Color-Field Prints and Multiples

Silkscreen from 1970 by Washington Color School artist Howard Mehring (1931-1978). Museum quality framed behind UV plexi. Measures 29.5" x 26.5". Framed 37.25" x 34.25".

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered from the limited edition of 75 on the lower front; bears the artist's blind ...

Larry Zox Untitled IV, ca. 1979 Pochoir on Arches Paper with Deckled Edges. Hand signed and annotated Printers Proof in pencil on the lower front. 28 1/2 × 22 1/2 inches Unframed Thi...

Various surfing gestures and rad moves are the subject matter here, in which the negative space becomes the subject. Printed on buff paper. Rascals in Paradise - Figurative Print -...

Jack Bush (1909-1977) is Canada's most successful abstract artist of the 20th century. Bush was a graduate of OCAD (Ontario College of Art & Design) and a key member of Painters Ele...

Natvar Bhavsar Untitled color-field abstract expressionist print (hand signed and numbered) Color silkscreen Pencil signed, dated and numbered 39/50 by the artist on the front Rare 1...

Jack Bush (1909-1977) is known as one of Canada’s most successful abstract artists of the 20th century. In the 1960's he achieved international recognition for his works that positio...

"High Green, Version I" is an aquatint print by Richard Diebenkorn, made in 1992. It is number 46 from an edition of 65. The work is signed in pencil, lower right, "RD 92". The artwo...

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Offset Lithograph Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame included: framed in ...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...

Jules Olistki Luminous Dawn (from Vera List Print Program, Mostly Mozart, Lincoln Center), 1997 Silkscreen on wove paper 24 1/2 × 35 inches Signed and dated in pencil and numbered 'A...

Kenneth Noland screenprint of "Virginia Site, 1959" printed in Belgium 2002. This is an unsigned edition. Paper dimensions are 27.5" x 27.5" and image dimensions are 19.5" x 19.5".

Wolf Kahn Red Barns, 1980 Color Lithograph on wove paper Hand signed, dated, and numbered 45/50 by the artist on the front Original vintage wood frame included Classic 1980 Wolf Kahn...

Jack Bush Jack Bush at Andre Emmerich, 1966 Offset lithograph exhibition poster. Postmarked to McNay Art institute director 22 1/2 × 17 3/4 inches Unframed This special mid century modern exhibition...

Wolf Kahn Wolf Kahn's America (Hand signed and inscribed), 2003 Hand signed and dedicated hardback monograph with dust jacket Boldly signed in ink with heartfelt personal dedication ...

Shooting Star - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 238/250 Unframed

"Subtle Was Rarely An Option" is a lithograph with chine-collé elements exemplifying Calvert's exploration of the "...conversations that develop between everyday objects of comfort ...

Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting 30" x 30" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artis...

Color screenprint on Arches paper. Signed, titled, dated and numbered 22/73 in pencil by Gilliam. Printed by Lou Stovall at the Workshop, Inc., Washington,...

Kenneth Noland Limited Edition Canvas Tote, 1977 Mixed Media: Silkscreen on Canvas with handles and leather tag. Numbered with ink stamp 15 × 15 inches Edition 268/500 Plate signed and dated Kenneth Noland and stamp numbered from the edition of 500 Very good vintage condition with handling and creasing (see photos) This was not commercially marketed but was designed as a prototype with each one stamp numbered. Not too many are around, and very rarely found in such good condition. This work is sold unframed as shown in the first image, but for inspiration only, see a photograph of how one collector framed a different edition of this work - and it looks like a print or painting! (see last image) A true vintage collectors item.

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

A very good impression of this color screenprint on white wove paper. Signed and numbered 248/250 in pencil by Davis. Based on a series of oil paintings made by Davis, completed afte...

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

"Grusgrav", a wonderfully minimal yet expressive mid century modern abstract limited edition hand signed lithograph by Frede Christoffersen (Danish, 1919-1987). This 1962 color-field abstract features a subdued palette of earthy golden rod yellows and sage, the geometric areas of color divided into fractured shapes with organic and expressive texture. Grusgrav, the title of the piece, is Danish for gravel pit. Titled "Grusgrav", signed with the artist's initials "FC" and dated "62" lower right. Numbered "36/80" lower left. Signed "Frede Christoffersen" on verso. Official Org. U.M. Grafik warranty certificate stamp on verso. Displayed in a vintage painted wood frame. Image size: 11.5"H x 17"W. Another lithograph print of "Grusgrav" from the same edition, number 44/80, is included in the collection of the Fuglsang Art Museum (Fuglsang Kunstmuseum) on the island of Lolland in Denmark. Born in Borup, Denmark, outside out Copenhagen. Christoffersen spent a short period at the Copenhagen Arts and Crafts School before travelling to the Far East in 1940-41. The result was his 20 "Smaa sorte Tegninger" published in 1941. From 1942 to 1943, he studied at the Royal Danish Academy of Fine Arts, both at the graphic arts school and at the school of painting, under Aksel Jørgensen...

