The work of celebrated mid-century Italian lighting designer and entrepreneur Angelo Gaetano Sciolari became widely popular in the United States during the postwar years and strongly influenced lighting makers around the world. The sculptural forms and striking geometric details of his vintage floor lamps, chandeliers and other fixtures fit seamlessly into the mid-century modern and Hollywood Regency interiors of the day.

Sciolari formally studied architecture but also pursued filmmaking for a short period. When his father passed away in 1949, Sciolari took the reins at his family's company, Sciolari Lighting, which had been in business in Rome since 1892. The manufacturer expanded considerably under Gaetano’s leadership. For one, pioneering American lighting company Lightolier, in New York City, began to import the Italian brand’s lighting for the U.S. market, and Lightolier’s star designer, Gerald Thurston, was significantly influenced by Gaetano’s work. In the 1970s, Americans looking to add provocative fixtures created by Gaetano Sciolari to their living rooms could find them in Lightolier catalogs.

Sciolari initially crafted lamps and sconces that bore the hallmarks of traditional Italian design. But during the 1950s, when he would become the in-house designer for legendary Milan lighting manufacturer Stilnovo — one of the leaders of Italian postwar design — he created revolutionary fixtures that endured as his best-known work.

Sciolari drew on a range of influences — enthusiasts see the imprint of Art Deco, brutalism and more in his lighting — and designed futuristic Space Age chandeliers, ceiling lamps and pendants for Stilnovo as well as Stilkronen and S.A. Boulanger that defied the conventions of the time. A dizzying array of materials and finishes characterizes the designer’s work, while geometry is pronounced in each sculptural fixture — there are blown opal glass spheres, polished chrome tubes and brass square bulb holders. These combinations were critical to the development of dazzling lighting that proves eye-catching in any space decades later.

On 1stDibs, find vintage Angelo Gaetano Sciolari lighting today.

A Close Look at brutalist Furniture

The design of brutalist furniture encompasses that which is crafted, hewn and worked by hand — an aesthetic rebuke (or, at least, a counterpoint) to furniture that is created using 21st-century materials and technology. Lately, the word “brutalist” has been adopted by the realms of furniture design and the decorative arts to refer to chairs, cabinets, tables and accessory pieces such as mirror frames and lighting that are made of rougher, deeply textured metals and other materials that are the visual and palpable antithesis of the sleek, smooth and suave.

ORIGINS OF BRUTALIST FURNITURE DESIGN

Brutalism emerged during the mid-20th century
Term coined by architecture critic Reyner Banham
Originated in the United Kingdom
Brutalist architecture gained popularity in the United States beginning in the early 1960s
Inaugural brutalist projects include Unité d'habitation and the city of Chandigarh, India, both of which owe to influential architect Charles-Édouard “Le Corbusier” Jeanneret
Le Corbusier’s cousin, Pierre Jeanneret, designed hundreds of chairs, tables, cabinets and lamps for Chandigarh
Informed by the Bauhaus, constructivism, modernism and the International Style; part of mid-century modernism
Contrasted starkly with Beaux Arts style

CHARACTERISTICS OF BRUTALIST FURNITURE DESIGN

Use of industrial materials — tubular steel, concrete, glass, granite
Prioritizes functionalism, minimalism and utilization of negative space
Spare silhouettes, pronounced geometric shapes
Stripped-down, natural look; rugged textures, modular construction
Interiors featuring airy visual flow and reliance on neutral palettes

BRUTALIST FURNITURE DESIGNERS TO KNOW

VINTAGE BRUTALIST FURNITURE ON 1STDIBS

The term brutalism — which derives from the French word brut, meaning “raw” — was coined by architecture critic Reyner Banham to describe an architectural style that emerged in the 1950s featuring monumental buildings, usually made of unornamented concrete, whose design was meant to project an air of strength and solidity.

Le Corbusier essentially created the brutalist style; its best-known iterations in the United States are the Whitney Museum of American Art, which was designed by Marcel Breuer, and Paul Rudolph's Yale Art and Architecture Building. The severe style might have been the most criticized architectural movement of the 20th century, even if it was an honest attempt to celebrate the beauty of raw material. But while the brutalist government buildings in Washington, D.C., seemingly bask in their un-beauty, brutalist interior design and decor is much more lyrical, at times taking on a whimsical, romantic quality that its exterior counterparts lack.

Paul Evans is Exhibit A for brutalist furniture design. His Sculpture Front cabinets laced with high-relief patinated steel mounts have become collector's items nonpareil, while the chairs, coffee table and dining table in his later Cityscape series and Sculpted Bronze series for Directional Furniture are perhaps the most expressive, attention-grabbing pieces in American modern design. Other exemplary brutalist designers are Silas Seandel, the idiosyncratic New York furniture designer and sculptor whose works in metal — in particular his tables — have a kind of brawny lyricism, and Curtis Jere, a nom-de-trade for the California team of Curtis Freiler and Jerry Fels, the bold makers of expressive scorched and sheared copper and brass mirror frames and wall-mounted sculptures.

Brutalist furniture and sculptures remain popular with interior designers and can lend unique, eccentric, human notes to an art and design collection in any home.

Find authentic vintage brutalist chairs, coffee tables, decorative objects and other furniture on 1stDibs.

Finding the Right chandeliers-pendant-lights for You

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.