Frank StellaVortex Engraving #4 Charger Plate - Limited Edition numbered and plate signed2000
2000
About the Item
- Creator:Frank Stella (1936, American)
- Creation Year:2000
- Dimensions:Height: 0.3 in (7.62 mm)Diameter: 12.25 in (31.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214212132
Frank Stella
Frank Stella was one of the central figures in postwar American art. A proponent of minimalism and non-representational abstraction, Stella was a painter, printmaker and sculptor.
A native of Massachusetts, Stella attended Phillips Academy in Andover and earned a BA from Princeton, where he studied art and color theory with Josef Albers and Hans Hofmann. Stella frequented New York galleries as a student and was intrigued by the work of Jackson Pollock and Franz Kline, both of whom were at the height of their creative powers in the late 1950s.
After moving to New York in 1958, Stella gravitated toward the geometric abstraction and restrained painting style of Barnett Newman and Jasper Johns.
Johns’s flat, graphic images of common objects such as targets and flags prompt viewers to question the essential nature of representation and whether these pictures are really paintings or simply new iterations of the items themselves. Stella pushed Johns’s reasoning further, considering paintings on canvas as objects in their own right, like sculptures, rather than representations. This led him to reject certain formal conventions, eschewing sketches and often using nontraditional materials, like house paint.
In 1959, Stella created his “Black Paintings,” series, in which bands of black paint are separated by thin, precise stripes of bare canvas. At a time when contemporary painting was all about wild gestures, thick paint and formal abandon, these pieces created a sensation. That same year, Stella's work was included in the exhibition "Sixteen Americans" at the Museum of Modern Art in New York, and he joined the roster of artists represented by Leo Castelli Gallery. In 1960, he began introducing color into his work and using unconventionally shaped canvases to complement his compositions.
In his “Eccentric Polygon” series, from 1965 and ‘66, Stella embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas. This series was followed by the 1967–70 “Protractor” series, characterized by colorful circles and arcs. Named after the ancient cities whose circular plans Stella had noticed while traveling in the Middle East during the 1960s, these works usually comprised several canvases set flush against one another so that the geometric figures in each section came together in a larger, more complex whole.
Also in the mid-1960s, Stella started exploring printmaking, initially working with Kenneth Tyler, of Gemini G.E.L., and later installing printing equipment in his own studio. In 1968, he created the “V” series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall-mounted sculptures.
Stella’s 1970–73 “Polish Village” series was inspired by documentary photos and architectural drawings of Polish synagogues that had been destroyed by Nazis during World War II. The resulting works — composed primarily of paint and cloth on plywood — are more rugged and less polished than his previous series.
Herman Melville's Moby Dick was Stella's muse for a series of three- dimensional works he created in the 1980s in which waveforms, architectural elements and Platonic solids play a prominent role. During this period, Stella embraced a new, exuberant style that is exemplified in "La Scienza della Fiacca."
In 1997, the artist oversaw the creation of the Stella Project, a 5,000-square-foot work inside the Moores Opera House at the University of Houston. A large free-standing sculpture by Stella stands outside the National Gallery of Art in Washington, D.C.
Stella’s work is in the collections of numerous important museums around the world, including New York’s Museum of Modern Art and Metropolitan Museum of Art; the Menil Collection, in Houston; the Hirshhorn Museum and Sculpture Garden, in Washington, D.C.; and the San Francisco Museum of Modern Art. He was awarded the National Medal of Arts by President Obama in 2009, and was given the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center in 2011.
