Pigment Mixed Media

Kathleen Hope MODULAR 30 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 26 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 17 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 14 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 15 cement, pigment, plaster 8.00 X 8.00 in $250.00

Kathleen Hope MODULAR 1 cement, pigment, plaster 8.00 X 8.00 in $250.00

44 Horizon Lines, 2018 20" X 20" acrylic, pigmented plaster, and wax on canvas Ready to hang as is. Vincent Pomilio is master when it comes to color composition. His abstractions ...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) #3" is a 10 x 10 inch abstract painting on paper mounted on a board. Unframed. The artist works with natural earths, charcoal, st...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Judith Brenner Gubbio Original Mixed Media and Acrylic Painting on Canvas Size: H 95cm x 130cm Framed (Please note that in situ images are purely an ind...

Powdered pigments with microcrystalline oilsticks

Modern Art, Portrait Art, Black & White Painting-Big Hats And Backgrounds Black A B O U T T H I S P I E C E : “Big Hats and Backgrounds Black (Hannah-A2)” is ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

“Untitled: Movement 2” by Ben Cope 2019 Photo on deconstructed paper on wood panel with oils and paint pigments 24” X 24” inch Ben is a Georgia native gradu...

The latest from Ray Kass' series of abstracted red "still lifes:" a departure from his large-scale compositions, this latest trio of paintings saturate their more compressed planes. ...

Orazio De Gennaro's "Terra Bruciata - Alba II (Scorched Earth - Dawn II)" is a 10 x 10-inch abstract painting on paper mounted on a board. Unframed. ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

"Gaze" Mixed media photography 61'x44' inch Edition 1/1 by Ben Cope 2019 Photo on deconstructed paper with oils and paint pigments 61” X 44” inch Ben Cope is a Georgia native grad...

Kay Hartung's "Dispersion 3” is her vision of microscopic activity in the body in a subtle palette of white, black and gray. The flow and movement of forms is created by using a torc...

Portrait Paintings, Black Mixed Media Art, Street Art-Era, You There? A B O U T T H I S P I E C E : “Era, You There?” is mixed media street art by Addison Jones featuring her own po...

Original NYPD interceptor sculpture made of archival paper, dry pigments, enamel, wood, clay, wire, plastic, and inkjet print by Drew Leshko measuring 16"h x 16"w x 3"d framed, as sh...

Big Little 115, 2018 12" X 12" acrylic, pigmented plaster, marble dust, and wax on panel colorful abstract painting, layered abstract painting, mixed media painting, mixed media abs...

Dipak Banerjee - Ganesha - 12 x 6.75 inches (unframed size) Hand Made Pigments on Canvas. ** Cost is inclusive of shipment ( unframed ) Dipak Banerjee is today the undisputed leader...

Kay Hartung’s “Bio Shadows 2” is an encaustic painting depicting an imagined scene of floating microscopic particles. In soft shades of grey and white these biomorphic forms float ar...

Colorful abstract painting on panel made with mixed media acrylic, pigmented plaster, beeswax and marble dust on panel 20 x 16 inches with painted sides, ready to hang as is Vincen...

Madhu Basu - Magma n°244 - 25.75 X 21.25 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Bas...

Kim Fonder INIZIO AVORIO II Mixed media on handmade paper, pigment, mica, on burlap over panel 24.00 X 24.00 in $800.00 Kim Fonder loves texture and touch. Her paintings and furnitu...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Kay Hartung’s “Bio Flow 5” is a 30 x 30 x 2.5 inch encaustic painting composed of transparent layers depicting microscopic forms. In colors of pink, maroon, pale green and pale ochre, the layers create a sense of luminous depth. The painting is unframed and signed by the artist on the reverse of the cradled panel. Kay Hartung is an artist interested in the intersection of art and science, particularly the microscopic world. Her work has been included in exhibitions throughout the country and is in both private and corporate collections. Hartung is represented by Fountain Street Gallery...

Kay Hartung’s “Bio Flow 22” is a 30 x 30 x 2.5 inch encaustic and mixed media painting composed of microscopic forms moving and multiplying. In colors of teal, purple, yellow, green ...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

Pigmented cement on foam panel. Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalit...

Big Little #121, 2018 12" X 12" acrylic, pigmented plaster, and wax on wood panel colorful abstract painting, layered abstract painting, mixed media painting, mixed media abstract ...

