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Medium: Alabaster
Topography 10 - abstract painting in white, grey, pink and beige
Located in Fort Lee, NJ
This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...
Category
2010s Abstract Alabaster Paintings
Materials
Alabaster, Sandstone
Composition XXI - square painting in light, grey, peach and red burgundy color
Located in Fort Lee, NJ
Composition XXI - A abstarct square painting in light, grey, peach and red burgundy color. The author used oil on canvas with sawdust mixed with alabaster and sand creating a special...
Category
Early 2000s Abstract Alabaster Paintings
Materials
Alabaster, Sandstone
Topography 6 - abstract painting in light pink, white, yellow and grey
Located in Fort Lee, NJ
This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...
Category
2010s Abstract Alabaster Paintings
Materials
Alabaster, Sandstone
Scenery 2 (From Topography Series) - a painting in light, grey, beige and yellow
Located in Fort Lee, NJ
This painting is an abstract art work from the Topography series by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to em...
Category
2010s Abstract Alabaster Paintings
Materials
Alabaster, Sandstone
The Annunciation
Located in BELEYMAS, FR
Jacques STELLA
(Lyon, 1596 - Paris, 1657)
The Annunciation
Oil on alabaster (single old break perfectly restored)
H. 25 cm; W. 30 cm
Son of François Stellaert, a painter of Flemish ...
Category
1620s French School Alabaster Paintings
Materials
Alabaster
Traces , Monochrome Painting on Canvas, Original Art
Located in Agrigento, AG
Traces
Mixed Media on Canvas
100x73 cm
Original Art
Ready to hang
Marilina Marchica was born in Agrigento, where she works and lives,
After receiving her diploma at Liceo Artist...
Category
2010s Contemporary Alabaster Paintings
Materials
Alabaster
"Gold Landscape " , Minimalist painting on Canvas, Medium Size , Original art
Located in Agrigento, AG
Gold Landscape
mixed media on canvas
60x60 cm
material painting
ready to hang
original artworks
it is sold with a certificate of authenticity
Category
2010s Contemporary Alabaster Paintings
Materials
Alabaster
Italian Oil on Alabaster Painting Pompeian Interior Scene in Ormolu Frame
Located in Firenze, IT
This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing.
The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet.
This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case.
The characters enjoy a rich banquet in an elaborate interior, the room renderings...
Category
19th Century Italian School Alabaster Paintings
Materials
Alabaster, Bronze
Uniform Language "Camo" 52 paintings
Located in Burlingame, CA
Stephanie Peek's "Uniform Language" Camo paintings showcasing an assortment of worldwide camouflage (both historic and contemporary) from countries around the world. The complete installation includes 52 original works that are each 10 x 10 inches. Can be hung in an assortment of ways. The artwork comes with a template for installation as shown below. The series started following 9/11 with the bombing of the World Trade Center in NY. and continues to today. Stephanie Peek's "Uniform Language" is a constellation of small painting on alabaster-coated wood panels featuring camouflage patterns of nations worldwide. Peek’s fascination with these patterns stems from her observation of nature (including her studies of flowers, for which the artist is well known), and compositions of shapes and color relationships. When hung in the configuration shown, the overall dimension is 77 inches tall x 132 inches wide. The artwork can hang in a variety of configurations. Each camp painting is 10 x 10 inches. Fascinated by how various countries use camouflage patterns to represent and to disguise themselves and their military equipment, the artist explores how countries see themselves in this pattern language that speaks of power and fear, while also considering each painting a prayer for peace.
Artist's statement,
Early in the 20th century, the United States military adapted the nature studies of American painter Abbot Thayer...
Category
21st Century and Contemporary Abstract Alabaster Paintings
Materials
Alabaster
Into the Light
By Fidan Kim
Located in West Hollywood, CA
Presenting a just completed original oil painting by Azerbaijani artist Fidan Kim.
Into the Light, depicts a man rediating his own light, while the women above floating over his umbrella would all like to bask in his light. Only one canb join him as his true love, and she bears the read heart.
Directions, is an original oil on canvas, signed, 2021 with an image dimension of 48 x 24 inches, just completed by the artist, the painting is currently unframed.
Please contact the gallery for additional information, pricing and availability.
About Artist Fidan Kim:
Fidan Kim was born in Baku, Azerbaijan on the 21th of August 1997.
2014-2018 – BA FINE ARTS AZERBAIJAN STATE ACADEMY OF FINE ARTS
2018-2020 – MA FINE ARTS AZERBAIJAN STATE ACADEMY OF FINE ARTS August 2009 – “Young Talents Exploring Visual Arts” summer art courses at the Edinborough Art College
August 2010 – “Art al Sole” summer art courses in Italy August
2011 - “Art al Sole” summer art courses in Italy October
2013 – a solo exhibition “The last day of the childhood” November 2014 – a solo exhibition “”Paradoxes”
March 2015 – participation at a master class given by a renowned artist, Professor Inge H. Schmidt from the Berlin University of the Arts, Germany organized by ADRA June
2015 – VI International Art Festival
June 2016 – an art exhibition “Futurismo Ora” at the “Lamborghini” salon
October 2016 – participation at the Shopping festival Carrousel du Louvre Art in Paris December
2016 – art courses at the Georgian State Academy of Art within the exchange program Art)
February 2017 – Gave art classes at Yarat contemporary art space April 2017 – an art exhibition “Live Life” in Moscow
May 2017 – an art exhibition at the Embassy of Turkey in Azerbaijan
May 2017 – an art exhibition Live Life organized in Geogria by Idea community June 2017 – Master Class given by Fidan Kim at Yarat Contemporary Art Centre Member of the Union of Artists
May 2018 – solo exhibition in Shanghai Cooperation Organization in Beijing, China November 2018 – Participation in Shanghai art...
