20th Century Landscape Paintings

L'Arbre au Bord de l'Eau by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower left, Paulémile. Pissarro - 1928. Executed in 1928 This wor...

An idyllic scene of Ayrshire calves resting in a shady corner. Beautiful brushstrokes and palette. David Gauld (1865-1936) Calves at rest Signed Oil on canvas 20 x 30 inches 24½ x 3...

Oil on canvas by Henri-André Martin (1918-2004), France, ca.1980s. Les Baux de Provence. With frame: 71x98 cm - 28x38.6 inches. Without frame: 65x92cm - 25.6x36.2 inches. 30P format. Signed lower right "Henri A Martin" (see photo). Located and dated 1961 on the back (see photo). Can be matched to make a pair with another painting by Henri-André Martin that we offer on 1stdibs whose title is "Henri-André Martin Olive Tree Field in the Alpilles, Provence, Oil on Canvas". Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...

A wonderful rural scene in acrylics by Edward stamp, depicting a winter lane near Winslow, Buckinghamshire. Well-presented in a charming 20th century gilt-effect frame. Signed and da...

Genevieve, F, Samsel (1898-1991), 1920's - 1930's illustration Oil, painting of a village street scene with horse and wagon in church 24 x 30 unframed, 28.5 x 34.5 framed. Painti...

Melvyn Goode is an English Impressionist landscape painter. His work is highly collected throughout the world and he has had many single artist exhibitions of his work in various g...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 30 x 40 Frame Size: 40 x 50 Medium: Oil "Bluebonnet and Cactus" Texas Hill Country Landscape Biography Robert Harrison (Bor...

OIL PAINTING LARGE SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIG...

Jack Laycox, "Indian Summer" Oil on panel 14 x 11 unframed, 19.5 x 22.5 framed

Sunflowers in the Room by Michel Kritz (French 1925-1994) signed oil on canvas, framed framed: 17.5 x 15.5 inches canvas: 10.75 x 9 inches provenance: private collection, France con...

Winter Scene with Figures Dutch School, 20th century signed 'M. Feyen' signed oil on board, framed in elaborate gilt swept frame framed: 19.5 x 23.5 inches board: 14 x 18 inches prov...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 36 Frame Size: 34 x 46 Medium: Oil 1975 "Panhandle Chill" G. Harvey, known...

Frameless Jordi Pagans Montsalvatge began his artistic career in 1948. In 1956 he began to work in the studio of Josep Roca Sastre, an artist who decisive...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 12 x 9 Frame Size: 22 x 19 Medium: Oil "October Snows" G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas Oil measurements 38x61 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of...

Work on canvas

Wonderful painting of his most popular subject matter: Gloucester Harbor. Charles Movalli (1945–2016) had a BA from Clark University and a PhD from the University of Connecticut. ...

Oil size 54x81 cm. Frameless

This lovely large Impressionist view of St Paul's from the Thames is by Dutch artist Jacobus Cossaar who also worked under the name Ko Cossaar. It was painted during his eight years ...

Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Antique American impressionist landscape painting by Genevieve Pierce Law (1906-1995). Oil on board. Framed. Signed.

Signed lower right, "O Connor" and painted circa 1945. A panoramic view of an autumn landscape with leafless trees in front of a mountain lake and an olive green sky scattered with ...

Faringdon House, Oxfordshire English School, mid 20th century inscribed to label verso oil on board, framed framed: 19 x 23 inches provenance: private collection, England condition:...

Josine Vignon (French 1922-2022) ...

The French Cottage Garden by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 7.5 high by 9.5 inches wide cond...

Jose Luis Fuentetaja - Sitges - mixed media (print and oil on canvas). Canvas size 54x73 cm. Frameless. Is born in Madrid on the 21st july 1951. After attending primary school, he s...

Eric Henri Kennington R.A. 1888-1960 , was an English painter, sculptor and illustrator, and was a War Artist in both the first and second World Wars. This painting, oil on canvas, ...

This vibrant Post Impressionist oil on canvas painting is by Bernard Fleetwood Walker circa 1925. The painting is of a French vineyard with the picturesque landscape running up to a hillside village. The impressionist palette really gives one the sense of it being a hot summer's day. Signed lower left. Provenance. Midlands estate. Condition. Oil on board, 18 inches by 14 inches approx and in excellent condition. Framed in a complimentary frame 25 inches by 21 inches framed and in good condition. Bernard Fleetwood-Walker , PPRBSA, (1893-1965) was an English artist and teacher of painting. In variably known as B. Fleetwood-Walker, he was born in Birmingham, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley...

John Loeper, "Village Morning" Acrylic on board Folk art winter scene 1981 9 x 12 unframed, 13.5 x 16.5 framed

Original oil painting on canvas, 1977-78. Size: 100 x 80 inches. Signed, titled, dated on verso. Exhibition History: McNay Art Museum, San Antonio, TX. Provenance: Andrew Crispo Gallery...