Find original Frank Stella art for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Porcelain Plate of Princess of Wales Theatre ceiling design (Limited Edition)By Frank StellaLocated in New York, NYFrank Stella Ceiling: Princess of Wales Theatre, 1996 Limited Edition Silkscreened Porcelain Plate in presentation box 12 inches diameter Edition 262/2000 Rarely found stateside - es...Category
1990s Abstract Expressionist Mixed Media
MaterialsPorcelain, Screen, Mixed Media
- Acrobat (detail), Limited Edition Porcelain Plate in bespoke blue box - AbstractBy Helen FrankenthalerLocated in New York, NYThis porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...Category
2010s Abstract Expressionist More Art
MaterialsPorcelain, Screen, Cardboard, Mixed Media
- Cuatro (Monoprint with screenprint, collage, acrylic, stitching and embossing)By Sam GilliamLocated in New York, NYSam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...Category
1990s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Acrylic, Monoprint, Screen
- Alice in GraylandLocated in New York, NYAlan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...Category
1970s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Handmade Paper, Etching, Aquatint, Screen
- Abstract Expressionist monotype (signed & inscribed) Intimate Lighting UniqueBy Robert NatkinLocated in New York, NYRobert Natkin Untitled, ca. 1979 Monotype with heart drawing Hand signed twice; inscribed to Dorothy and Arthur with text and heart Unique Original vintage frame included Measurement...Category
1970s Abstract Expressionist Abstract Prints
MaterialsInk, Mixed Media, Lithograph, Monoprint, Monotype, Screen
- LARGE Silkscreen on silk, hand signed with COA also signed by Frank Stella Lt EdBy Frank StellaLocated in New York, NYFrank Stella The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1994 LARGE: (54 Sq inches) Silkscreen on 100% Italian Silk Shawl, hand signed by Frank Stella in indelible black marker, folded in Red Silk Box with Embossed Certificate of Authenticity (Brand New in Original Red Silk Box) - embossed COA is Hand Signed by Frank Stella and Kenneth Tyler Hand Signed and dated by Frank Stella on recto; signed by BOTH Stella & publisher Kenneth Tyler, and numbered on accompanying embossed COA 54 × 54 inches Unframed and held in original red Italian silk gift box Makes a terrific gift! Stunningly large -- 54 Square Inches. This work looks dazzling framed and hung on the wall -- but as it is a signed silkscreen on silk, but it can also be worn as a gorgeous and exclusive artistic fashion statement. Who else is wearing a Frank Stella scarf...Category
1990s Abstract Expressionist Abstract Prints
MaterialsSilk, Ink, Mixed Media, Board, Permanent Marker, Screen, Archival Paper,...
- Dedication–Lincoln Center (B.App.23)By Robert MotherwellLocated in London, GB44.5 x 29.25 ins (113 x 74.3 cms) Edition of 108 Signature:Signed "R. Motherwell" in pencil lower left Inscriptions:Numbered in pencil lower left; some impressions have artist's chop mark lower left Publisher:The Juilliard School...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Mixed Media, Screen
- Times Square Remembered 3, Abstract Mixed Media Print by Richard SmithBy Richard SmithLocated in Long Island City, NYArtist: Richard Smith, British (1931 - 2016) Title: Times Square Remembered 3 Year: 1973 Medium: Lithograph, Silkscreen and Collage, Signed and numbered in pencil Edition: 42 Si...Category
1970s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Lithograph, Screen
- Times Square Remembered 2, Abstract Lithograph and Screenprint by Richard SmithBy Richard SmithLocated in Long Island City, NYArtist: Richard Smith, British (1931 - 2016) Title: Times Square Remembered 2 Year: 1973 Medium: Lithograph, Silkscreen and Collage, Signed and numbered in pencil Edition: 42 Si...Category
1970s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Lithograph, Screen
- Africa Suite: Africa 9By Robert MotherwellLocated in London, GBThe original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...Category
1970s Abstract Expressionist Abstract Prints
MaterialsScreen
- Africa Suite: Africa 7By Robert MotherwellLocated in London, GBThe original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...Category
1970s Abstract Expressionist Abstract Prints
MaterialsScreen
- Web (SFS-136)By Sam FrancisLocated in New York, NYScreenprint on wove paper Edition of 50 Published by Gemini G.E.L., Los Angeles Signed and numbered in pencil with studio blindstampCategory
Late 20th Century Abstract Expressionist Abstract Prints
MaterialsScreen
Recently Viewed
View AllRead More
Get to Know the Artists Who Led the Op Art Movement
In the 1960s and '70s, the hypnotic creations of Op artists went mainstream and influenced the look of pop culture.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.