Category
2010s Surrealist Alabaster Paintings
Materials
Alabaster
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This is his reinterpretation of pa...
Category
2010s French School Alabaster Paintings
Materials
Canvas, Oil
Original Abstract Texture Green Resin Painting Wall Sculpture - The Earth XLIV-1
Located in Los Angeles, CA
Victoria Kovalenchikova’s artworks are an outlook at the transformation of the world surrounding us; a shout in the cold infinity of cosmos. It is an attempt to understand the impact of people on the planet through the language of art.
The contemporary trend in her paintings is characterized by a figurative integration of abstract elements. Creatively mixing media from cement, resin, acrylic and epoxy on stretched canvas, Victoria’s work is simultaneously sculptural and painting.
The surface of this 32 inch tall by 40 inch wide artwork is covered with a shiny layer of clear, glass-like resin, which enhances the colors and adds depth. The sculptural, green and orange elements protrude beyond the smoother, parts of the artwork. The sides are finished as a continuation of the front, creating more layers and detailing. It is signed, titled and dated on back by the artist. It does not require framing and is wired and ready to hang. Free delivery within Los Angeles. Affordable US and global shipping options are available. A certificate of authenticity issued by Artspace Warehouse is included.
Her series on the World is immediately familiar, provoking us to step closer and have a better look, then after a few moments the nuances of her art appear. Her training is evident in her skill in creating the textures. Her charisma can be felt by her depiction of the ocean and their various shades of colors. Victoria’s work is magnetic and is being consistently collected by art lovers.
Victoria Kovalenchikova was born in Belarus in 1978. She lives and works in Amsterdam (Netherlands) since 2008.
Kovalenchikova's works are represented by Artspace Warehouse Los Angeles and can be found in private and corporate art collections and museums worldwide, including the Philips corporation in Eindhoven, Netherlands; RABO Bank, Amsterdam, Netherlands; Museum of Russian Art, Jersey City, USA; Museum of Belarusian State Academy of Arts, Minsk; Contemporary Fine Art Museum, Minsk, Belarus; The National Art Museum of The Republic of Belarus, Minsk; Maslennikov Art Museum, Mogilev, Belarus; Romanov Regional Study of Local Lore Museum, Mogilev, Belarus; Mogilev Museum of Ethnography, Belarus; Belarusian Embassy in Berlin, Germany; Belarusian Embassy in The Hague, Netherlands; Belarusian Embassy in London, United Kingdom; Municipality of Coevorden, Netherlands; Kolodzei Art Foundation, NY, USA; other private collections in Germany, Poland, Russia, Belarus, USA, The Netherlands, Belgium, Italy, Spain, France, Lebanon, Singapore, China, Saudi Arabia, United Kingdom, Turkey, France and Switzerland, India.
Education
1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M. Dantzig, V. Gerasimov and V. Tyurin, Minsk, Belarus
1990 - 1996 I. Akhremchik National Art College, Minsk, Belarus
Professional experience
2002 - 2004 Teacher of painting and drawing at Belarusian State Pedagogic University, Minsk
Since 1997 more than 100 solo shows and group exhibitions in Belarus, USA, Switzerland, United Kingdom, Ireland, Germany, Italy, Belgium, Russia, Singapore, Turkey ,China and Netherlands
