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Italian Garden Landscape, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings were
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Portrait of Charlotte Pulitzer, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Portrait of Friederike Maria Beer, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Houses at Unterach on the Attersee, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio "Gastein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Baby" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #25, Baby; black & white collotype after the 1917 painting in
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Hygieia” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #10, Ausschnitt aus dem Bilde “Medizin”; multi-color collotype
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Expectation” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #12, Aus dem Stoclet-Fries: Erwartung; multi-color collotype after
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #23, Italienische Landschaft; blue-grey monochrome collotype
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Girlfriends II" collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Adam & Eve” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #20, Adam und Eva; multi-color collotype after unfinished 1917/18
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “The Bride” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Serena Lederer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Litzlberg on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #8, Litzlberg on Lake Attersee; blue monochrome collotype
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Wally" (Girl in Profile) collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “The Embrace (Fulfillment)” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #17, Aus dem Stoclet-Fries: Die Umarmung; multi-color collotype
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Church on Lake Wolfgang” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #28, Kirche am Wolfgangsee; multi-color collotype after 1915/16
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #5, Mohnwiese; multi-color collotype after 1907 painting in oil on
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Lady in a Feathered Hat" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #2, Dame mit Blumenhut (aka The Violet Hat); sepia monochrome
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “House in a Garden” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Friederike Marie Beer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio “Garden Path with Chickens” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Allegory of Life and Death” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #18, Der Tod und das Leben; multi-color collotype after original
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plates #13-16, black & white collotypes after the 1911 cartoon
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

"Detail of Jurisprudence" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings were
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

"Church at Unterach on Lake Attersee" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

"Portrait of Baroness Wittgenstein" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

"Portrait of Baroness Bachofen-Echt" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio "Gastein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome
Category

1930s Vienna Secession Figurative Prints

Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil
Category

1930s Vienna Secession Landscape Prints

Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #23, Italienische Landschaft; blue-grey monochrome collotype
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Girlfriends II" collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914
Category

1930s Vienna Secession Figurative Prints

Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #5, Mohnwiese; multi-color collotype after 1907 painting in oil on
Category

1930s Vienna Secession Landscape Prints

Max Eisler Eine Nachlese folio “Church on Lake Wolfgang” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #28, Kirche am Wolfgangsee; multi-color collotype after 1915/16
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the
Category

1930s Vienna Secession Landscape Prints

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plates #13-16, black & white collotypes after the 1911 cartoon
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plates #13-16, black & white collotypes after the 1911 cartoon
Category

1930s Vienna Secession Figurative Prints

Girlfriends from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
From Gustav Klimt An Aftermath, Max Eisler, Editor, Vienna, 1931, Austrian State Printing Office
Category

Vintage 1930s Austrian Prints

Expectation from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
From Gustav Klimt An Aftermath, Max Eisler, Editor, Vienna, 1931, Austrian State Printing Office
Category

Vintage 1930s Austrian Prints

Rooster Parade from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State Printing Office
Category

Vintage 1930s Austrian Expressionist Prints

Bridal Progress from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate# 30/30.From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

Adam and Eve from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate: #20/30.From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

Portrait of Marie Beer from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate #24/30. From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

Church on Lake Wolfgang from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate # 28/30. from Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

The Allegory of Death and Life from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate # 18/20 From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

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Gustav Klimt Eisler For Sale on 1stDibs

Surely you’ll find the exact gustav klimt eisler you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Finding the perfect gustav klimt eisler may mean sifting through those created during different time periods — you can find an early version that dates to the 20th Century and a newer variation that were made as recently as the 20th Century. If you’re looking to add a gustav klimt eisler to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, white and more. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in paper can add an especially memorable touch.

How Much is a Gustav Klimt Eisler?

A gustav klimt eisler can differ in price owing to various characteristics — the average selling price for items in our inventory is $6,500, while the lowest priced sells for $250 and the highest can go for as much as $14,400.

A Close Look at expressionist Art

While “expressionist” is used to describe any art that avoids naturalism and instead employs a bold use of flattened forms and intense brushwork, Expressionist art formally describes early-20th-century work from Europe that drew on Symbolism and confronted issues such as urbanization and capitalism. Expressionist artists experimented in paintings and prints with skewed perspectives, abstraction and unconventional, bright colors to portray how isolating and anxious the world felt rather than how it appeared. 

Between 1905 and 1920, Austrian and German artists, in particular, were inspired by Postimpressionists such as Paul Gauguin and Vincent van Gogh in their efforts to strive for a new authenticity in their work. In its geometric patterns and decorative details, Expressionist art was also marked by eclectic sources like German and Russian folk art as well as tribal art from Africa and Oceania, which the movement’s practitioners witnessed at museums and world’s fairs.

Groups of artists came together to share and promote the themes now associated with Expressionism, such as Die Brücke (The Bridge) in Dresden, which included Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff and investigated alienation and the dissolution of society in vivid color. In Munich, Der Blaue Reiter (The Blue Rider), a group led by Wassily Kandinsky and Franz Marc, instilled Expressionism with a search for spiritual truths. In his iconic painting The Scream, prolific Norwegian painter Edvard Munch conveyed emotional turmoil through his depiction of environmental elements, such as the threatening sky.

Expressionism shifted around the outbreak of World War I, with artists using more elements of the grotesque in reaction to the escalation of unrest and violence. Printmaking was especially popular, as it allowed artists to widely disseminate works that grappled with social and political issues amid this time of upheaval. Although the art movement ended with the rise of Nazi Germany, where Expressionist creators were labeled “degenerate,” the radical ideas of these artists would influence Neo-Expressionism that emerged in the late 1970s with painters like Jean-Michel Basquiat and Francesco Clemente.

​​Find a collection of authentic Expressionist paintings, sculptures, prints and more art on 1stDibs.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.