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Medium: Pigment
Inbetween 0649
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 3042
Located in Long Island City, NY
Sewing on Korean Paper
9 4/5 × 47 1/5 in
25 × 120 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the network of...
Category
2010s Abstract Pigment Mixed Media
Materials
Watercolor, Mulberry Paper, Pigment, Fabric
Inbetween 1025
Located in Long Island City, NY
Sewing on Korean Paper
29 1/2 × 20 9/10 in
75 × 53 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the network o...
Category
21st Century and Contemporary Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0601
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0603
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0615
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0652
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0648
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
UNTITLED (PORTRAIT)
By Jamali
Located in Aventura, FL
Original pigmentation on cork painting. Custom framed as pictured. Frame size appox 48 x 66.5 inches.
Artwork is in excellent condition. Certificate of authenticity included. Al...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Pigment
Tactile memory #135. Mixed Media on canvas: oil, acrylic, silk, pigments
Located in Miami Beach, FL
Tactile memory #135, by Natasha Zupan
Mixed Media on canvas: oil, acrylic, silk, pigments
Size: 9.5 in. H x 7.5 in. W x 3 in D.
Canvas on a stretcher
2022
__________________________...
Category
2010s Contemporary Pigment Mixed Media
Materials
Silk, Mixed Media, Oil, Acrylic, Pigment
Inbetween 0618
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Mulberry Paper, Pigment, Fabric, Watercolor
Paisleys and Thistles Star Flower, Bright Botanical Wall Sculpture in Teal, Pink
By Jill Parisi
Located in Kent, CT
In this bright and colorful paper sculpture, a fantastical botanical form in vibrant teal green, dark magenta with gold and marbled pink, green, yellow and blue is composed of hand-c...
Category
2010s Contemporary Pigment Mixed Media
Materials
Handmade Paper, Tissue Paper, Pigment, Pins, Etching
Inbetween 0703
Located in Long Island City, NY
Sewing on Korean paper
35 4/5 × 28 3/5 in
91 × 72.7 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the network ...
Category
21st Century and Contemporary Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0620
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0605
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
"Headache" Contemporary Abstract Biomorphic Blue Textured Sculptural Painting
Located in Houston, TX
Abstract textured biomorphic shape painted with bright blue pigment by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a shad...
Category
2010s Abstract Geometric Pigment Mixed Media
Materials
Wood, Pigment
Inbetween 0111
Located in Long Island City, NY
Sewing on Korean Paper
20 9/10 × 17 7/10 in
53 × 45 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the network ...
Category
21st Century and Contemporary Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0608
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0606
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0651
Located in Long Island City, NY
Sewing on Korean Paper
7 3/10 × 7 3/10 in
18.5 × 18.5 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
Inbetween 0304
Located in Long Island City, NY
Sewing on Korean paper
23 9/10 × 19 7/10 in
60.6 × 50 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 2028
Located in Long Island City, NY
Sewing on Korean Paper
17 7/10 × 20 9/10 in
45 × 53 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the network ...
Category
21st Century and Contemporary Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Inbetween 0226
Located in Long Island City, NY
Sewing on Korean paper
23 9/10 × 19 7/10 in
60.6 × 50 cm
This is a unique work.
This work includes a Certificate of Authenticity.
The patchwork of Ro, Shin Kyoung Weaving the networ...
Category
2010s Abstract Pigment Mixed Media
Materials
Fabric, Watercolor, Mulberry Paper, Pigment
Tactile memory #146. Mixed Media acrylic, pigments and oil on wood
Located in Miami Beach, FL
Tactile memory #146, by Natasha Zupan
Mixed Media on Wood, lace, acrylic, pigments, and oil
Size: 18 in. H x 15 in. W x 3 in D.
2022
____________________________________
Natasha Zup...
Category
2010s Contemporary Pigment Mixed Media
Materials
Wood, Mixed Media, Oil, Acrylic, Pigment
Tactile memory #134. Mixed media painting: acrylic, silk, pigments on Canvas
Located in Miami Beach, FL
Tactile memory #134, by Natasha Zupan
Mixed media: acrylic, silk, pigments on Canvas
Size: 9.5 in. H x 7.5 in. W x 3 in D.
canvas on a stretcher
2022
_______________________________...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Mixed Media, Acrylic, Silk, Pigment
Tactile memory #126. Mixed Media fabric, acrylic, pigment and oil on wood
Located in Miami Beach, FL
Tactile memory #126, by Natasha Zupan
Mixed Media on wood, fabric, encaustic, salt, acrylic, pigments and oil
Size: 21 in. H x 18 in. W x 3 in D.
