Paint Portrait Paintings

Fernand Toussaint 1873 – Brussels – 1956 Belgian Painter ‘Lady in a Pink Cape’ Signature: signed lower left ‘Toussaint’
 Medium: oil on canvas
 Dimensions: image size 46 x 38 cm, f...

Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Dutch School. Oil on canvas Dutch School. Circle of Peter Nason (Amsterdam, 1612 - 1690 The Hague). Portrait ...

Bernard GAILLOT (Versailles 1780 – Paris, 1847) Portraits of two sisters Pair of oil on canvas H. 92 cm; L. 73 cm One signed Student of David, he presented his first works at the Salon of 1810. Mainly known for his portraits of children, his work does not seem extremely vast. More than a dozen religious paintings are kept in large Parisian or provincial churches (Val de Grâce, Saint-Denis, Notre Dame des Victoires, Collégiale d'Eu, etc.), and a few paintings on historical subjects are kept at the Palace of Versailles, made during major orders from Louis-Philippe for the opening of the Versailles Museum. He also produced numerous humorous drawings, mainly in wash, some of which were engraved. Our two portraits of little girls most certainly represent sisters and had remained in the family until today. Unfortunately, time has made them lose their identity... One is shown sitting at the foot of a tree, in front of a kiosk with very beautiful neoclassical architecture. She holds in her arms a multitude of freshly picked flowers, which she holds awkwardly. His sister with her little red patent shoes...

Montana Engels: "Celeste is a painting that holds the entire world in her gaze. She captures every wandering eye and stops the world from spinning by drawing you in with her gaze." ...

This painting dedicated to "Women" series is a special one since it is all about my strong deep personal transformation as an artist. This transformation was based on the expansion ...

Andrew Gray's "Stay In Your Lane, 2024" joins the 'Currents of Color' series with a resonant depiction of a Black man poised on the edge of a diving block, about to enter the water. ...

Montana Engels: "Malé is painted with sand and shells from the Maldives. Hence the name Malé, referring to the capital of the Maldives. From up close the painting looks abstract with...

Portrait of a Country Lady, depicted Seated wearing a silk glove and with a Quill Pen English artist, circa 1820's oil on canvas, unframed canvas: 35 x 29 inches provenance: private ...

Montana Engels: "This pink, purple, blue painting is inspired by a sunset in the Mountains of Switserland. Dawn light hitting the mountains in an ever so delicate way that reflects t...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"CAVALIERY" Oil Painting 27.5" x 21.5" inch by Khoren Keshishyan Khoren Keshishyan is a celebrated American-Armenian painter and artist whose unique blend of architectural sensibili...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

Howdi Do - by Marc Zimmerman - Figures Landscape Art This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. ABOUT THE ARTIST Marc Zimmerman is a visionary artist whose c...

Elizabeth Osborne (American/Philadelphia, b. 1936) Untitled (Portrait of a Lady), 1974. Watercolor painting on paper, signed and dated lower right. Unframed. Size: 22.75'' x 30...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interactions with concepts such a...

Portrait of a Noble Lady circa 1700 circle of John Closterman (German 1660-1711) oil on canvas, unframed canvas : 50 x 40 inches provenance: private collection, Somerset, England con...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

Laslett John Pott RSA British, (1837-1898) Flowers from the Walled Garden Oil on canvas, signed vertically lower left Image size: 15.5 inches x 11.5 inches Size including frame: 24.5 inches x 20.5 inches A pleasing genre painting of a woman carrying a trug of flowers by Laslett John Pott. The woman, who is shown standing by a tree in a walled garden, is dressed in a period white cambric morning dress...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

This highly stylized portrait depicts a well dressed man in front of a mining property likely in West Virginia. It is very much in the manner of earlier American artists such as Gra...

"Mia" Painting 35" x 28" inch by Vladislav Chenchik Vladislav Chenchik is a contemporary artist from Ukraine. His artwork combines abstract and realistic styles, with a focus on por...

Baron Robert Heinrich Freiherr von Doblhoff (1880 Vienna - 1960 ibid.) Woman with Red Hair Ink and watercolor on paper, image measures 6.25 x 7.25 inches; 12.75 x 13.5 inches fra...

Ps 233 La Fauve S'habille en leopard. (Tawny wears leopard) Portrait of a naked woman who is carrying a leopard. Structural analysis: Closeup portrait of a naked woman. The backgro...

