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Jacques Adnet Rare Stitched Leather Vide Poche Side Table, circa 1950

Informazioni sull’articolo

Boost your interior with this rare and sophisticated Jacques Adnet-designed side table, a true testament to the visionary artistry that shaped the French Art Deco and Mid-Century Modern movements. Crafted in France circa 1950, this exceptional piece seamlessly merges bold geometry with refined materials, making it a statement of timeless elegance. Its open, transparent iron structure plays with intersecting and parallel lines, creating a daring modernist composition that is both striking and functional. The four-foot stand, wrapped in its original hand-stitched black leather, exudes a luxurious tactile quality, further complemented by Adnet's signature gilded brass ball feet—a hallmark of his impeccable craftsmanship. At its center, a heavy square molded art glass ashtray or catchall sits securely, seamlessly integrating artistry with utility. The lower level, fully covered in supple leather, transforms this rare piece into a stylish magazine holder, adding versatility to its distinctive design. The industrial, thick molded glass ashtray—crafted by Lumax and designed by the legendary Le Corbusier—adds an extra layer of historic significance. Known as "Nevada," this model was a preferred accessory in the creations of both Charlotte Perriand and Jacques Adnet, further solidifying its place in design history. The glass top bears the engraving "Nevada," a subtle but important mark of authenticity. A remarkable fusion of artistry and function, this side table is more than furniture—it's a collector's piece that embodies the golden era of design innovation. Whether placed in a curated living space or a refined study, it brings an undeniable touch of luxury and prestige to any setting. Secure this rare masterpiece and own a slice of design history. Dimensions: 9.88 in wide (25 cm) by 11 in deep (28 cm) by 24 in high (61 cm). The vide-poche is 7.88 in wide (20 cm) by 7.88 in deep (20 cm). Note: An additional piece from the Adnet leather collection featuring the glass vide-poche is pictured in the book "Jacques Adnet" by Alain-René Hardy and Gaelle Millet, Paris. Les Editions de l'Amateur, copyright 2009, on page 202. Advance reading: To truly understand Jacques Adnet's work, a wise collector must first acknowledge a fundamental challenge: the absence of direct insights from the designer himself. While Adnet was deeply engaged in his craft, decoration remained a profession rather than his life's central pursuit. Unlike many of his contemporaries, he made little effort to extend his public recognition, leaving behind few personal accounts or written reflections on his creative philosophy. Compounding this difficulty is the scarcity of preserved archives, making it nearly impossible to trace his intentions with certainty. Françoise Adnet, his daughter, lamented that her father kept no records of the Compagnie des Arts Français or his own body of work. During World War II, Adnet stored his drawings, models, and plans in the attic of his second home in Yvelines. Tragically, severe weather led to the destruction of most of this invaluable collection, leaving the history of his contributions largely undocumented. Adnet's disregard for legacy was not uncommon among designers of his era. Historians of decorative arts frequently express frustration over the general neglect of archival preservation among creators who balanced artistry and commerce. This issue extended to major Parisian department stores, which failed to safeguard records from their art workshops. Institutions such as Galeries Lafayette and Le Printemps demonstrated little discernment in preserving their history, and La Maîtrise's archives are similarly lacking in this regard. As a result, Adnet's early career remains just as obscure as his later work. The absence of definitive records has led to varied interpretations of Adnet's designs, often clouded by speculation and misjudgment. Without concrete documentation, evaluations of his contributions rely heavily on subjective criticism, leaving room for frequent misunderstandings of his creative vision. A collector must approach Adnet's legacy with this awareness, embracing his work not through historical certainty but through an appreciation of his artistic impact and influence. (Extract from the foreword of the book by Alain-René Hardy and Gaelle Millet on Jacques Adnet. Published in 2009 by Les Editions de l'Amateur).
  • Creatore:
    Le Corbusier (Designer),Jacques Adnet (Designer),Lumax (Produttore)
  • Dimensioni:
    Altezza: 60,96 cm (24 in)Larghezza: 25,1 cm (9,88 in)Profondità: 27,94 cm (11 in)
  • Stile:
    Mid-Century moderno (Del periodo)
  • Materiali e tecniche:
  • Luogo di origine:
  • Periodo:
  • Data di produzione:
    circa 1950
  • Condizioni:
    Usura compatibile con l’età e l’utilizzo. The side table is in excellent condition, with minimal wear to the leather.
  • Località del venditore:
    Atlanta, GA
  • Numero di riferimento:
    Venditore: Y049CFAFCA1stDibs: LU1632244574732

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