Big Little #122, 2018 (Striped abstract painting with vertical bands of color) 12" X 12" acrylic, pigmented plaster, and wax on wood panel Sides of the panel are painted a solid c...

Big Little 112, 2018 12" X 12" acrylic, pigmented plaster, marble dust and wax on panel colorful abstract painting, layered abstract painting, mixed media painting, mixed media abst...

Big Little 118, 2018 12" X 12" acrylic, pigmented plaster, marble dust and wax on panel colorful abstract painting, layered abstract painting, mixed media painting, mixed media abst...

Ceravolo's Large scale paintings have received international acclaim for more four decades. His art is collected by many Rock Superstars including: ELTON JOHN, ROD STEWART, and ALICE...

Kay Hartung’s “Cell Pathways 1” is an imagined scene of cell activity which creates a sense of the energy involved in the process of growth. In a limited palette of black and white, ...

Kay Hartung’s “Bio Patterns 3” is an encaustic painting that merges geometric forms with a fluid mottled background. In shades of blues, greens and grey, the hexagons float and colli...

This four panel composition has a rich blue and violet tones in the pigmented wax, which compliments the warmth of the tones of the embedded packaging material beneath the surface. ...

David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next fi...

'Tulip' by Catherine Howe, 2015. Acrylic and interference mica pigment and resin on canvas, 40 x 30 inches. In gold, silver and white. Howe's abstracted still life florals are painte...

Each canvas size is 23.5" x 23.75"

Abstract gestural fresco secco painting in white frame by Hudson Valley based artist, James O'Shea. Encaustic on wood panel, 12 x 12 x 2.5 inches in white floater frame James O'She...

Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...

Departure by artist Leroy Projects is a blue contemporary abstract mixed media polyurethane and pigment on panel that measures 40 x 40 and is priced at $3,500. The goal of Leroy Pro...

Born in Belgium, Charlotte Culot works in Provence in Southern France. She has exhibited in Paris, Brussels, and Stockholm, among many other European cities, as well as in Nantucket,...

ANNA CASSER (1943- ) Born in Verona, Italy, Anna Caser was educated at the Fine Arts School in Genoa, Italy. Her works can be seen in Italy, Europe, UAE, USA and Canada at importan...

'Coney Island No 1' is one of only a few remaining works from Kim Frohsin's "Coke Work" series of miced media and collage paintings inspired by the iconic Coke bottle shape, from 201...

"Moving Inside Out" from the "Presences" series by Joan Giordano Mixed Media, Caste Handmade Paper (made from Kozo or Abaca Paper with natural pigment), Bamboo, Encaustic Wax, Steel...

acrylic, pigmented plaster, marble dust & wax on panel 12 x 12 inches, $900 ARTIST STATEMENT: I primarily work in all painting media, on canvas, paper, or wooden panel. For th...

Exquisite pool or body of water amidst encroaching growth in the form of construction and city growth from all sides. This work from Frohsin's Cautionary Tales series is bold, strong...

Experimental photographic work by Kim Frohsin, who is often associated with the Bay Area Figurative movement, began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art: The Morgan Flagg Collection." Frohsin is a multidisciplinary visual artist, who is at home with painting, drawing, monoprintIng, and mixed media. Her subjects include the female figure as well as mundane ''objects" and series — including ‘Cautionary Tales’ and ‘Portraits of Numbers’— that attract her attention, and which are most often autobiographical in nature. This mixed media work is created from deconstructed pinhole photographs...

“Zig Zag” by Catherine Howe, 2016. Acrylic and interference mica pigment and resin on canvas, 60 x 48 inches. Howe's abstracted still life florals are painted with a matte white gess...

"Moss" from the "Presences" series by Joan Giordano Mixed Media, Caste Handmade Paper (made from Kozo or Abaca Paper with natural pigment), Bamboo, Encaustic Wax on a Steel Stand M...

"Fading Out, Fading In" from the "Presences" series by Joan Giordano Mixed Media, Caste Handmade Paper (made from Kozo or Abaca Paper with natural pigment), B...

18 x 24 x 1.5 inches acrylic, pigmented plaster, wax and marble dust on canvas Pomilio's uniquely harmonious color combinations take center stage in his mixed media compositions tha...