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Bernard BuffetBernard Buffet, House of BB, from Lithographs II, 19871987
1987
623,78 €
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This exquisite lithograph by Bernard Buffet (1928–1999), titled Maison de BB (House of BB), originates from the 1987 album Bernard Buffet, Lithographe II (Bernard Buffet, Lithographer II), published by Editions Michele Trinckvel, Paris, and printed by Mourlot Freres, Paris, 1987. The composition reflects Buffet’s austere architectural sensibility, reducing the domestic structure to sharp linear forms that convey solitude, rigidity, and emotional restraint, hallmarks of his mature graphic language.
Executed as a lithograph on velin paper, this work measures 12.5 x 18.5 inches (31.75 x 46.99 cm), with centerfolds as issued. Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the most important Parisian lithographic ateliers of the twentieth century.
Artwork Details:
Artist: Bernard Buffet (1928–1999)
Title: Maison de BB (House of BB), from Bernard Buffet, Lithographe II (Bernard Buffet, Lithographer II), 1987
Medium: Lithograph on velin paper
Dimensions: 12.5 x 18.5 inches (31.75 x 46.99 cm), with centerfolds as issued
Inscription: Unsigned and unnumbered as issued
Date: 1987
Publisher: Editions Michele Trinckvel, Paris
Printer: Mourlot Freres, Paris
Catalogue raisonne reference: Buffet, Bernard, and Charles Sorlier. Bernard Buffet: Lithographe I-II. M. Trinckvel, 1979-1987, illustration 299-301
Condition: Well preserved, consistent with age and medium
Provenance: From the 1987 album Bernard Buffet, Lithographe II (Bernard Buffet, Lithographer II), published by Editions Michele Trinckvel, Paris
Notes:
Excerpted from the album (translated from French), This album was completed printing in September 1987 by Elli and Pagani in Milan. The photoengraving was made by Photolitho Lombarda in Milan. The original lithographies were printed on the presses of l'Imprimerie Mourlot in Paris.
About the Publication:
Bernard Buffet, Lithographe II, issued in 1987 by Editions Michele Trinckvel, Paris, represents the culmination of an ambitious editorial project devoted to documenting Bernard Buffet’s graphic production across decades. Conceived as a continuation of the earlier Lithographe I, the album reflects the highest standards of late twentieth century Parisian art publishing, combining scholarly rigor with exceptional technical execution. The collaboration between Trinckvel, Mourlot Freres, and specialized Italian workshops for photoengraving and finishing underscores the international scope and complexity of the production. Lithographe II serves not only as a comprehensive visual record of Buffet’s mature graphic language but also as an authoritative reference for collectors, institutions, and scholars. Its disciplined presentation, fidelity to line, and consistency of printing preserve the stark emotional intensity that defines Buffet’s work, securing the album’s place as a cornerstone of postwar figurative printmaking.
About the Artist:
Bernard Buffet (1928–1999) was a French painter and printmaker whose unmistakable linear style, technical precision, and emotional intensity made him one of the most influential and prolific artists of the 20th century. Born in Paris, Buffet entered the Ecole Nationale Superieure des Beaux-Arts at fifteen and soon developed a visual language defined by taut black outlines, muted tones, and haunting stillness that reflected the existential climate of postwar Europe. Influenced by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Buffet forged a path that blended classical rigor with modern expression. Emerging in the late 1940s as a prodigy of French modernism, he rose to fame after his work L'Homme accoude was acquired by the Musee National d'Art Moderne, and by his early twenties, he was being heralded as a successor to Picasso. His stark depictions of Parisian streets, still lifes, religious scenes, clowns, and self-portraits embodied the human struggle with isolation and resilience, capturing the postwar spirit with both intellect and empathy. Buffet’s disciplined draftsmanship, emotional gravity, and refusal to abandon figuration during the dominance of abstraction set him apart from his contemporaries and aligned him with the existentialism of Jean-Paul Sartre and Albert Camus. Throughout the 1950s and 1960s, he achieved international acclaim, exhibiting across Europe, America, and Asia, and in 1955 won the Prix de la Critique. His prolific output over thousands of works spanning painting, lithography, and illustration combined architectural order with psychological depth. A polarizing figure in his lifetime, Buffet was celebrated by collectors and the public for his expressive honesty, while critics debated his commercial success. In 1973, the Musee Bernard Buffet was founded in Surugadaira, Japan, housing thousands of his works and confirming his global legacy. His art remains in major museum collections including the Centre Pompidou, the Tate, and MoMA. His highest auction record was achieved by Le Cirque (1961), which sold for 13.6 million USD at Christie's, Hong Kong, on May 26, 2022, reaffirming his status as one of the most distinctive, visionary, and collectible painters of the modern era.
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- Schöpfer*in:Bernard Buffet (1928 - 1999, Französisch)
- Entstehungsjahr:1987
- Maße:Höhe: 31,75 cm (12,5 in)Breite: 46,99 cm (18,5 in)
- Medium:
- Bewegung und Stil:
- Zeitalter:
- Zustand:
- Galeriestandort:Southampton, NY
- Referenznummer:1stDibs: LU1465217380712
Bernard Buffet
Bernard Buffet wurde am 10. Juli 1928 in Paris geboren. Er war ein französischer Maler des Expressionismus und Mitglied der gegengerichteten abstrakten Künstlergruppe L'homme Témoin. Er studierte Kunst an der École Nationale supérieure des Beaux-Arts und arbeitete im Studio des Malers Eugène Narbonne. Buffet starb am 4. Oktober 1999 in Tourtour, Frankreich.
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