Chine Colle, signiert und nummeriert mit Bleistift, Auflage: 30, Größe: 3...

David Ogburn, Amerikaner (1942 - ) - Kriss Kross, Jahr: 1993, Medium: Gelatinesilberdruck, Bildgröße: 7,5 x 9,5 Zoll, Größe: 8 x 10 Zoll (20,32 x 25,4 cm)

David Ogburn, Amerikaner (1942 - ) - Truppe, Medium: Gelatinesilberdruck, Bildgröße: 7 x 9,5 Zoll, Größe: 8 x 10 Zoll (20,32 x 25,4 cm)

David Ogburn, Amerikaner (1942 - ) - Phyllis Hyman, Medium: Gelatinesilberdruck, Bildgröße: 9,5 x 7,5 Zoll, Größe: 10 x 8 Zoll (25,4 x 20,32 cm)

David Ogburn, Amerikaner (1942 - ) - Sade Adu, Medium: Gelatinesilberdruck, Größe: 10 x 8 Zoll (25,4 x 20,32 cm)

David Ogburn, Amerikaner (1942 - ) - James Brown, Jahr: 1993, Medium: Gelatinesilberdruck, Bildgröße: 7,5 x 9,5 Zoll, Größe: 8 x 10 Zoll (20,32 x 25,4 cm)

David Ogburn, Amerikaner (1942 - ) - Self-Portrait, Medium: Gelatinesilberdruck, Bildgröße: 10,75 x 8,25 Zoll, Größe: 11 x 8,5 Zoll (27,94 x 21,59 cm)

Jim Dine, Amerikaner (1935 - ) - Walking Memory Guggenheim Ausstellungsplakat, Jahr: 1999, Medium: Poster auf Schaumstoffplatte montiert, signiert mit Marker, Größe: 31 x 18 in. (...

Okaga - Rote, blaue und grüne Komposition, Jahr: 1998, Medium: Siebdruck Monoprint, signiert und datiert mit Bleistift, Größe: 13 x 11.25 in. (33.02 x 28.58 cm)

Ron Morosan, Amerikaner (1947 - ) - Bildtransfer, Jahr: 1998, Medium: Gouache auf Papier, signiert, betitelt und datiert mit Bleistift, Größe: 15 x 11 Zoll (38,1 x 27,94 cm)

Ron Morosan, Amerikaner (1947 - ) - Geschlossener Kreislauf, Jahr: 1999, Medium: Buntstift auf Papier, signiert und datiert mit Bleistift unten links, Größe: 11 x 8,5 Zoll (27,94 ...

Okaga - Rote und blaue Komposition, Jahr: 1998, Medium: Siebdruck Monoprint, signiert und datiert mit Bleistift, Größe: 18 x 9.75 in. (45.72 x 24.77 cm)