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

2 original paintings by Angela Smith. Slightly different sizes, both sold framed - Tuesday's Girl (Sakura): Complete size of framed work: 53 H x 53 W x 3.5 D cm (20.87 x 20.87 x 1.38 in) Single Hummingbird, Framed size: 45.5 H x 45.5 W x 2.5 D cm (17.91 x 17.91 x 0.98 in) TUESDAY'S GIRL (SAKURA): Original painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers.  Surrounded by a vibrant damask pink...

This piece is one of the latest additions to the "Exchange Currency Series" created by Natasha Lelenco in 2024, inspired by the concept of the "face" on coins. It is a unique work co...

PS 238 Le temps des Jonquilles ou l'art de montrer son dos. Portrait of a woman with back naked. Structural analysis: Such as Impressionist painting, the subject is firstly a stu...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. It is a unique work consisting of a meticul...

Presenting "Unbound, 2024" by Andrew Gray, a piece from his 'Currents of Color' series. This acrylic on canvas measures 40 x 40 inches and is framed in a thin white border, bringing ...

Portrait of a Distinguished Gentleman by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private co...

Nicely painted mid century modernist interior portrait oil painting by Sadie Skoletsky Rosenblum 1899-1987. Great color and composition. Framed.

"Large Oil Painting On Canvas Belle époque Art Nouveau With Frame" Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Belle ...

PS 243 La Contrebasse d'Ingres Such as Odalisque from Ingres or the photography composition from Man Ray, the most important point is the round shape of the body. The pale body sha...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Andrew Gray’s series "Currents of Color" finds a mesmerizing intersection in "Condition Week, 2024", an acrylic on canvas that stands out at 61 x 43 inches, framed elegantly to 62 x ...

Josine Vignon (French 1922-2022) ...

Sunny contrasting girl portrait at the sea coast. The beautiful sea waves crushing on the coast. The sea wind is playing with hair. An artwork which brings summer and sea in to your ...

Andrew Gray's "Colored Floater, 2024" is a compelling acrylic on canvas that conveys the dynamism of the human form intertwined with the fluidity of water. Measuring 40 x 40 inches w...

Antique Dog Painting of a Terrier: “The Shah” George Earl (England, 1824-1908) Circa 1870 Oil on canvas. 12 ¾ x 12 ¾ (21 x 21 frame) inches. Orig...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist William George Robb. Painted circa 1901 the sitter is Louisa Ann Inglis, wife of Sir Charles Ingl...

Up for sale is this detailed and tentative portrait of an elegant woman in a common room or 'parlor'. By a famous English Pre-Raphaelite artist. Barked Frederick Lowcock. The woman can be seen standing before beautifully decorated interior. Some of the focuses in this painting is the stained glass window, a tall marble statue of a woman, exotic palm leaves and plants, paintings, easels, and antique furniture, a . By placing the objects in their proper places, Lowcock gave the observer a better understanding of who was being depicted in his portraits. The Royal Academy (1878–1904), Suffolk Street (1880–1892), and Thomas McLean's gallery (1892) all hosted Lowcock exhibitions. A number of biographical dictionaries, notably Benezit and Wood's Dictionary of Victorian Painters, which features an image of his work, mention Lowcock as an artist. The abbreviation CF Lowcock RBA, which stands for Royal Society of British Artists, is sometimes used to refer to Charles Frederick Lowcock. Pre-Raphaelite Woman in Study Sight size 10x18.5 inches With frame 20x29 inches Oil on Panel With Gilded Frame Signed lower left Lechertier...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

1930s Oil on canvas portrait by S Cousin. The painting is signed bottom right and the subject 'Henri Cousin' titled on the back of the canvas. An engaging and charming oil portrait ...

"Oil On Canvas From The Eighteenth Century Entourage De Largilliere With Frame" 18th Century French School, Surroundings of Nicolas de Largilliere Presumed portraits of Louise Elisa...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Josine Vignon (French 1922-2022) ...

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

What for? Yes, I'm alive, I take walks, go to cafes, and even hang out with friends, but inside everything is dead. There are no plans, no hopes, no desires... One question: Why? For...

Human Faces Abstract Collection - HFC 9 - Limited Edition Textured Canvas Print Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstrac...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

'Portrait of a Man Playing Guitar', oil on board, Berlin School (circa 1960s). Clearly inspired by Georges Braque's (1882-1963) and Juan Gris' (1887-1927) works, this painting is sim...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Art Nouveau portrait oil on canvas mounted on panel "The elegant with the...