Sean Wotherspoon

Street art is a style created for city walls, subway trains and other public spaces. Sometimes it is commissioned, yet most often it is an individual statement of defiant free expression. Although mostly an urban style, street art can be found all over the world, including JR’s pasted portraits on the separation wall in Palestine, Invader’s playful ceramic tile mosaics in Paris and the provocative stencil and spray-paint works by Banksy in London.

The Philadelphia-based Cornbread — aka Darryl McCray — is considered the first modern graffiti artist. He began tagging his name around the city in the 1960s. Graffiti art later flourished in New York City in the 1970s. There, young artists used spray paint and markers to create tags and large-scale graphic works, with Jean-Michel Basquiat and Keith Haring both developing their distinctive styles through the graffiti scene, which would evolve into street art. Artists such as Tracy 168 and Lady Pink pioneered the Wild Style of complex graffiti writing in the 1980s, pushing the movement forward.

Because of its unsanctioned, improvisational and frequently covert nature, street art involves a range of techniques and aesthetics. Some street artists use quick and effective stenciling, whereas others wheat-paste posters, commandeer video projectors or freehand draw elaborate illustrations and murals. Shepard Fairey made his mark with street art stickers before designing the iconic “Hope” poster for Barack Obama’s 2008 presidential campaign.

While the origins of street art are rooted in a strictly noncommercial creative act that confronted political issues, sexuality and more for a general audience of passersby, the art form has moved inside the galleries over the years. Today, just as Basquiat and Haring took their works from Manhattan’s Lower East Side alleyways into Soho galleries, artists including KAWS, Barry McGee and Osgemeos are in demand with collectors of fine art.

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Figurative sculptures mix reality and imagination, with the most common muse being the human body. Animals are also inspirations for these sculptures, along with forms found in nature.

While figurative sculpture dates back over 35,000 years, the term came into popularity in the 20th century to distinguish it from abstract art. It was aligned with the Expressionist movement in that many of its artists portrayed reality but in a nonnaturalistic and emotional way. In the 1940s, Alberto Giacometti — a Swiss-born artist who was interested in African art, Cubism and Surrealism — created now-iconic representational sculptures of the human figure, and after World War II, figurative sculpture as a movement continued to flourish in Europe.

Lucian Freud and Francis Bacon were some of the leading figurative artists during this period. Artists like Jeff Koons and Maurizio Cattelan propelled the evolution of figurative sculpture into the 21st century.

Figurative sculptures can be whimsical, uncanny and beautiful. Their materials range from stone and wood to metal and delicate ceramics. Even in smaller sizes, the sculptures make bold statements. A bronze sculpture by Salvador Dalí enhances a room; a statuesque bull by Jacques Owczarek depicts strength with its broad chest while its thin legs speak of fragility. Figurative sculptures allow viewers to see what is possible when life is reimagined.

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