Edgar Degas Art
French, 1834-1917
Edgar Degas, born Hilaire-Germain-Edgar De Gas in Paris in 1834, was the oldest of five children of Célestine Musson De Gas, a Creole from New Orleans, and Augustin De Gas, a banker. Degas began his schooling at age eleven, enrolling in the Lycée Louis-le-Grand, but after his mother died when he was thirteen, his father and grandfather became the main influences on him for the remainder of his youth.
Upon graduating the Lycée in 1853, at age 18, he registered as a copyist in the Louvre Museum, but his father expected him to go to law school. Degas duly enrolled at the faculty of law of the University of Paris, in November 1853, but applied little effort to his studies. In 1855, Degas met Jean-Auguste-Dominique Ingres, whose advice he never forgot: “Draw lines, young man, and still more lines, both from life and from memory, and you will become a good artist.” In April of that year, Degas was admitted to the École des Beaux-Arts.
Evidence of Degas’ classical education can be seen in his early painting, Young Spartans Exercising (ca. 1860; National Gallery, London), done while he was still in his twenties. After 1865, when the Salon accepted his history painting The Misfortunes of the City of Orléans (Musée d'Orsay, Paris), Degas did not paint Academic subjects again, focusing his attention on scenes of modern life. He began to paint scenes of such urban leisure activities as horse racing and, after about 1870, of café-concert singers and ballet dancers. Degas' interest in ballet dancers intensified in the 1870s, and eventually he produced approximately 1,500 works on the subject. These are not traditional portraits, but studies that address the movement of the human body, exploring the physicality and discipline of the dancers through the use of contorted postures and unexpected vantage points.
Following the opening of trade with Japan in 1854, many French artists, including Degas, were increasingly influenced by Japanese prints. Degas abstracted from these prints their inventive compositions and points of view, particularly in his use of cropping and asymmetry [Dancers Practicing at the Bar (1877); Dancers, Pink and Green (ca. 1890)]. He also observed how sixteenth-century Italian Mannerists similarly framed their subjects, sometimes cutting off part of a figure.
Degas had an interest in a wide range of media, including engraving, monotype, and photography. Before 1880, he generally used oils for his completed works, but after 1875, he began using pastels more frequently, even in finished works such as Portraits at the Stock Exchange (1876). He submitted a suite of nudes, all rendered in pastel, to the final Impressionist exhibition in 1886; among these was Woman Bathing in a Shallow Tub (1885). The figures in these pastels were criticized for their ungainly poses.
By the late 1880s, Degas’s eyesight had begun to fail, perhaps as a result of an injury suffered during his service in defending Paris during the Franco-Prussian War of 1870–71. After that time he focused almost exclusively on dancers and nudes, increasingly turning to sculpture. Degas continued working as late as 1912, when he was forced to leave the studio in Montmartre in which he had labored for more than twenty years. He died five years later in 1917, at the age of eighty-three.
Find original Edgar Degas drawings, prints, paintings and other art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
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Actresses in Their Dressing Rooms
By Edgar Degas
Located in Fairlawn, OH
Actresses in Their Dressing Rooms
etching & aquatint, 1879-1880
Unsigned as usual for all canceled plate impressions
Reference: Delteil 28, Shapiro 50 vi/vi with the cancelation line...
Category
1870s Impressionist Edgar Degas Art
Materials
Aquatint
Portrait de Ludovic Halévy.
By Edgar Degas
Located in PARIS, FR
Edgar DEGAS
Paris 1834 † 1917 id.
Portrait of Ludovic Halévy. About 1895-1896.
Photograph. Original silver gelatine print. 82 x 74 mm.
Of great rarity. Only one other known print (L...
Category
1890s Edgar Degas Art
Materials
Silver Gelatin
Certified Edgard Degas Bronze of a horse : (Horse walking at a high pace)
By Edgar Degas
Located in Gent, VOV
Cheval marchant au pas relevé is one of the artist’s most elegant and exacting models of a horse. It underscores Degas’s deep understanding of equine anatomy and his ability to render it with lightness and charm. Known for his focus on contemporary subjects, Degas first began depicting horses in the 1860s. As a member of the prestigious Jockey Club in Paris, Degas was a habitué of the racecourses at Deauville and Longchamps, where he could study the beauty of thoroughbred horses at close quarters. Although the artist was not an active participant himself, equestrian sports fascinated Degas throughout his life, as it allowed him to capture the full range of the horse’s movement in a wealth of poses.
Bronze with dark brown patina bearing the stamp of the signature "Degas", numbered IV/IX and dated 1998. Posthumous lost wax casting as of 1998. Stamp of Valsuani.
The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed than the current bronze.
This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...
Category
1880s Impressionist Edgar Degas Art
Materials
Bronze
Fillette portant des fleurs dans son tablier
By Edgar Degas
Located in Basel, CH
EDGAR DEGAS
(PARIS, 1834 – PARIS, 1917)
Fillette portant des fleurs dans son tablier
Vers 1860-62
Huile sur toile
73,3 x 55,7 cm.
Signée en bas à droite « Degas »
PROVENANCE
Vente d...
