Impressionist Prints and Multiples

Camille Pissarro (1830-1903), Paysanne au Puits (Peasant Woman at the Well), etching and aquatint, 1891, signed, titled and numbered (3 etat no 2). Refer...

Theodore Roussel (1847-1927), Chelsea Children, Chelsea Embankment, etching, 1889, signed in pencil on the tab and inscribed “imp” [also signed in the plate]. Reference: Hausberg 32, only state, from the total printing of about 30 impressions. Printed in a reddish brown ink on a thin laid paper. In very good condition, trimmed by the artist on the platemark except for the tab, 7 1/2 x 5 1/16 inches. A fine impression, printed with a veil of plate tone, wiped a bit less toward the sky making the sky darker than the street scene. Hausberg notes that this etching “depicts, in reverse, a stretch of Cheyne Walk...

Camille Pissarro (1830-1903), Paysannes Dans un Champ de Haricots, etching, aquatint, maniere grise; 1891, titled, signed, annotated 1er etat no. 10, also marked with a large Z by th...

Original lithograph printed in black ink on China paper. Signed on the stone with the artist’s butterfly monogram upper center. A superb, richly printed impression of Spink’s only state From the edition of unknown size printed by Lemercier, Paris (apart from the posthumous edition of 58 printed by Goulding in 1904). Catalog: Spink 169; Levy 129; Way 151 Collections in which impressions from this edition can be found: Art Institute of Chicago (4 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); British Museum, London (1 impression); Freer Art Gallery, Smithsonian Institution, Washington, D.C. (1 impression); National Gallery of Art, Washington, D.C. (1 impression); University of Michigan Museum of Art, Ann Arbor (1 impression); Boston Public Library (1 impression); Museum of Fine Art, Boston (1 impression); Cleveland Museum of Art (1 impression); Metropolitan Museum of Art, New York (2 impressions); Achenbach Foundation for the Graphic Arts, San Francisco (1 impression) . “The Shoemaker” was one of the first lithographs that Whistler made after his acrimonious break with his London printers, the Ways. It was entitled “The Shoemaker, Dieppe” by Rosalind Birnie Philip in her 1903 inventory of the artist’s estate, and indeed it does seem to have been drawn during a period when Whistler was making frequent Channel crossings...

Camille Pissarro (1830-1903), Paysanne Donnant a Manger a un Enfant, etching on zinc, 1874, signed in pencil lower right and inscribed lower left “No 1 – 1er etat”, also titled in p...

James Whistler (1834-1903), The Little Mast, etching, drypoint and burnishing, 1879-80, signed in pencil with the early shaded butterfly lower left and annotated “imp”. References: G...

Gerald Geerlings (1897-1998), Black Magic, etching and aquatint, 1929, signed in pencil lower right, titled and annotated (New York, 1928) lower left margi...

Jacques Villon, American (1875-1963), Sous la Tente, Sur la Plage, Bionville, circa 1905. Ginestet Pouillon 137. Trial proof in color outside of the edition of 50. With blindstamp in...

LESSER URY 1861-1931 Międzychód, Poland 1861 - 1931 Berlin (German) Title: Dutch Themes Holländische Motive, 1922 Technique: Complete Set of Seven Original Hand Signed an...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Kees van Dongen Title: Montmartre 1900 Original Lithograph Edition of 180 Dimensions: 39 x 30 cm References: Juffermans JL 34 Information : This lithograph was created for the portf...

A Lone Ranger cowboy at night. Medium: Aquatint, Drypoint, Etching Year: 2018 Image Size: 12 x 12 inches Edition Size: 75 Lawlor's early etchings were often landscapes combining ...

Paper Size: 33 x 24 inches ( 83.82 x 60.96 cm ) Image Size: 27.25 x 23 inches ( 69.215 x 58.42 cm ) Framed: No Condition: A: Mint Additional Details: Poster for the Cone Collection at the Baltimore Museum of Art...

Original color mixed media, unknown year. Kosa Bokšan was a Serbian painter who lived in Paris. She was painting landscapes and portraits when she finished her studies at the Academy...

A pair of William Alexander Sharp ( American, 1900 - 1961) lithographs , created circa 1940's , portraying a court scene. One lithograph showing lawyers " Side bench " in front of th...

