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Will Hutchins On Sale

American School Impressionist Winter Landscape Framed Original Oil Painting
By Will Hutchins
Located in Buffalo, NY
Antique American impressionist landscape oil painting. Oil on board. Stamped verso. Framed.
Category

1920s Impressionist Landscape Paintings

Materials

Canvas, Oil

Antique American Impressionist Winter Snow Landscape Signed Oil Painting
By Will Hutchins
Located in Buffalo, NY
Antique American impressionist winter landscape painting by Will Hutchins (1878 - 1945). Oil on board, circa 1920. Signed. Displayed in a giltwood impressionist frame. Image size, 1...
Category

1920s Impressionist Landscape Paintings

Materials

Canvas, Oil

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Recent Sales

Antique American Impressionist Fall Panoramic Landscape Signed Oil Painting
By Will Hutchins
Located in Buffalo, NY
Antique American impressionist landscape painting by Will Hutchins (1878 - 1945). Oil on board, circa 1920. Unsigned, estate stamped verso. Displayed in a giltwood impressionist fra...
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1920s Impressionist Landscape Paintings

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Antique American Impressionist Palisades New York Landscape Signed Oil Painting
By Will Hutchins
Located in Buffalo, NY
Antique American impressionist landscape painting by Will Hutchins (1878 - 1945). Oil on board, circa 1924. Signed. Displayed in a giltwood impressionist frame. Image size, 14"L x 1...
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Antique American Impressionist Fall Lake Landscape 1924 Signed Oil Painting
By Will Hutchins
Located in Buffalo, NY
Antique American impressionist landscape painting by Will Hutchins (1878 - 1945). Oil on canvas, circa 1924. Signed. Displayed in a giltwood impressionist frame. Image size, 24"L x ...
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Antique American Impressionist Wild Flower Panoramic Landscape Fall Oil Painting
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Located in Buffalo, NY
Antique American impressionist landscape painting by Will Hutchins (1878 - 1945). Oil on board, circa 1920. Signed. Displayed in a giltwood impressionist frame. Image size, 18"L x 1...
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Antique American Impressionist Wild Flower Panoramic Landscape Fall Oil Painting
By Will Hutchins
Located in Buffalo, NY
Antique American impressionist landscape painting by Will Hutchins (1878 - 1945). Oil on board, circa 1920. Signed. Displayed in a giltwood impressionist frame. Image size, 14"L x 1...
Category

1920s Impressionist Landscape Paintings

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Antique American Impressionist Wild Flower Panoramic Landscape Summer Painting
By Will Hutchins
Located in Buffalo, NY
Antique American impressionist landscape painting by Will Hutchins (1878 - 1945). Oil on board, circa 1920. Signed. Displayed in a giltwood impressionist frame. Image size, 18"L x 1...
Category

1920s Impressionist Landscape Paintings

Materials

Canvas, Oil

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Will Hutchins for sale on 1stDibs

Born in 1878, Colchester, Connecticut, Will Hutchins was the only child of Charlotte Ann Hills and Rev. William T. Hutchins [1849-1917]. A Yale Divinity graduate and eloquent Congregational minister, he was respected as the foremost worldwide authority on the horticulture of the American sweet-pea. Inheriting his father's earnest timbre, Hutchins earned his BA at Yale in 1901 and the BFA in 1909, earning Phi Beta Kappa honors and class awards for his high-minded essays on art and spirituality. With a natural appeal to the footlights, he became a lifelong thespian. Acting, directing, and producing stage events, his papers include reams of original plays scripts of moralizing, episodic comedies, tragedies, and even a "medieval comedy." Following his quest for artistic excellence, Hutchins attended the Academie Julien in Paris studying under the legendary Jean Paul Laurens. Another key influence on his career was his time spent with Augustus Vincent Tack at the mural master's studio in Deerfield, Massachusetts. Hutchins became enamored with Tack's views on the mystical undercurrents connecting art, spirituality, and a Christian form of pantheism. Hutchins fingerprints are traced to a letter published in The New York Times, [Dec. 11, 1913] when an 18th century forgery, the so-called 'Vernon Mona Lisa,' was being claimed as a Leonardo original. With full confidence, Hutchins writes how he and Tack were asked to "examine the painting with care." His brilliant discourse convincingly explained how the Louvre original and Vernon copy were "noticeably dissimilar" using connoisseurship methods of "subtlety" "workmanship" and "style." Stepping out of the shadows of these Italian Renaissance mentor and models, a new appreciation for Hutchins as an independent artistic personality takes form. Observers, collectors, and kindred spirits will discover that Hutchins' artworks represent a seriously conceptualized body of works. Effortlessly, he improvises the freshness of a plein-air composition from a rocky point near Blue Hill, Maine, a perch nestled within a cypress-clad vineyard among Roman ruins on the 'camapagna', or cold winter light in Deerfield. As demonstrated in the refined paintings and impromptu studies in this exhibition, Hutchins emerges as a fully shaped artistic personality armed with an impressive arsenal of technical skills and talents. Hutchins' vedute ~views of the Italian countryside~ flow from a long current of American pilgrims seeking Arcadia. In the footsteps of cosmopolitan, cultivated Americans along the 'Grand Tour' from Rome to the Italian lakes, zigzagging across the Apennines across Umbria, Tuscany, the Veneto and Lombardy, Hutchins knew precisely where to go and what to paint. Henry James chronicled this trail to perfection within collected essays of 1861-1900, The Italian Hours, where he describes "the picturesque subject…in Rome, Florence, Siena, there is too much."

A Close Look at Impressionist Art

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

Finding the Right landscape-paintings for You

It could be argued that cave walls were the canvases for the world’s first landscape paintings, which depict and elevate natural scenery through art, but there is a richer history to consider.

The Netherlands was home to landscapes as a major theme in painting as early as the 1500s, and ink-on-silk paintings in China featured mountains and large bodies of water as far back as the third century. Greeks created vast wall paintings that depicted landscapes and grandiose garden scenes, while in the late 15th century and early 16th century, landscapes were increasingly the subject of watercolor works by the likes of Leonardo da Vinci and Fra Bartolomeo.

The popularity of religious paintings eventually declined altogether, and by the early 19th century, painters of classical landscapes took to painting out-of-doors (plein-air painting). Paintings of natural scenery were increasingly realistic but romanticized too. Into the 20th century, landscapes remained a major theme for many artists, and while the term “landscape painting” may call to mind images of lush, grassy fields and open seascapes, the genre is characterized by more variety, colors and diverse styles than you may think. Painters working in the photorealist style of landscape painting, for example, seek to create works so lifelike that you may confuse their paint for camera pixels. But if you’re shopping for art to outfit an important room, the work needs to be something with a bit of gravitas (and the right frame is important, too).

Adding a landscape painting to your home can introduce peace and serenity within the confines of your own space. (Some may think of it as an aspirational window of sorts rather than a canvas.) Abstract landscape paintings by the likes of Korean painter Seungyoon Choi or Georgia-based artist Katherine Sandoz, on the other hand, bring pops of color and movement into a room. These landscapes refuse to serve as a background. Elsewhere, Adam Straus’s technology-inspired paintings highlight how our extreme involvement with our devices has removed us from the glory of the world around us. Influenced by modern life and steeped in social commentary, Straus’s landscape paintings make us see our surroundings anew.

Whether you’re seeking works by the world’s most notable names or those authored by underground legends, find a vast collection of landscape paintings on 1stDibs.