This Gene Davis screenprint can only be described as jewel toned, with vibrant ink in peridot green, sapphire blue, turquoise green, amethyst purple, carnelian brown, grey, and pink....

Artist: Gene Davis Title: Carousel Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 250 Image 13.5 x 20 inches Paper Size: 17 x 24 inches

This stunning serigraph, "Untitled" (Diagonal Composition) was realized by the esteemed American color field artist Larry Zox (American, 1936-2006) circa 1965. It features a dynamic ...

Agent X Chorioferol mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 35 x 35 inch Signed COA provided Ref.: 924802-855 ---...

Agent X Alfuderm mRNA (white) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 37 x 35 inches Signed COA provided Ref.: 924802-854 -----...

Piero Dorazio Lot of 2 (two) Lithographs - "Night Circles" & "Morning Circles" Color Lithographs Year: 1992 "Night Circles" Size: 27.56 x 19.68 in (70 x 50 cm) "Morning Circles" Siz...

Original Salamanca Ferias y Fiestas vintage Spanish poster. Lithograph archival linen backed and ready to frame. Artist: Ramon Melero. Very good condition. No tears, no stains, no damage. Fine condition This image has two piñata style faces. The woman has a flower in her hair and a veil and the man is just wearing a small Swiss hat. On the left side, there is a cow handing off a string that also has flowers. A city seal is in the upper left corner. The festival is in honor of la Virgen de la Vega...

Piero Dorazio Night Circles (Cercles De Nuit) Color Lithograph Year: 1992 Size: 27.56 x 19.68 in (70 x 50 cm) Signed, dated and numbered by hand Edition: 90 Publisher: Erker Presse,...

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 2 Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition size: 250 Size: 25 in. x 34.5 in. (63.5 cm x 87.63 cm)

Artist: Gene Davis, American (1920 - 1985) Title: Banjo Year: 1981 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 250 Size: 21.25 x 28.5 in. (53.98 x 7...

LIFE FORCE is a limited edition color lithograph printed using traditional lithography techniques on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas arti...

Kenneth Noland (1924 – 2010) is one of the most important contributors to the evolution of American abstraction, specifically as a leading figure in the Color-Field movement. Unlik...

A blue and orange abstract color field abstract monotype on a soft grey background. Includes a label from the gallery it was once sold from that includes the artist's name, title, size, and medium. Dimensions Without Frame: H 29.5 in. x W 22 in. Artist Biography: Born in Cozad, Nebraska, in 1942, the son of a farmer and truck driver, Dan Christensen chose to become an artist when, as a teenager, he saw the work of Jackson Pollock on a trip to Denver. After receiving his B.F.A. from the Kansas City Art Institute, Missouri, in 1964, he moved to New York City. His “spray loop” paintings, produced by using a spray paint gun...

Kenneth Noland (1924 – 2010) is renowned for his contribution to American abstraction. He is also one of the key artists of color-field painting. Unlike some of his contemporaries, N...

SPIRIT COSAS VIII is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (...

Original vintage Spanish poster 1er Salon de la Industria Cinematografica. This cinematography vintage poster was the first one in the field ...

TIVA LANDSCAPE is a limited edition color lithograph printed on archival Arches paper, 100% acid free by Lamar Briggs (1935-2015) American painter and Texas artist who was born in La...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope V Year: 1980 Medium: Serigraph, Signed and Numbered in Pencil Edition: 200, AP 30 Image Size: 22 x 29.5 inches S...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

As a leading figure of the Color Field movement in the 1960s, Kenneth Noland (1924–2010) made an essential contribution to American abstraction. His iconic works feature signature fo...

Tom Thumb - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 250/250 Unframed

1973-1976 Screenprint in colors, on wove paper 16 3/4 x 13 5/8 in. (42.5 x 34.6 cm) Edition of 90 Signed, dated, and numbered in pencil, lower margin

2021 13-color screenprint in colors, on Rives BFK paper 40 x 30 in. (101.6 x 76.2 cm) Edition of 50 + 10AP Signed, dated, and numbered in pencil, lower margin

2021 13-color screenprint in colors, on Rives BFK paper 30 x 40 in. (76.2 x 101.6 cm) Edition of 50 + 10AP Signed, dated, and numbered in pencil, lower margin

2021 Screenprint in colors, on Rives BFK paper 40 x 30 in. (101.6 x 76.2 cm) Edition of 100 Signed, dated, and numbered in pencil, lower margin

1993 Etching in colors, on Rives BFK paper 47 x 29 1/2 in. (119.4 x 74.9 cm) Edition of 35 + 10AP Signed and numbered in pencil, lower margin

Josef Albers Homage to the Square: Protected Blue (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Sheet: 9 x 7.625 i...