This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240 including Proofs, and this beautiful harbor scene is bathed in glowing light, with rich blues, greens, and grays. This exceptional serigraph has the edges hand torn to accentuate the texture and allow the artwork to be floated in a frame. As a painter Cosby travels extensively painting what he sees and feels. Bold use of color and an energetic brush stroke combined with the truth of the place is what you will see and feel when viewing a painting by Cosby. Born in Hollywood California in 1955, Cosby was raised in the west. At an early age he began to draw and paint and was lucky enough to have been inspired by a grandmother who was an oil painter. "She would give me the paint, some brushes and a scrap of canvas and set me off to paint. This early experience took the fear out of creating a painting," said Cosby. Cosby started traveling at an early age. At 18 he was chosen as an advance man for the Executive Branch of the US Government, served under two Presidents and traveled the world. He met many interesting people and saw many things but what most interested him were the great works of art he encountered. "They haunted me and helped set the course for my career as a painter". After leaving the White House, Cosby rebuilt an old classic sailing sloop designed by Nathaniel Herrishoff. With a friend (who had dreams of being a writer) set sail up and down the eastern seaboard in the inland waterway for 3 years. Thus he began his art career. "Doing drawings of anything that moved me, things began to sell and my course was set," said Cosby. Upon his return to the California, Cosby began painting the sea and landscape of coastal California. With a strong gallery response, his success as a painter quickly followed. Cosby currently resides and maintains a studio in San Clemente CA. He works on location around the world and is represented by some of the finest galleries. Cosby was a founding board member of the prestigious “Laguna Plein Air Painters Association”, a Signature member of both Pleinair Painters of America and The California Art Club. He has served as an officer of these groups to help further the cause of Art. Cosby was also a founder of the Laguna Beach Plein Air Painting Invitational that was held at the Laguna Art Museum for thirteen years and is now in it's 18th year. With his bold contemporary style Cosby has captured the imagination of some very important collectors. His work can be found in many private, public and corporate collections around the world. Cosby is recognized internationally. List of Awards and Recent Exhibitions 2016 The Irvine Museum Summer Exhibition "A Summer Idyll" 2015 Commissioned by Big Canyon Country Club to paint a major painting 2015 Accepted into The Irvine Museum Permanent Collection 2015 Group Show “The Wild Side” Catalina Island Conservancy show 2014 The Fredrick Weisman Museum "On Location in Malibu" A CAC Show 2014 The Cape Cod Museum of Art "Looking East" a PAPA Show 2014 The Irvine Museum "Sunlight and Shadow/ The Tradition of Pleinair Painting 2013 One man show at Redfern Gallery “Beached and Coves of Laguna Beach 2011 First Place, Plein Air in the Park, Paso Robles CA. Awarded by Jean Stern, The Irvine Museum 2009 Collectors Choice Award; Laguna Art Museum CA 2007 First Place, Heritage Art Show, San Juan Capistrano, CA 2007 Irvine Museum Award, Coastal Splendor Plein Air Invitational, Crystal Cove, CA 2007 Second Place, Casa Romantica, San Clemente, CA 2005 Honorable Mention; Coastal Splendor Plein Air Invitational, Crystal Cove, CA 2004 Honorable Mention; Sights of Southern California; Bowers Museum, Santa Ana, CA 2004 Honorable Mention; Coastal Splendor Plein Air Invitational, Crystal Cove, CA 2004 Artist Choice Award; Quick Draw, Laguna Beach Plein Air Painting Invitational, CA 2003 Honorable Mention, Sights of Southern California; Bowers Museum, Santa Ana, CA 2002 Collectors Choice Award, Laguna Plein Air Painting Invitational, Laguna Beach, CA 2001 First Place, Quick Draw, Haggin Museum, Yosemite Painters Group, Stockton, CA 2001 Best of Show Award, Lahaina...

A set of 4 Mid Century Botanicals featuring Lis Blanc, Pois de Senteur, Gallarda, Oillets, Gyclamer et Pensees. The set of botanicals is finely matted and framed in gilded frame. ...

Cagnes-sur-Mer 'Baigneuse Debout à Mi-Jambes' (1910) is an artwork realized by Pierre-Auguste Renoir (1841 Limoges - 1919). Etching and drypoint on paper. Image size 20.5 x 15 cm,...