Since 2003 member of Belarusian Artists' Union
Since 2016 represented by Artspace Warehouse Los Angeles
Awards
2011 Award from The Ministry of Culture of The Republic of Belarus for Enriching and Promoting Arts and Culture.
2011 First Prize and Gold Medal of Honor “LORENZO Il MAGNIFICO” at the
VIII International Florence Biennale of Contemporary Art 2011 for her paintings “NO EXIT”, 2011 and “Reflected Reality”, 2010
Solo Exhbitions
2015 SCOPE Basel, Switzerland
2014 "The EARTH", ARTIFACT Gallery, NYC, USA
2014 "The EARTH", Sixty One Gallery, Amsterdam, Netherlands
2013 - 2014 – WTC Schiphol Art Center, Schiphol, Netherlands
2013 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland
2013 Russian New Year, De Industrieele Groote Club, Amsterdam, Netherlands
2013 Realisme Art Fair, Witzenhausen Gallery, Amsterdam, Netherlands
2012 Russisch IGC-buitenevenement, Landgoed Beukenrode, Doorn, Netherlands
2012 "Our Corloful World", RCC "Our Texas", Houston, TX, USA
2011 "REFLECTED REALITY", Contemporary Fine Art Museum, Minsk, Belarus
2011 VK Art, Reception of Belarusian embassy in The UK, Langham Hotel, London, UK
2011 "HEAVEN'S TEARS", The Museum of Russian Art, Jersey City, NJ, USA
2011 "REFLECTED REALITY", MWB Business Exchange, London, UK
2010 "CLOSED LOOP", Kasteel van Brasschaet, Brasschaat, Belgium
2010 "Summer Exhibition" in Ten Elsenhuyze, Brasschaat, Belgium
2009 Diary, Moscow Public Culture Foundation, Moscow, Russia
2009 Paintings of Victoria Kovalenchikova, Cultural exchange Belarus – Netherlands, CQ Art Centre, Emmen, Netherlands
2009 Just Childhood, VK Gallery, Amsterdam, Netherlands
2009 Colourful Emotions, VK Gallery, Amsterdam, Netherlands
2008 Dagboek, VK Gallery, Amsterdam, Netherlands
2008 Victoriart, Schloss und Gutshofanlage Ludwigsburg, Germany
2008 Griebenow Palace, Greifswald, Germany
2007 Gallery "Voorhaven One", Rotterdam, Netherlands
2007 Parallelen, Club Spittelkolonnaden, Berlin, Germany
2006 Oud Atelier Hendrik Luyten, Brasschaat, Belgium
2006 BelArt, Wereld Gallery, Maastricht, Netherlands
2005 Kleine Haag, Buuurmalsen, Netherlands
2005 "Dadali" Art & Design Gallery, Rotterdam, Netherlands
2005 Wereld Gallery. Maastricht, Netherlands
2004 Mirror, City, Soul, SWR, Ratzeburg, Germany
2004 Mirror, City, Soul, Burg Warberg, Germany
2004 Mirror, City, Soul, Ministry of Foreign Affairs of Republic of Belarus, Minsk, Belarus
2004 Associations, M-Gallery, Goethe Institute, Minsk, Belarus
2003 City Rhythms, Contemporary Fine Art Museum, Minsk, Belarus
2000 Art 2000, Belynitsky-Birulya Art Museum - Branch of the National Art Museum of the Republic of Belarus - Mogilev, Belarus
Group Exhibitions
2016 ART BREDA - Gallery Palma Arte, Breda, Netherlands
2016 AAF Singapore, Art Blue Studio, Singapore
2016 AAF Hong Kong, Art Blue Studio, Hong Kong
2016 AAF Milan, Gallery Palma Arte, Milan, Italy
2016 AAF New York, VK Gallery, NY, USA
2016 Naples Art Show, Villa del Arte, Palm Beach, FL, USA
2016 Palm Beach Art Show, Villa del Arte, FL, USA
2016 Art Wynwood, Villa del Arte, Miami, FL, USA
2016 LA ART SHOW, Villa del Arte, Los Angeles, CA, USA
2015 Palm Beach Art Show, Villa del Arte, West Palm Beach, FL, USA
2015 ST-ART, Palma Arte, Strasbourg, France
2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey
2015 New York Art, Antique & Jewelry Show, Villa del Arte, NY, USA
2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey
2015 Manhattan Art & Antique Centre, NY, USA
2015 AAF Battersea, Villa del Arte, London, UK
2015 AAF New York, VK Gallery, NY, USA
2015 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2015 East Hampton Artists & Writers Annual Softball Game
2015 Art Expo Malaysia Plus, Art Blue Studio, Kuala Lumpur, Malaysia
2015 Bazaar Art Jakarta, Art Blue Studio, Jakarta, Indonesia
2015 AAF Hampstead, Villa del Arte Gallery, London, UK
2015 Art Hamptons, VK Gallery, Bridgehampton, NY, USA
2015 SCOPE Basel, VK Gallery, Basel, Switzerland
2015 AAF Hong Kong, Art Blue Studio, Hong Kong
2015 Group show. Art Blue Studio. Singapore
2015 AAF Singapore, VK Gallery, Singapore
2015 World Art Dubai, Villa del Arte Gallery, Dubai, UAE
2015 Art Breda, Wanders MFA & Dock Gallery, Breda, Netherlands
2015 Art Dubai, Contemporary Practices Magazine, Dubai, UAE
2015 Art Karlsruhe, Villa del Arte, Karlsruhe, Germany
2015 Paddle 8, Kathryn Markel Gallery, Bridgehampton, NY, USA
2015 AAF Brussels. Villa del Arte, Brussels, Belgium
2015 Naples Art Show, Villa del Arte, Palm Beach, FL, USA
2015 India Art Fair, Villa del Arte, New Delhi, India
2015 Rotterdam Art Fair, Wanders MFA & Dock Gallery, Rotterdam, Netherlands
