Japanese Prints

A set of six Japanese Genji story uchida woodblock prints, Kyoto early 20th century. Framed - probably late 20th century - in gold-tinted metal, matted in chocolate, ivory, and wheat...

Koyoto Sanjusangendo Temple Stamp Goshuln Framed Antique print original frame .

Original Japanese film poster for The Empire Strikes Back also known as (Star Wars: Episode V, The Empire Strikes Back) this was the second movie in the...

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

A vibrant antique Japanese wood block print of a samurai. The block print with broad sage green mat with ebonized Asian style frame with UV Glass. M...

Faces (4 Faces), 1969 Tomio Kinoshita (1923-2014), Japan Woodblock print Paper, pigment, sumi ink Image: 27 high by 18.25 inches wide (68.5 by 46.4 cm) Paper size: 28 high by 19...

Japanese Woodblock Triptych Scene Of A Kabuki Theatrical Performance Toyohara Kunichika (1835 - 1900) Framed, each woodblock print: 23 ...

1960's Japanese woodblock print titled " In front of the garden" by Japanese asian and modern & contemporary artist Tomizaburo Hasegawa. The Art work is signed, titled and dated in ...

1960's Japanese woodblock print untitled by Japanese asian and modern & contemporary artist Tasuku Yoshida. The At work is signed and dated in pencil by the artist. The Art work is ...

1960's Japanese woodblock print titled "the Garden" by Japanese asian and modern & contemporary artist Shijiro Nozaku born in 1923. The At work is signed and titled in pencil by the...

A fine pair of antique Japanese Woodblock Prints attributed to Keisai Eisen (1790-1848), original and presented in gilded bamboo wood frames. About the a...

Framed Japanese 19th Century Meiji Woodblock Print By Toyohana Chikanobu Original Woodcut by Chikanobu Toyoharu.(1838 - 1912) Published in 1884 ...

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

A fine, professionally framed original Japanese woodblock print attributed to the master Utagawa Kunisada (1786 – 1865), also known as Utag...

Japanese 19th Century Woodblock Print of Kabuki Actors Toyokuni III Original Woodcut by Toyokuni III (1786 - 1864) Of the Kabuki actors Bando Hikosab...

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

This Kawase Hasui Block print is from the Showa era (1926-1989). This print was made in 1931. Kawase Hasui lived from 1883-1957. A Master of his Craft....

Japanese gyotaku print of a red lobster. Signed in plate by the artist. Originally produced by the FishAye Trading Company, beach theme. Re-framed in black and red with stamped Chino...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Kawase Hasui (1883-1957) Showa era (1926-1989), dated 1929 An oban tate-e print, titled along the left margin Beppu no yu (Evening in Beppu) from the series Tabi miyage dai sanshu ...

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

An antique Japanese woodblock print from the 19th century depicting a ceremonial tassel. Created in Japan during the 19th century, this woodblock print attracts our attention with it...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

An antique Japanese woodblock print from the 19th century depicting a woman in the woods. Created in Japan during the 19th century, this woodblock print showcases an outdoor scene de...

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

An antique Japanese Shunga woodblock print in gilt frame depicting two women making love. Created in Japan, this woodblock print called a Shung...

An antique Japanese woodblock print from the 19th century depicting monks having tea. Created in Japan during the 19th century, this woodblock print showcases an indoor scene featuri...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

A Japanese signed woodblock print by Chikanobu Toyohara (Chikanobu Yoshu), 1838-1912, titled "Start of an Archery Tournament", a tript...

Negai no itoguchi (Unravelling the threads of desire), 1799 Oban yoko-e Erotic prints have a primary role in the Japanese art history: sexual pleasure...

Silkscreen From a series of 10 37.5 × 48 cm Stamped by artist's estate Edition 7 of 35 Publisher: Watanuki Ltd. . Toki-no-Wasuremono Oak hand-made frame included

An antique Japanese woodblock print from the 19th century depicting a man and a woman discussing. Created in Japan during the 19th century, this woodblock print showcases an interior scene depicting a man and a woman discussing with each other. The man represented on the left, half hidden behind a screen, is leaning forward on a stool looking at his wide. His head casually resting on his hand confers a sense of intimacy. Facing him and popping subtly from the background thanks to her pink robe...

Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. Kumi Sugaï Capricorne, Capricornus, 1973 limited edition silkscreen print. 50 x 53 ...

Limited Edition 85 & 121 / 350 Woodblock Print 'Korea Series' Signed in Pencil middle right Handmade paper with JP watermark. ​18 1/2 x 14in

Mikumo (Nenjiro Inagaki, b. 1906) signed woodblock depicting a group of five robed figures in a white field. Monogrammed in plate lower left, pencil signed, numbered 68/300 and dated...

This Meiji-period color woodblock by Toyohara Chikanobu (1838-1912) depicts three elegant female courtiers in traditional dress taking refreshments. Th...

A fine woodblock print of a Javanese puppet in profile. The imagery is a potent mixture of Saito's traditional Japanese sensibilities coupled with...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...

1970s Pair of important numbered and signed etching. Japan 1973. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi off...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...

Exceptionally rare original Japanese handbill legendary 1926 Science Fiction film Metropolis. This film was directed by the great Fritz Lang and starred Brigitte Helm, Alfred Abel an...

"Le Soleil" by Kumi Sugaï (1996) Step into the vibrant world of contemporary Japanese art with "Le Soleil," a captivating copperplate etching by the renowned artist Kumi Sugaï. Crea...

"Bleu" by Kumi Sugaï (1996) Experience the allure of contemporary Japanese art with "Bleu," a stunning copperplate etching by the celebrated artist Kumi Sugaï. Created in 1996, this...