Collotype in colors on paper. Unsigned. Published in 1972. Copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

This artwork titled "Apple Bloom" 1982 an original lithograph on paper by noted California artist, Helen Rayburn Caswell, 1923-2018. It is hand signed, titled, dated and numbered 3/2...

Medium: lithograph (after Renoir). Printed in 1921 and published in Paris by Henri Floury. Sheet size: 10 x 7 3/4 inches (256 x 196 mm). Signed in the plate, not hand-signed.

Lithograph on vellum paper, Edition of 25 Paper size: 33 x 26.5 cms (13 x 10 1/2 ins) Image size: 31.5 x 21.2 cms (12 3/8 x 8 3/8 ins)

The Grand Canyon in Arizona from Hermit Rim by Thomas Moran. Early 20th century vintage color lithograph printed in 1912, signed and dated within plate lower left, titled lower cent...

Fodder by John Costigan (1888-1972) Signed Lower Right Titled Lower Left 9.75" x 12.75" Unframed 17.5" x 19.75" Framed John Edwards Costigan was born in Providence, Rhode Island on ...

John Beerman Landscape with Sunset I, 1994 monoprint 16 x 22 1/2 in. (40.6 x 57.2 cm)

Paper Size: 35.5 x 23.5 inches ( 90.17 x 59.69 cm )?Image Size: 28.5 x 21 inches ( 72.39 x 53.34 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional De...

Vincent Van Gogh Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Van Gogh Museum. The partnered collectible reveals V...

Paul Cézanne Young girl Original etching and roulette Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum 32 x 25 cm (c. 13 x 10") REFERENCES : - Catalog...

Georges Braque (after) Title: "Profil" from the Espace Portfolio Year: 1957 Year of Original: 1952 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edition: 26...

Georges Braque (after) Title: Les Oiseaux Noirs from the Espace Portfolio Year: 1957 Year of Original: 1956 Medium: Pochoir (pigment print) on Richard de ...

James ROSENQUIST Spinning Faces in Space, c. 1972 Original screen print Handsigned in pencil by the artist Numbered /93 copies On vellum 83.5 x 59.2 cm (c. 32.6 x 23.2 inch) Very ...

Paul CEZANNE (after) Group of Bathers near the Lake Lithograph and Stencil watercolor (printed in Jacomet workshop) After a watercolor painted c. 1900/05 On heavy paper 13 x 21 cm (...

Hand signed numbered by the artist. Artwork was previously framed and shows mounting tape residue and spotting on verso. Front of artwork is in excellent condition. Certificate of Au...

Raoul DUFY Bather on the beach Original etching, c. 1930 Signed in the plate Edition of 60 copies On Rives vellum, size 33 x 50 cm (c. 13 x 19,7 in) Good condition, traces of framing

DANIEL GARBER "Harmonville, Pennsylvania" c. 1925 Etching printed in black ink on wove paper. 7 7/8 x 11 3/4 inches, full margins. Signed, titled and inscribed "DG imp" in pencil, ...

Jean Dufy "Montmartre et La Basilique du Sacre Coeur" c. 1950s Color Lithograph Signed in Pencil Lower Right Numbered 78/250 Lower Left Image Size: approx...

Original drypoint printed in dark umber ink on laid paper bearing the “VANDERLEY” watermark. Hand-signed in pencil in the margin below the image lower right Mary Cassatt. A super...

Camille Pissarro (1830-1903), A Peaceful Sunday in the Woods (Repos du Dimanche dans le Bois), etching, aquatint and drypoint, 1891, signed in pencil lower right and inscribed by t...

Romare Bearden (1911-1988), Jamming at the Savoy, 1980-81, colored etching and aquatint. Reference: Gelburd and Rosenberg (2, p. 9); GG #95 (p. 29). Signed, ...

James Abbott McNeill Whistler 1834 Lowell, Massachusetts – London 1903 The Sisters 1894/95 transfer lithograph with scraping, printed on ivory laid Jap...

Theatre Libre for Monsieur Bute. November 1890. Pochoir. Framed. Ref: Artistes et Theatres d'Avant-Garde Programmes illustres Paris 1890-1900 p.19; Artists and the Avant-Garde Thea...