2015 Palm Beach Art Show, Villa del Arte, Palm Beach, FL, USA
2015 LA ART SHOW, VK Gallery, Los Angeles, CA, USA
2014 Art Miami (Context), Witzenhausen Gallery, Miami, USA
2014 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2014 AAF Hamburg, Villa del Arte Gallery, Hamburg, Germany
2014 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey
2014 AAF Battersea, Villa del Arte, London, UK
2014 AAF New York, VK Gallery, New York, USA
2014 Houston Fine Art Fair, VK Gallery, Houston, TX, USA
2014 Summer Group Exhibition, Hay Hill Gallery, London, UK
2014 Paddle8 Auction, Bridgehampton, NY, USA
2014 Art Hamptons. VK Gallery, Bridgehampton, NY, USA
2014 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland
2014 AAF Singapore, VK Gallery, Singapore
2014 Downtown Fair NYC, Witzenhausen Gallery, NY, USA
2014 Russian Pavilion at Erarta Gallery (NYC Frieze week), NY, USA
2014 AAF New York, NY, USA
2014 SCOPE New York, G-77 Gallery (Japan), NY, USA
2014 Art Wynwood. Witzenhausen Gallery, Miami, USA
2013 AA New York, VK Gallery, NY, USA
2013 Russian Pavilion at Kavachnina Gallery, Miami, USA
2013 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2013 AAF New York, VK Gallery, New York, USA
2013 ART Copenhagen. Witzenhausen Gallery, Copenhagen, Denmark
2013 Vught Biennale, Gallery van Loon, Vught, Netherlands
2013 Russian Pavilion at Arttitud San Francisco, USA
2013 SCOPE New York, Witzenhausen Gallery, NY, USA
2013 Russian Pavilion, 25 Central Park West, New York City, USA
2013 Art Wynwood, Witzenhausen Gallery, Miami, USA
2012 Art Miami, Witzenhausen Gallery, Miami, USA
2012 OpenArtCode Shanghai at Present Art Festival Pudong Librart and CEIBS China Europe International Business School
2012 Europe International Art Exhibition at Wison Art Center, Shanghai, China
2012 AAF Amsterdam, Amsterdam, Netherlands
2012 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland
2012 Verge art fair, NYC, USA
2012 AAF New York, VK Gallery, NY, USA
2012 Art Southampton, Witzenhausen Gallery, NY, USA
2012 Open Art Code Shanghai, China
2012 Dublin Biennial. Point Village, East Wall, Dublin, Ireland
2012 AAF New York, VK Gallery, New York, USA
2012 PooL Art Fair New York, NY, USA
2012 AAF Brussels, VK Gallery, Brussels, Belgium
2011 VIII International Biennale of Contemporary Art, Florence, Italy
Victoria received first prize for two paintings
2011 Contemporary Art Fair NYC 2011, NY, USA
2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2011 "ARTI'2011", Art fair, VK Gallery, The Hague, Netherlands
2011 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands
2011 Museum of Russian Art, Jersey City, NJ, USA
2011 Tales of Breukelen, BWAC, Red Hook New York, NY, USA
2011 Berliner Liste 2011, VK Gallery, TRAFO, Berlin, Germany
2011 8th annual summer art show, Black and White, BWAC (The Brooklyn Waterfront Artist Coalition), Brooklyn, New York, USA
2011 "Belarusian Artists of The World", Art Festival of Belarus
2011 Sensation Modern Fine Art Group Exhibition, Notting Hill, London, United Kingdom
2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2011 AAF New York, VK Gallery, NY, USA
2011 Art Fair, VK Gallery, Hertogenbosch, Netherlands
2011 Gallery More Then Art, AHOY, Rotterdam, Netherlands
2011 AAF Brussels, VK Gallery, Brussels, Belgium
2010 Salon Art Bizarre 2010, La Galleria Pall Mall, London, UK
2010 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands
2010 Davidoff Swiss Indoors Tournament, Basel, Switzerland
2010 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands
2010 "ARTI'2010", VK Gallery, Art fair, The Hague, Netherlands
2010 Open Art Fair, VK Gallery, Utrecht, Netherlands
2010 Art Nocturne, VK Gallery, Knokke, Belgium
2010 Fine Art Fair, Park Lane Hotel, London, UK
2010 Art Laren, Laren, Netherlands
2010 "Reflected Reality", VK Gallery, Amsterdam, Netherlands
2010 Spring Celebration, Ten Elsenhuyze, Brasschaat, Belgium
2010 Art Fair, VK Gallery. Brabanthallen, Hertogenbosch, Netherlands
2010 "Primavera'10", VK Gallery, AHOY, Rotterdam, Netherlands
2010 Old Russian New Year, IGC, Amsterdam, Netherlands
2009 Memory Fragments, VK Gallery, Amsterdam, Netherlands
2009 Midwinter Celebration, Ten Elsenhuyze, Brasschaat, Belgium
2009 Kunst Messe, Jan Roelofs Antiquairs, Munich, Germany
2009 "ARTI'09", VK Gallery, The Hague, Netherlands
2009 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands
2009 Art Manege 09, Moscow, Russia
2009 AAF Amsterdam, Wies Willemsen Gallery, Amsterdam, Netherlands
2009 Open Art Fair, VK Gallery, Utrecht, Netherlands
2009 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands
2009 "Slavyanski Bazar", Museum Geelvinck Hinlopen Huis, Amsterdam, Netherlands
