United by Design

At Decades, Vintage Fashion Is All about Individuality and Sustainability

Once upon a time, vintage clothing was sold in quirky little stores to artistic young people looking for a bargain. It had an edgy, alternative flair but rarely delivered grown-up glamour. Enter Cameron Silver. One of those artistic young people himself, the Beverly Hills, California–native traveled the country in the 1990s, performing German torch songs and haunting vintage stores along the way. Soon, he had an impressive collection of previously worn wares, along with a vision for giving a second life to what he referred to as “pre-loved” fashion. In 1997, he opened Decades on Melrose Avenue in Los Angeles.

Cameron Silver with Jennifer Tilly
Decades founder Cameron Silver with actress Jennifer Tilly. Silver has worked with other celebrity style icons like Chloë Sevigny, Jennifer Lopez and Nicole Kidman. Top: Inside Decades is a treasure trove of exceptional clothing and accessories spanning a century of fashion history. Photos courtesy of Cameron Silver

Five years later, Silver was named to Time magazine’s list of the most influential people in fashion. “I thought it was a practical joke when I got the call,” he recalls, noting that receiving the Time honor remains one of his greatest thrills.

Since Decades’ opening, pre-loved styles have become a red-carpet mainstay. A short list of the celebrities Silver has worked with includes Chloë Sevigny, Marisa Tomei, Jennifer Lopez, Nicole Kidman, Jennifer Tilly, Kat Graham and the Kardashians. 

“Decades was a destination for sustainability before it was on everyone’s mind,” Silver says. “We are a destination for individuality. And we’ve always been a place that matches the right piece with the right person. That is the greatest reward.” 

Silver spoke with Introspective about his favorite finds and forgotten heroes.

Decades in Los Angeles
Silver opened “pre-loved” fashion haven Decades on Melrose Avenue in Los Angeles in 1997.

What is the most extraordinary object you’ve handled?

Yves Saint Laurent for Christian Dior crocodile and mink jacket from the 1960 Beatnik collection
Silver says a Yves Saint Laurent for Christian Dior crocodile and mink jacket from the 1960 Beatnik collection is the most extraordinary piece he’s ever handled.

An Yves Saint Laurent for Christian Dior crocodile and mink jacket from the 1960 Beatnik collection — it was hanging on a wire hanger in the seller’s hall closet! This was an extremely controversial design. It had a countercultural, sort of Brando-esque vibe that had never before been seen on a couture runway. Saint Laurent made street style exclusive. This moved fashion forward and changed the trajectory of his career [Dior let him go because of this collection].

Speaking about your experience as a collector, you’ve said that “with access came excess.” How do you keep the store edited?

We don’t do basic or boring. I like things that have a little twist, so even our basics are a little more special. Decades is a place of unexpected discovery, where you can find the things you didn’t know you wanted. We take a piece that could be sixty years old, but the way we style it is all about modernity. 

Cameron Silver with dog
“We are a destination for individuality,” Silver says of Decades. Here, he sits with his pup, Gary.

In your opinion, who are the forgotten heroes of fashion?

A few months ago, I was looking at a collection that included a lot of dresses by Fabrice, the Haitian-born American designer who was popular in the early nineteen eighties. These were slip dresses, sequined and a little flashy. I thought they were great — fresh and modern. So now, I have renewed appreciation for Fabrice. That discovery process is one of the things that makes me excited about what I do.

What advice do you have for people beginning to incorporate vintage into their everyday wardrobes?

First and foremost, vintage doesn’t have to be that old. I like to expand the definition and instead say “pre-loved.” When I look at something — whether it’s two or two hundred years old — I always ask, “Does it look modern?” I also warn people not to get seduced by a designer label. Because you might see a mediocre design by a well-known label. Finally, condition matters! Ask yourself if it is wearable in its current incarnation. 

Is there one design you’ve always hoped to find?

I’m good with what I’ve found so far. But I still like the unexpected — finding the thing I didn’t know I wanted to find. That’s what Decades has been about for the past twenty-three years. We are mystery merchants.


Cameron Silver’s Talking Points

Olivier Theyskens for Rochas wedding gown with long jacket, 21st century
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Olivier Theyskens for Rochas wedding gown with long jacket, 21st century

“A wedding dress is so optimistic. This one is special because it’s Rochas and Theyskens, and it’s a sample [and thus rare]. It’s beautiful, romantic and really hopeful. I’m not sentimental, but I long to be at a wedding right now.”

Hermès burgundy crocodile HAC travel Birkin bag, 1972
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Hermès burgundy crocodile HAC travel Birkin bag, 1972

“The HAC is the bag the Birkin is based on. It’s the ultimate of designs.”

Chester Weinberg bone linen kimono, ca. 1965
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Chester Weinberg bone linen kimono, ca. 1965

“Chester Weinberg was a great American designer, although he’s not that well known today. This is a simple design, but it has so much phenomenal drama. Empire waist, kimono sleeves — it has the feeling of the silent film era. The bells and whistles are in the construction.”

Christian Lacroix haute couture pouf dress, 1980s
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Christian Lacroix haute couture pouf dress, 1980s

“The pouf is such a seminal Lacroix silhouette. He revitalized French couture with this look — he took a ball gown and gave it legs.”

Hermès purple croc pochette, 2008
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Hermès purple croc pochette, 2008

“The thrill of Hermès is something very few brands have managed to maintain. I love the purple of this pochette.”

Yves Saint Laurent Carmen Collection layered coin necklace, Spring/Summer 1977
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Yves Saint Laurent Carmen Collection layered coin necklace, Spring/Summer 1977

“I like jewelry that makes a little noise. There is something about hearing the pieces brush up against each other, like a wind chime. There is a photo of Farah Fawcett wearing a version of this necklace.”

Jean Paul Gaultier velvet bolero, ca. 1985
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Jean Paul Gaultier velvet bolero, ca. 1985

“I was at Gaultier’s final couture show, and in that collection he repurposed a lot of older designs. So, an early piece like this has extra relevance today. Plus, I love a bolero — it’s very elegant and glamorous and can be worn by a man or a woman.”

Vivenne Westwood Portrait Collection velours jumpsuit, Fall/Winter 1990
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Vivenne Westwood Portrait Collection velours jumpsuit, Fall/Winter 1990

Right now, I’m watching Absolutely Fabulous, and Edwina was wearing a version of this jumpsuit in the first season. It speaks to the idea of protection, and it is iconic Westwood — you can still do a cartwheel in it! Anything that was in Ab Fab is extra special.”

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