2022
_______________________________...
Category
2010s Contemporary Pigment Mixed Media
Materials
Oil, Acrylic, Pigment, Wood, Mixed Media
Tactile memory #133. Abstract Mixed media painting on canvas
Located in Miami Beach, FL
Tactile memory #133, by Natasha Zupan
Mixed Media on canvas: oil, acrylic, silk, glass, pigments, lashes
Size: 9.5 in. H x 7.5 in. W x 3 in D.
Canvas on a stretcher
2022
___________...
Category
2010s Contemporary Pigment Mixed Media
Materials
Silk, Mixed Media, Acrylic, Pigment, Glass, Oil
Tactile memory #136. Mixed Media on canvas: oil, acrylic, silk, glass, pigments
Located in Miami Beach, FL
Tactile memory #136, by Natasha Zupan
Mixed Media on canvas: oil, acrylic, silk, glass, pigments
Size: 9.5 in. H x 7.5 in. W x 3 in D.
Canvas on a stretcher
2022
___________________...
Category
2010s Contemporary Pigment Mixed Media
Materials
Silk, Mixed Media, Acrylic, Pigment, Glass
Tactile memory #64 Mixed media: Oil, acrylic, lace pigment on Canvas
Located in Miami Beach, FL
Tactile memory #64, by Natasha Zupan
Mixed media: Oil, acrylic, lace pigments
Size: 9.5 in. H x 7.5 in. W x 3 in D.
Canvas on a stretcher
2021
____________________________________
...
Category
2010s Contemporary Pigment Mixed Media
Materials
Canvas, Mixed Media, Acrylic, Pigment
Floral Mystique
Located in Austin, TX
"Floral Mystique" is an abstract diptych painted by Rebecca Sobin in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 44 x 44 inches. Each separate panel m...
Category
21st Century and Contemporary Abstract Expressionist Pigment Mixed Media
Materials
Wax, Oil, Wood Panel, Pigment
Red Lacquer Architectural Fragment, c. 1850
Located in Chicago, IL
This antique architectural fragment beautifully exemplifies the textured wear and soft patina that only time can achieve. Given its cusp...
Category
19th Century Abstract Pigment Mixed Media
Materials
Lacquer, Pigment, Wood
En Face, Mica and Steel Woven Wall Hanging and Installation, Agneta Hobin
By Agneta Hobin
Located in Wilton, CT
En Face, Agneta Hobin, mica and steel, 70" x 48", 2007.
This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...
Category
Early 2000s Contemporary Pigment Mixed Media
Materials
Steel
Elevate - Original Boho Minimalist Abstract Landscape Balloon Calm Artwork
Located in Los Angeles, CA
The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Gesso, Canvas, Mixed Media, Acrylic, Tissue Paper, Mica
Landfill I
Located in Stamford, CT
Landfill I, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry Pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
"Untitled Open" (FRAMED) Art photography 32" x 28" inch Edition 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Untitled Open" (FRAMED) Art photography 32" x 28" inch Edition 1/1 by Ben Cope
From "If I could sleep, I wouldn’t" series
Mixed Media Photo and Oils. Comes in gold frame.
Ben...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
Landfill II
Located in Stamford, CT
Landfill II, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
Landfill III
Located in Stamford, CT
Landfill III, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
Landfill IV
Located in Stamford, CT
Landfill IV, 2022, Ravi Chaurasiya, 12 x 9 inches, Dry pigment and Watercolor on paper
Category
2010s Contemporary Pigment Mixed Media
Materials
Watercolor, Pigment
Messages #15, mixed media abstract painting on paper, neutral earth tones
Located in New York, NY
Paper size is 14 x 10 inches. Letraset, ink and pigment stick on handmade paper. Framed.
Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before...
Category
2010s Abstract Pigment Mixed Media
Materials
Ink, Mixed Media, Handmade Paper, Pigment
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
Tibetan Thangka of Chenresi, c. 1800
Located in Chicago, IL
In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and r...
Category
Early 19th Century Pigment Mixed Media
Materials
Fabric, Silk, Pigment
Oculus 0322.42.01
Located in Los Angeles, CA
Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...
Category
2010s Abstract Pigment Mixed Media
Materials
Panel, Pigment, Epoxy Resin, Mixed Media
Chaos Theory #23
Located in Nashville, TN
"Chaos Theory #23" is an encaustic-on-panel piece by Charles Ivey from his "Chaos Theories" series. Ivey uses the encaustic process of combining hot beesw...