2009 Armenian Independent Day Festival, Hollywood, California, USA
2009 The Earth Day Celebration Festival, Los Angeles, California, USA
2009 "Dialog Ost - West", Kulturintegrationsprojekt, Aachen, Germany
2008 The Modern Art Gallery, Los Angeles, California, USA
2008 Agnieten Festival, Gallery Goda, Gouda, Netherlands
2008 Russian Art Exhibition, Gallery Goda, Alakmaar, Netherlands
2008 InterArt, Pommernhus, Greifswald, Germany
2007 Kunst – Event, AHOY, Rotterdam, Netherlands
2007 Woman's World, National Art Museum of the Republic of Belarus, Minsk, Belarus
2007 AKCENT Gallery, Brussels, Belgium
2006 Winterexposition Academy of Russian Arts, Gouda, Netherlands
2006 Eastern Neighbours, Cultural Center Babel, Utrecht, Netherlands
2006 Russian Art Gallery "Kartina", Gorinchem, Netherlands
2006 Embassy of The United States of America in Belarus, Minsk, Belarus
2006 Gallery Goda, Amsterdam, Netherlands
2006 De Kunst van het Wonen, Willa Arena, Amsterdam, Netherlands
2006 Kunst – Event, Martiniplaza, Groningen, Netherlands
2006 Kunst – Event, Beursgebouw, Eindhoven, Netherlands
2005 Kunst – Event, Antwerp EXPO, Antwerp, Belgium
2005 National Art Gallery of Belarusian Artists' Union, Minsk, Belarus
2005 Kunst – Event, AHOY, Rotterdam, Netherlands
2005 ID Studio, LLC, Pawley's Island, USA
2005 Autograph, Art Gallery of Palace of Republic...
Category
21st Century and Contemporary Abstract Impressionist Alabaster Paintings
Materials
Concrete
The Earth XVI
Located in Los Angeles, CA
Victoria Kovalenchikova’s textured abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of the cosmos. Kovalenchikova expr...
Category
21st Century and Contemporary Abstract Alabaster Paintings
Materials
Concrete
The Earth XLV
Located in Los Angeles, CA
Victoria Kovalenchikova’s artworks are an outlook at the transformation of the world surrounding us; a shout in the cold infinity of cosmos. It is an attempt to understand the impact...
Category
21st Century and Contemporary Abstract Alabaster Paintings
Materials
Concrete
Large 1800's French Empire Period Portrait of Gentleman with Silk Gloves
Located in Cirencester, Gloucestershire
Portrait of a French Gentleman, circa 1800's
French artist, Empire period
oil on canvas, unframed
canvas: 29.5 x 25 inches
provenance: private collection, France
condition: a few min...
Category
Early 19th Century French School Alabaster Paintings
Materials
Oil
The Enchantress - 19th Century Belle Epoque Portrait Oil Painting French Beauty
Located in Gerrards Cross, GB
‘The Enchantress’ by Nathaniel Sichel (1843-1907). This large fine 19th century oil on canvas, depicting a dark-haired beauty wearing a crown of holly, is signed by the artist and ha...
Category
Late 19th Century French School Alabaster Paintings
Materials
Oil
Day For Night II, Abstract Geometric Squared Painting, Yellow and Purple Circles
Located in Barcelona, ES
These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...
Category
2010s Bauhaus Alabaster Paintings
Materials
Oil Pastel, Oil, Acrylic, Watercolor, Gouache
Antique portrait of a woman peeling potatoes, French figurative painting
Located in AIGNAN, FR
Antique, late 1800's oil portrait of a woman peeling potatoes by French artist, Marie Petit/Marie Adrien Lavieille (1852-1911). This is a wonderful old painting by an accomplished f...
Category
1880s French School Alabaster Paintings
Materials
Oil
The Enchantress - 19th Century Belle Epoque Oil Painting Portrait French Beauty
Located in Gerrards Cross, GB
‘The Enchantress’ by Nathaniel Sichel (1843-1907). This large fine 19th century oil on canvas, depicting a dark-haired beauty wearing a crown of holly, is signed by the artist and ha...
Category
Late 19th Century French School Alabaster Paintings
Materials
Oil
Holy family under an oak tree on a gold background
Located in BELEYMAS, FR
French school circa 1870
Holy Family under an oak, after Raphaël, on gold background
Oil on canvas
H. 92 cm; W. 60 cm
This aesthetic curiosity takes up the very famous composition b...
Category
19th Century French School Alabaster Paintings
Materials
Canvas, Oil
The Earth XIX-3 - Mixed Media Textural 3-D Abstract Landscape Artwork
Located in Los Angeles, CA
Victoria Kovalenchikova’s abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of cosmos. Kovalenchikova expresses through...
Category
21st Century and Contemporary Abstract Alabaster Paintings
Materials
Concrete
NAPOLEON AT ARCIS-SUR-AUBE, 1814
Located in Paris, FR
Circle of FRANÇOIS DE LANSAC (1803-1890)
"NAPOLEON AT ARCIS-SUR-AUBE, 1814"
French Campain – Napoleon at Arcis-sur-Aube, 1814
Oil on canvas
DIMENSIONS :
–...
