Anatomy of a Room

For a Television Writer in Los Angeles, Stefani Stein Created an Office That Feels Like a Cozy Cottage

Stefani Stein room

When you think of a writers room for a television show, you might imagine a scene from 30 Rock, men and women sitting on and around sad office furniture in a drab space with white boards on the walls. In short, the kind of place where creative brilliance happens in spite of the environment, not because of it. That’s pretty much the opposite of what Los Angeles writer and producer Lauren Morelli, whose credits include Orange Is the New Black, had in mind when she asked Stefani Stein to design a writers studio for her production company, Sweatpants Inc.

Photos by Michael P.H. Clifford, styled by Amy Chin

“The starting point was Lauren’s relationship with books and storytelling,” Stein tells Introspective. With that in mind, Stein gave one wall of the sitting area — situated within a commercial office space that the designer utterly transformed — over to built-in bookshelves, which provided ample storage and set the mood. “The library wall became the catalyst and emotional anchor of the room, shaping everything from the layout to the color story,” she says. “We designed the space around the experience of being surrounded by books and ideas.”

Clockwise from top left: Arne Jacobsen for Fritz Hansen office chair, 1950s; 30 Rock with (left to right) Katrina Bowden, Tina Fey and Keith Powell in “Hogcock!/Last Lunch” (Season 7, Episodes 12 and 13, aired January 31, 2013), 2006–13, photo Ali Goldstein/©NBC/courtesy Everett Collection; Charles Eames for Herman Miller Aluminum Group chair, 1970s; Hacks (Season 4, Episode 3), photo courtesy of Max; Cartier palladium-finish R de Cartier rollerball pen, contemporary

Clockwise from top left: 1943 image from Vogue showing (from left) Mr. George Dyer, Mrs. Fritz Grau, Mr. Peter Thieriot, Mrs. Peter Thieriot, Mrs .George Dyer and Mr. Fritz Grau in front of a tapestry at the home of Mr. Whitney Warren, San Francisco, photo by Clifford Coffin/Condé Nast via Getty Images; SILVA Jacquard Castle chair by House of Hackney, new; interior by Charlap Hyman & Herrero, photo by Stephen Kent Johnson; BVIZ Antique tapestry fragment pillow, 2025; Castle

Clockwise from top left: Nordic Knots Square Tobacco dhurrie/kilim rug, new; The Queen’s Gambit with Jacob Fortune-Lloyd and Anya Taylor-Joy in “Exchanges” (Season 1, Episode 102, aired October 23, 2020), photo by Phil Bray / ©Netflix / Courtesy Everett Collection; JMF chair by Forsyth, new; Milo Baughman coffee table, 1970s; Georg Jensen checkerboard cufflinks, ca. 1950

Clockwise from top left: The Red Dress, 20th century, by Joseph Newman; Gianni Versace Couture gown, 1997; Valentino in Rome with his models (Valentino à Rome avec ses modèles), photo by Pascal CHEVALLIER/Gamma-Rapho via Getty Images; Pretty Woman with Richard Gere and Julia Roberts, 1990; Red Dress, 2023, by Roseleen Labazacchy

Clockwise from top left: Karl Lagerfeld poses in his studio on Rue de Lille in Paris, France, on November 12, 2008, photo by Eric Dessons/JDD/Abaca/Sipa USA(Sipa via AP Images); Charlotte Perriand Nuage, 2014 limited-edition reissue by Cassina and Louis Vuitton; Biblioteca di Seitenstetten, Austria, 1994, by Massimo Listri

Against a neutral backdrop, Stein layered richer hues, mustard in a pair armchairs, for instance, and pops of carmine. “Color is a source of joy for Lauren and a guiding force in my work with her,” Stein says, adding, “The hues are earthy and nuanced, with intentional red moments that bring energy and emotion.”

One such moment is a Branko Bahunek oil painting of a woman in a red dress, which Stein found on 1stDibs and hung on the bookshelves above a curvy Lauren sofa from her furniture collection, August Abode. Other August Abode pieces in the room include a free-form walnut-and-marble Griffith coffee table and, next to the sofa, a checkered maple Gardner chest, which Stein incorporated to add pattern and structure.

In this meeting space, an L-shaped banquette embraces an August Abode Barrington dining table made from reclaimed pine. The Mariposa dining chairs are also by August Abode. Stein found the Fan chandelier by JDP Interiors on 1stDibs.

In addition to the sitting area, Morelli wanted a place for meetings that didn’t feel like a typical conference room. Stein created a breakfast-nook-type space, complete with cushioned banquette. “It was important to her that the space be both aesthetically minded and comfortable enough for long meetings,” the designer says. She outfitted it with a Barrington dining table and pair of Mariposa chairs, from August Abode, plus a JDP Interiors Fan chandelier, which she found on 1stDibs.

“The starting point was Lauren’s relationship with books and storytelling,” Stefani Stein says of designing the office space for television writer and producer Lauren Morelli.

“The challenge was translating Lauren’s very personal creative rhythm into a functional environment,” Stein says of the project. “She needed privacy, comfort and focus, but also a space that could expand to support collaboration.” For the record, Stein thinks the team nailed it. “I love that this space feels unmistakably like Lauren. Books everywhere, color with depth, layers of art and texture and a sense of intention in every corner.”

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