A delightful impasto study of a large French farmstead with a number of red tiled dwellings scattered across the landscape. To the foreground a figure can be seen on a pathway, headi...

Village, Mallorca, circa 1950 by ALASTAIR FLATTELY (1922-2006) Large mid 20th century extensive view of a village, Mallorca, oil on board by Alastair Flattely. Excellent quality a...

Venetian fortress on the Greek island of Corfu. Signed Tin Florias (1897-1969, Greek) The creation of this fortress was started under Byzantine domination...

Laurence Edwardson (1904-1995) was a prolific artist born in New Orleans He painted modernist landscape, figures and portraits. His work includes many Louisiana landscapes, portrai...

Original oil painting on canvas, 1974. Size: 75 x 117 inches. Signed, titled, dated on verso. Provenance: Gertrude Kasle Gallery, Detroit, Michigan; Andrew Crispo Gallery...

Frameless Jordi Pagans Montsalvatge began his artistic career in 1948. In 1956 he began to work in the studio of Josep Roca Sastre, an artist who decisive...

Benjamin Williams Leader RA was born in Worcester in 1831. He was predominantly a landscape painter in watercolour and oil. This is a small study of a Thames view, in original frame...

Coastline landscape with San Francisco Skyline Signed Oil on canvas 20 x 24 unframed, 27 x 31 framed

Up for sale gorgeous original Nautical oil painting on canvas, signed by the mysterious Artist "T. Bailey" (American, 19th/20th). The painting depicts a nautical scene, with a larg...

Wonderful expressive example of the often panted Bass Rocks in Gloucester, MA by the Master Charles Movalli. Charles Movalli (1945–2016) had a BA from Clark University and a PhD fr...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

ARTIST: Edward Pullee NEAC (1907-2002) English TITLE: "A Spanish Landscape" SIGNED: lower right MEDIUM: oil on board SIZE: 49cm x 40cm inc frame CONDITION: excellent DETAIL: Art...

Original oil painting on canvas, 1977-78. Size: 100 x 80 inches. Signed, titled, dated on verso. LOWELL NESBITT (1933-1993) One of the most celebrated and most noted for his floral ...

Antique American impressionist southern landscape oil painting. Oil on canvas. Framed. Signed.

Original oil painting on canvas, 1962. Size: 48 x 28 inches. Signed, recto; signed, titled, dated on verso. Provenance: A rare early Abstract Expressionist painting by founding Photo...

This a great Thieme of the most desirable scene (motif #1). Has been cleaned and varnished. It's bright and colorful. 12x16 - 18x22 with frame. Frame is brand-new hand-0carved 22...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Rafael Duran Benet (1931-2015) - fishing port - Oil on canvas Oil measurements 54x65 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Antique American modernist abstract oil painting by Adele Becker. Framed. Oil on canvas.

Great Rockport Street Scene by Carl Peters. He was born in 1897 in Rochester, New York, to German immigrants; he found his calling as an artist at an early age. Raised in modest sur...

A bustling street scene of everyday life in front of the famed Marché in Cap-Haïtien is rendered in Sénèque This is a relatively early work by Obin's signature brightly colored and flat naive style. Signed lower right. Provenance: Galerie Issa - Port-Au-Prince, Haiti - Owned by Issa El Saieh of later named El Saieh Gallery Sénèque Obin...

Abstract Expressionist Composition by Gerard Guegueniat (French 1970's) oil painting on board, board: 32 x 16 inches inscribed verso provenance: private collection, France condition...

Maureen Tarazon (1934-) San Antonio Artist Image Size: 18 x 24 Frame Size: 24 x 30 Medium: Oil "Blue & Gold" Bluebonnet Biography Maureen Tarazon (1934-Present) Maureen (Mrs. Louis T...

Ralph Chapotean (Haitian, 1954-Active) Surrealist landscape Oil on Massanet 16 x 24 unframed, 17.5 x 25.5 framed

The Moated French Chateau French School, mid 20th century signed & dated oil on canvas, framed in original period frame. framed: 19.5 x 25 inches canvas: 15 x 20 inches provenance: ...

Muriel Archer was born on June 25 1911 - she died just before her 100th birthday, fond of drawing and painting from an early age, she did her first drawing when she was four years ol...

This lovely city landscape oil painting is by noted British artist Dennis Gilbert. Painted in 1970 from an elevated perspective, the composition is of Richmond Bridge, spanning the River Thames. The large building on the right of the bridge in the foreground is now the Pitcher and Piano pub. Numerous figures can be seen going about their daily lives in the sunshine. Beyond that the Thames flows under the bridge with several boats and rowers and a surprisingly green and tree populated London sprawls on in the background. This is a charming detailed painting of a grand old bridge and its surrounding making London look very appealing. Richmond Bridge is an 18th-century stone arch bridge that crosses the River Thames at Richmond, connecting the two halves of the present-day London Borough of Richmond upon Thames...