Category
Mid-19th Century French School Alabaster Paintings
Materials
Oil
Previously Available Items
Original-Golden Summer-Sunlit-Award UK Artist-Landscape-Expressionism, Gold Leaf
Located in London, GB
Shizico Yi embarked upon an odyssey this summer, surrendering to the irresistible garden which is compelling her to create a series of plein air paintings that transcended the bounda...
Category
2010s Abstract Alabaster Paintings
Materials
Alabaster, Gold Leaf
H 15.75 in W 11.82 in D 0.12 in
ANTIQUE ITALIAN PAINTING OIL ON ALABASTER DEPICTING ‘THE ANNUNCIATION’
Located in Milan, IT
Painting on Alabaster ‘THE ANNUNCIATION’
Italy, 17th Century
Oil on alabaster
19 x 19 cm
7 1/2 x 7 1/2 in
Category
17th Century Alabaster Paintings
Materials
Alabaster
The Assumption, painting on alabaster - Roman school, 17th Century after Rubens
By Peter Paul Rubens
Located in PARIS, FR
This beautiful composition on stone is still an enigma, despite our research. The representation of the Assumption of the Virgin Mary is directly inspired by an engraving by Schelte Adams Bolswert (ca. 1586 - 1659), after an altarpiece by Peter Paul Rubens (1577-1640), completed in 1621. The presence of a label on the back indicating that this panel was brought from Rome, suggests that it is a Roman work, however, at this stage, it has not been possible to establish the exact name of the artist. The French framing makes it a true European work of art, testifying both to the circulation of forms between Flanders and Italy thanks to the spread of engravings, but also to the circulation of works of art between Italy and France.
Oil on alabaster panel, probably of antique origin
9 7/16” (24 cm) diameter; 18 ½” x 16 ½” (47 x 42 cm) framed
French frame from the Louis XIV period in a mixture of gilded and carved wood and ebony marquetry inlaid with pewter fillets.
1. A well identified source of inspiration: the altarpiece of the Assumption by Rubens
The Assumption of the Virgin is based on a large altarpiece designed by Rubens between 1611/14 and 1621. This altarpiece was originally executed for the cathedral of Antwerp but was exhibited from 1621 to 1776 in the Marian chapel of the Jesuit church in that city. It is now in the Kunsthistorisches Museum in Vienna (Austria) .
The figure of the Virgin in Rubens' altarpiece is reversed on our panel, and the colors of the Virgin's garments are different. These two elements show that the real source of inspiration for the painter of our panel is probably the engraving made from this altarpiece by Schelte Adams Bolswert (ca. 1586 - 1659) for the printer Martinus van den Enden (1605 - after 1654).
A comparison between the engraving made after Rubens' work and our work shows that the treatment of the Virgin and her drapery are very similar.
2. A panel probably of Roman origin
Stone painting appeared in Rome around 1530, and then spread to other Italian artistic centres (Florence, Venice, Genoa, Milan and Verona) as well as outside the peninsula, particularly to Antwerp. It is interesting to note the role of Rubens in the spread of this pictorial tradition on stone in Flanders. Rubens had in fact learned this technique while working in Rome between 1606 and 1608 on a triptych on slate for the church of Santa Maria in Vallicella. It was after his return to Flanders that certain painters discovered stone painting in their turn.
It seems however, that, despite the Rubenian inspiration, our panel is a Roman work. A label on the back indicates that the panel was brought from Rome. This inscription, made partially illegible by the addition of a suspension hook, reads as follows
"This table [...]
is painted by * (*The Correggio) on oriental alabaster
of a choice (particularly ?) [...] perfectly imitating
a glory all the more [...] as the lights come
from above; which has (decided?) the skilful painter to compose his
figure to take advantage [...] of the contrasts (of ?) lights
accidental - so that the composition has been so
studied that it could not be otherwise flawless.
[...] belongs to Mr. Henri François Bernard
who [...] from someone who had it [...] from Rome. "
Beyond the erroneous nature of the attribution to Correggio, typical of an era in which knowledge of the great artists was in its infancy, this label leads us to believe that this painting was indeed purchased in Rome, unframed, allowing it to be transported more easily, and then brought back and framed in France - we will come back to this.
The very high quality of the alabaster used...
Category
Mid-17th Century Old Masters Alabaster Paintings
Materials
Alabaster
"Still life of Flowers Bouquet on Alabaster" circa 1820's
Located in SANTA FE, NM
"Still life of Flower Bouquet on Alabaster"
circa 1820's
Gouache on alabaster
6 1/2 x 4 1/2 (12 3/4 x 10 3/4 frame) inches
Follower of Pierre Joseph Redouté 1759-1840, the artist brought all the finesse and care required for this work to seduce us and hold our attention at first glance, delicately painted in gouache on an alabaster plate, he added here and there a drop of water which adds freshness to the whole while showing us his virtuosity. A white rose, a parrot tulip and a few forget-me-nots to enhance the composition and the harmonious bouquet bursts with gaiety against a background of luminous alabaster.