1895 - 1984 Mr. Serizawa was once proclaimed a "Living National Treasure". His works are in collections and museums throughout the USA and abroad. This piece is a fine and early exam...

Nishijima Katsuyuki (西島 勝之) is a contemporary Japanese artist known for his woodblock prints, which often depict traditional Japanese architecture and landscapes. Born in 1945 in Yamaguchi Prefecture, Japan, Nishijima studied at the Kyoto Prefecture Art School and began his career as a painter before transitioning to woodblock printing. His works are celebrated for their detailed and vibrant representation of the Japanese countryside and urban scenes. Nishijima's prints are recognized for their use of bold colors and intricate details. He employs traditional woodblock printing techniques, which involve carving the image into woodblocks, inking the blocks, and then pressing them onto paper. Each color in the print requires a separate block and precise alignment, or registration, to create the final image. The print's title is "Bunraku" and is one of Nishijima's works that showcase traditional Japanese buildings and scenes. The print features a detailed depiction of a traditional Japanese storefront with a noren...

Discover the serene beauty and vibrant colors of rural Japan with “Blooming Fields,” an exquisite lithograph by the renowned Japanese artist Masayasu Uchida. Numbered 133 out of a li...

Experience the Serenity of Shirakawa-go in "Winter Morning" by Taku Harada Immerse yourself in the tranquil beauty of Shirakawa-go with this exquisite Japanese woodblock print title...

Traditional Japanese wood block print "The town of Shibori II " by Hideo Senba 1992. The woodblock print titled “Shibori no Machi II” by Hi...

This 1958 lithograph by Kumi Sugaï, titled "Samurai," is a striking abstract composition rendered in bold, dark forms. The central imagery consists of a large, circular shape surroun...

Traditional 1986 Japanese wood block print of one of the 5 gardens of the Ryōgen-in, a sub temple of the Daitoku-ji Buddhist complex, located in Kita-ku, Kyoto, Japan, constructed in 1502. Signed and numbered 126/150 in pencil by the artist. Measurements wooden frame : W.48 x H.63 x D.3 cm. The print will be shipped insured overseas in a custom made wooden case. Cost of insured transport to the US, Euro 245, is case included. Colors may slightly vary due to photographic lighting sources or your monitor settings. Masao Ido...

Taizō-in Garden by Masao Ido. Traditional Japanese wood block print in great condition. The Taizō-in Garden is part of a small Zen Buddhism temple located in...

Variation silkscreen by Kumi Sugaï 1978. Printed by Ryoichi Ishida printing company who also printed for Andy Warhol. Signed and numbered 237/250 in pencil by the artist. This print was sold by Satani Gallery in Tokyo in 1978 or 1979.  Colors may slightly vary due to photographic lighting sources or your monitor settings. The Art measures 18.0 x 18.0 cm. With frame 43 x 35.5 x 2.5 cm. Price includes frame. The Art will be shipped insured overseas in a custom made wooden case. Transport to the US, Euro 275, is case included. Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. Colors may slightly vary due to photographic lighting sources or your monitor settings. KUMI SUGAÏ, JAPAN (1919 - 1996) Kumi Sugaï was a painter, sculptor and print maker born in 1919 in Kobe, Japan. Sugaï first experimented with oil painting at age nine and became a student at the Osaka School of Fine Arts in 1933 when he was fourteen. He met with the Gutai Art Association founder, Jiro Yoshihara which had a huge impact on his further artistic development and experimentalism. He was part of the first generation of 20th-century Japanese artists to become acquainted with Western painting techniques (under the instructions of Yoshihara), but he also explored both typography and Japanese calligraphy, important in his subsequent work. Sugaï left art school prematurely to work in commercial advertising for Hankyu electric rail company from 1937 to 1945. These formative years of practicing Western and traditional Japanese mediums gave a dual foundation to his future work. He dedicated himself to painting and moved to Paris in 1952, enrolling at the Académie de la grand chaumière, being one of the first generation of the post-war Japanese artists to join the international avant-garde art scene. Sugai was immediately noticed in Paris for his delicate touch and use of abstract gestures resembling primitive forms. He had his first solo show at Galerie Craven in 1954. In 1955 he made his first work in edition (Diable Rouge, a lithograph) and decided that from now on print work (lithographs, etchings and later silkscreens) was going to be an important part of his oeuvre. One of the reasons was to make his work more accessible. Between 1955 and 1996 Sugaï produced a little under 400 works in edition. Considered part of the École de Paris (School of Paris) and the Nouveau Réalisme (New Realism) movements, in 1962 he began to move from calligraphic, mainly monochromatic, organic motifs to more hard-edge geometric forms painted with clear colors. This aesthetic was more often than not influenced by speeding the curves of the freeways surrounding Paris in his beloved Porsche. He was possessed with speed and in a lot of his work we find abstracted roads (The S shape) details of roadsigns, parkings and in general an abstract visual language inspired by what he would see through his window moving at great speed. City and rural Landscapes transformed into simple colored compositions. Sugaï found great joy in the act of repetition and some iconic shapes have been appearing in his work throughout his whole career, first loosely and soft in his early etchings, paintings and lithographs, later hard edged and straight in his silkscreens. Sugai died in Kobe in 1996. His artworks were shown in numerous exhibitions around the world and most of his paintings are in the collections of well-known museums (Such as MOMA, the Guggenheim and Centre Pompidou) and important collectors. Vintage Objects...

Long polyptych of 9 oban tate-e prints, illustrating the procession of Emperor Mutsuhito (Meiji) entering, in September 1869, his new capital, the former Edo, renamed Tôkyô "Capital ...