Category
2010s Abstract Pigment Mixed Media
Materials
Resin, Wax, Encaustic, Wood Panel, Pigment
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
X-Ormation Series I
Located in Nashville, TN
"X-Ormation Series I" is an encaustic-on-panel piece by Charles Ivey from his "X-Ormation" series. Ivey uses the encaustic process of combining hot beeswa...
Category
2010s Abstract Pigment Mixed Media
Materials
Resin, Wax, Encaustic, Wood Panel, Pigment
"Removal 93" (FRAMED) Unique mixed media photography 47" x 47" inch by Ben Cope
By Ben Cope
Located in Culver City, CA
"Removal 93" (FRAMED) Unique mixed media photography 47" x 47" inch by Ben Cope
2013
Photo on deconstructed paper with oils and paint pigments
Comes in a white frame
Size: 47” X 4...
Category
21st Century and Contemporary Minimalist Pigment Mixed Media
Materials
Photographic Paper, Pigment, Mixed Media
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
Fruit of Poet (Abstract Olive Green Leaf Shaped Minimalist Wall Sculpture)
By Dai Ban
Located in Hudson, NY
"Fruit of Poet" by Dai Ban, 2021
42" X 22" X 12"
Foam Board, Venetian Plaster, Beeswax, Pigment
Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...
Category
2010s Contemporary Pigment Mixed Media
Materials
Plaster, Foam Board, Pigment
PANTHEON.1
Located in Santa Fe, NM
Martin Etem is a multidisciplinary artist using drawing, painting, and sculpture to survey modern society’s ideologies and sociology. Influenced by past experiences and imagination, ...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Mirror, Foam, Pigment, Inkjet
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Ceramic, Clay, Pigment, Other Medium
"Untitled Closed" (FRAMED) Photography 30" x 26" inch Edition 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Untitled Closed" (FRAMED) Photography 30" x 26" inch Edition 1/1 by Ben Cope
From "If I could sleep, I wouldn’t" series
Mixed Media Photo and Oils. Comes in gold frame.
Ben Co...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
Emerald Pools
Located in West Hollywood, CA
This great piece captures in its blues, emeralds, greens, and whites the elegance of "Sacred Waters." The textures and built-up surface bring light and reflections into the space, an...
Category
2010s Abstract Pigment Mixed Media
Materials
Epoxy Resin, Glue, Glaze, Glitter, Ink, Acrylic, Pigment, Other Medium
"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Divine Touch (The Touch of God)" 49" X 146" in Photography Ed. 1/1 by Ben Cope
2021
Photo on deconstructed paper
49.5” x 145.5” inch
Comes in white frame and plexiglass
Ben Cope...
Category
21st Century and Contemporary Contemporary Pigment Mixed Media
Materials
Photographic Paper, Pigment
"Taliobamë'e nioge (Ancestral design of the mud)" Natural Ochre on Barkcloth
Located in London, GB
Brenda was a young girl during the turmoil of World War II and she remembers the 1951 eruption of Dahore Huvaimo (Mount Lamington). Brenda's mother was Go'ovino and her father was Va...
Category
2010s Contemporary Pigment Mixed Media
Materials
Pigment
"Wo'ohohe (Ground-burrowing spider)" Natural Ochre on Bark Cloth by Brenda Kesi
Located in London, GB
Brenda was a young girl during the turmoil of World War II and she remembers the 1951 eruption of Dahore Huvaimo (Mount Lamington). Brenda's mother was Go'ovino and her father was Valéla, both Ematé clans people from old Enopé village between the Jordan and Maruma Rivers. It was here that her mother taught her how to sew her grandmother, Munne's, sihoti'e taliobamë'e - designs of the mud. This method of appliquéing mud-dyed barkcloth was first practiced by Suja, the first woman and mother of the world, as told in the Ömie creation story.
Brenda has begun to teach her sister Teresa Kione (Avur'e) to sew the ancestral Ömie sihoti'e designs such as wo'ohohe - ground-burrowing spider and taigu taigu'e - ancestral tattoo designs. Brenda lives happily by the Jordan River...
Category
2010s Contemporary Pigment Mixed Media
Materials
Pigment
Pigment mixed media for sale on 1stDibs.
Find a wide variety of authentic Pigment mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kathleen Hope, Vincent Pomilio, Yiching Chen, and Harold Wortsman. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment mixed media, so small editions measuring 0.1 inches across are also available
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