Unsigned, this gouache dates from the years 1820 - 1830, it is enhanced by a channel frame which has retained its original gilding.
Redouté was an official court artist of Marie Antoinette, and continued painting through the French Revolution and Reign of Terror. He survived the turbulent political upheaval to gain international recognition for his precise renderings of plants, which remain as fresh in the early 21st century as when first painted. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After Queen Marie-Antoinette, his patrons included both of Napoleon's wives -- Empress Joséphine and Marie Louise, Duchess of Parma—as well as Maria Amalia...
Category
1820s French School Alabaster Paintings
Materials
Alabaster
Lounging Nude
Located in Los Angeles, CA
LEON D'USSEAU
"RESTING NUDE"
OIL ON PANEL, SIGNED
CALIFORNIA, C.1955
14 X 40 INCHES
48 INCHES OVEALL, ORIGINAL FRAME
Leon D'Usseau
1918-1991
Born in Los Angeles, CA on March 21, 1918. Leon was the son of an art director at Paramount Pictures. He anglicized his name to Dusso and studied under Merrill Gage and Archipenko at the Chouinard Art Institute. He was active as an artist in his native city and a resident of Sherman Oaks, CA in the 1960s. He died in Lake Elsinore, CA on Nov. 23, 1991. His painting style was influenced by Mayan or Incan designs.
Exh: LACMA, 1937-40; CPLH, 1941; MM, 1942; LA AA, 1944; Audubon Ass'n, 1945; Calif. WC Society, 1946; Laguna Festival of Arts. In: Marshall Field and Palmer House (Chicago); Dallas Museum
He began training under the guidance of his father, who was among the first of the fine art directors in motion pictures. Dusso was twelve years of age when he started drawing seriously. At a mere fifteen years, he received a working scholarship at Chouinard School of Art in Los Angeles where he taught a quick sketch class in life drawing.
According to Dusso, after spending eight years as a make-up artist at M.G.M. a growing need for deeper personal expresson caused me to abandon this lucrative occupation for one more spiritually rewarding. Dusso is listed in Who's Who in Western Art.
His oil paintings have been purchased and used in the making of the film Man in the Grey Flannel Suit, and the film Anything Goes, as well as the Perry Mason...
Category
1950s Cubist Alabaster Paintings
Materials
Alabaster
Garden Home NYC
Located in Los Angeles, CA
Evelyn Metzger
1911-2007
Biography from an exhibit catalog published by Frank Partridge Inc in 1964.
As a child, Evelyn Metzger attended the drawing classes of George Bridg...
Category
1990s Post-Impressionist Alabaster Paintings
Materials
Alabaster
From Vertical Series II & III - art in dark in black, grey, beige, peach puff
Located in Fort Lee, NJ
This Diptych is a combined art work from the Vertical series by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a uniqueness of the work. It consists of two painting of smaller art works...
Category
2010s Abstract Alabaster Paintings
Materials
Alabaster, Sandstone
Natalia SitnikovaFrom Vertical Series II & III - art in dark in black, grey, beige, peach puff, 2018
H 78.75 in W 39.38 in D 0.79 in
Adoration of the Magi
Located in New York, NY
Antonio Tempesta
(Florence 1555 - 1630 Rome)
Adoration of the Magi
Signed on the quiver-strap of the black soldier holding the two white horses...
Category
17th Century Old Masters Alabaster Paintings
Materials
Alabaster
Relic and Remnant Set
By John McLeod
Located in Denver, CO
Moose and Moose antler sculpture
Category
2010s American Impressionist Alabaster Paintings
Materials
Alabaster, Marble, Silver
Granite Barriers (Near Colorado Springs/Manitou Colorado)
Located in Denver, CO
Oil on artist board. Housed in a custom hand-carved gold leaf frame; outer dimensions measure 18.25 x 22.25. Image measures 12 x 16 inches.
Expedited and International Shipping is Available; please contact us for an estimate.
Provenance:
Estate of the Artist
About the Artist:
As a young child in Sweden, John F. Carlson was introduced to art by an uncle who decorated carriages with landscapes. At the age of twelve, Carlson moved with his family to the United States and settled in Buffalo, New York.
Carlson's early interest in art grew and he apprenticed with a lithographer and received guidance from an amateur artist named Frederick Mayor. He later worked as a Lithographer at Cosack & Company to help support his family. His formal training began at the Albright School of Art (Albright Art Gallery) where he studied under Lucius Hitchcock. In 1902, Carlson earned a scholarship to the Art Students League in New York where he was a pupil of Frank Vincent DuMond.
Following his two years of study at the Art Student's League, Carlson went to Woodstock, New York, with a scholarship to study at Byrdcliffe, a fledgling art colony (later known as the Woodstock Artists Association). He received instruction from Birge Harrison, a Tonalist, who became both a mentor and a friend to the young artist. In 1906, Carlson, who was then a member of the Art Students League's Board of Control, was instrumental in the decision to move the League's summer school from Connecticut to Woodstock. Birge Harrison was named director of the new school of landscape at Woodstock and he hired Carlson as his assistant. Carlson became the school's director following Harrison's retirement in 1911, hiring Frank Swift Chase as his assistant. By that time, there were over one hundred students studying at the school. Enrollment was at its greatest under Carlson's directorship which lasted until his resignation in 1918.
In June of 1920, Carlson and his family moved to Colorado Springs...
Category
1920s Other Art Style Alabaster Paintings
Materials
Alabaster
H 18.25 in W 22.25 in D 1.5 in
Oil No. 9
By Raymond Jonson
Located in Denver, CO
Framed dimensions measure 23.5 x 31.5 inches.
Expedited and International Shipping available; please contact us for a quote.
About the artist:
Seeking the spiritual in art, Raymond Jonson developed an abstract style of painting that was unique in pre-1940s New Mexico. While his colleagues in the Transcendentalist Painting Group similarly shared his interest in the metaphysical, Jonson alone found his means in a non-objective relationship of forms. Strongly influenced by Kandinsky, the painter moved from stylized representations of nature to formalist expressions of universal harmony. In order to achieve his aims, he became a master of materials, known for his meticulous working methods.
Born in Iowa, Jonson spent his early years moving around the country with his family, necessitated by his minister father's work. They finally settled in Portland, Oregon, in 1902, and this same year Raymond had a spiritual experience in which he sensed the presence of God. When his family's Baptist faith disappointed him, he transposed this feeling to art, to which he committed his life. When the Portland Art Association established its Museum Art School, Jonson enrolled as its first student.
His dedication led him to Chicago to study at the Academy of Fine Arts, a very good commercial school, which afforded a strong grounding in drawing. Here he met B.J.O. Nordfedlt, a Swedish immigrant, who introduced the younger Jonson to the colorist experimentation of the Fauves. The Arthur Dove exhibition and the Armory Show brought to Chicago both expanded his awareness of the emotive possibilities of modernist art movements.
From 1912 to 1917, Jonson was lighting, stage set, costume, and graphics designer for the Chicago Little Theater, America's first experimental theater. Among their bold departures was a minimalist aesthetic, which reduced the stage elements and enhanced the dramatic content with light. Devising the 9-switch dimmer board, Jonson (going by C. Raymond Johnson) became an international theater figure. He also met his wife, Vera White, secretary for the theater and poet.
On a trip to the Colorado Rockies in 1917, Jonson was moved by the power of this sublime landscape and its clarity of light. He began to consider how paint could express light -- material into immaterial. Teaching at the Chicago Art Institute, he was able to get away to the MacDowell Art Colony in 1919, and his elevated sensibilities increasingly perceived the oppressive side of city life. Believing the aim of life was toward harmony, Jonson placed new emphasis on design as a unifying principle. Reading Kandinsky's "The Art of Spiritual Harmony" further convinced him that the mission of art was to make this harmony visible.
In 1922, he spent the entire summer in Santa Fe, and his experience there filtered into his work upon returning to Chicago. When his mother supplied the money for a studio, he moved to New Mexico in 1924, building his home across the street from his friend Nordfeldt. Jonson pursued the concept of order as found in "simple basic motives of spaces and interesting variety of shapes and spaces, a balance of line direction."
In the work of the late 20s, he submits natural forms, such as mesas and even the Grand Canyon, to a dynamic patterning in which the quality of light becomes a design element. Significantly, Jonson thought that emotion could be included by creating juxtaposed rhythms within the composition. Influenced by Indian design, these paintings recall Art Deco ornamentation in the combination of organic and geometric motifs and the electric color effects.
Taking the next leap, Jonson set about purifying his work of all representation. Beginning in the thirties, he explored new ways applications of color and tonality to suggest the quality of transparency, which created the sense of different planes within one surface. Philosophically, this transparency was the artistic means to "expose the spirit of man." Carefully painting gradations, he achieved luminosity and, with colors close to each other, vibration. He eventually used an airbrush for further ethereal effects. Rather than suggest the metaphysical with subject matter, Jonson proposed an approach to painting which de-materialized the actual physical object. In 1938, he and Emil Bisttram were the core of the Transcendentalist Painters Group, which advanced these principles among other artists in Santa Fe and Taos.
As advocate and impresario, Jonson casts a long shadow. Although there was strong sentiment against it, he organized the modern wing of the Museum of New Mexico. In 1934, he painted six murals for the University of New Mexico, which began his relationship with the Albuquerque institution. For many years, he commuted there from Santa Fe but in 1950 he moved there to the gallery/studio provided. Upon his retirement in 1954, he continued to stage exhibitions, thus making the gallery a citadel of modernism in the Southwest. The building itself is a landmark of Pueblo Revival...
Category
1950s Abstract Expressionist Alabaster Paintings
Materials
Alabaster
Alabaster paintings for sale on 1stDibs.
Find a wide variety of authentic Alabaster paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Natalia Sitnikova, Fidan Kim, Marilina Marchica, and Stephanie Peek. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Alabaster paintings, so small editions measuring 0.1 inches across are also available
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