Category
1860s Edgar Degas Art
Materials
Oil
Edgard Degas: Horse Clearing an Obstacle (work 48 /certified by Comité Degas)
By Edgar Degas
Located in Gent, VOV
Horse Clearing an Obstacle (work number 48)
Bronze with dark brown green patina bearing the stamp of the signature "Degas",
Numbered IV/IX and dated 1998
Posthumous lost wax casting as of 1998.
Stamp of Valsuani.
Signed Degas
The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...
Category
1880s Impressionist Edgar Degas Art
Materials
Bronze
Bronze Sculpture Female Dancer After Edgar Degas EK 61 Signed
By Edgar Degas
Located in New York, NY
Bronze sculpture study of a female dancer mounted on base, after Edgar Degas (1834-1917), signed EK 61, 8" H x 4" L x 3.2" W.
Category
Mid-18th Century Antique Edgar Degas Art
Materials
Bronze
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Western, Cowboy, Horse, Bronc, Bronco Riata, Rodeo
G. Harvey (Gerald Harvey Jones)
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Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary western art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent and which constitutes something special and basic to fine art expression.
Harvey was a soft-spoken and unassuming man who cared deeply about what he painted without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas.
Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986
Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. The American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives.
Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter...
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Previously Available Items
Edgar Degas " De Ster " The Star Etching and Aquatint Art, Framed
By Edgar Degas
Located in Haddonfield, NJ
"De Ster" The Star Etching and Aquatint Framed Art, France 1878
A classic piece of artwork by the French Impressionist painter Edgar Degas, titled, De Ser translated to The Star. T...
Category
Late 19th Century French Expressionist Antique Edgar Degas Art
Materials
Glass, Wood, Paper
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Danseur Tournant on Blue
By Edgar Degas
Located in Laguna Beach, CA
Like this dancer, Degas‘s pictures of the ballet hover precariously between the magic of the footlights and the realities of life backstage. We watch this performance in close-up, ei...
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20th Century Impressionist Edgar Degas Art
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Mary Cassatt at the Louvre: The Paintings Gallery
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1834-1917 French
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Stamp signed (lower left); studio stamp (lower right)
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Paper, Charcoal
Mary Cassatt at the Louvre - Original etching (Delteil #29)
By Edgar Degas
Located in Paris, FR
Edgar Degas
Mary Cassatt at the Louvre
Original etching, softground, aquatint and drypoint
Probably an impression from the cancelled plate edited by Ambroise Vollard c. 1880
Unsign...
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Late 19th Century Modern Edgar Degas Art
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Fourth Position Front, on the Left Leg
By Edgar Degas
Located in New Orleans, LA
Signed, numbered, dated, and stamped with foundry mark “Degas / 6G / 1998 / CIRE C.VALSUANI PERDUE”
Bronze
This extraordinary bronze sculpture of a dancer in motion was conceived by the great Impressionist Edgar Degas. Entitled Fourth Position Front, on the Left Leg, the bronze exhibits an exceptional level of balance and poise. Her graceful carriage and seemingly effortless control over her body is enhanced by the expressivity of her execution - the most minute details and textures of Degas' original wax are beautifully translated in the superb bronze cast.
Degas pursued the art of sculpture during the latter years of his career, crafting in wax all of his favorite subjects, from horses to women to dancers of the ballet. It was his dancers that most intrigued him in sculptural form, and of the seventy-four wax sculptures he is known to have created, over half of them depicted dancers. These creations emerged as a stunning three-dimensional representation of his highly expressive late painting style, and the present figure is no exception. Caught mid-movement in a common ballet pose, she appears arrested in time, a picture of grace and elegant movement captured in bronze.
The work is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze.
This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...
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20th Century Impressionist Edgar Degas Art
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1997 Edgar Degas 'Naked Woman Lying on Her Stomach' Impressionism Neutral, Gray F
By Edgar Degas
Located in Brooklyn, NY
Paper Size: 28 x 39.5 inches ( 71.12 x 100.33 cm )
Image Size: 36.5 x 22.75 inches ( 92.71 x 57.785 cm )
Framed: No
Condition: B: Very Good Condition, with signs of handling or ag...
Category
1990s Edgar Degas Art
Materials
Offset
H 28 in W 39.5 in D 0.1 in
Danseur Tournant
By Edgar Degas
Located in Laguna Beach, CA
French painter and sculptor, Degas (1834-1917) is known to be one of the most important representatives of Impressionism. His innovative compositions and particular analysis of movem...
Category
1930s Impressionist Edgar Degas Art
Materials
Etching
Danseuse a la barre
By Edgar Degas
Located in Laguna Beach, CA
French painter and sculptor, Degas (1834-1917) is known to be one of the most important representatives of Impressionism. His innovative compositions and particular analysis of mov...
Category
1930s Impressionist Edgar Degas Art
Materials
Etching
Antique Bronze Sculpture Edgar Degas, "Tête, étude portrait de Madame S, " 1892
By Edgar Degas
Located in Portland, OR
Antique Bronze Sculpture, "Tête, étude pour le portrait de Madame S" by Edgar Degas (1834-1917), 1892. Original bronze female bust with brownish gold patina on stone base (cast 1919-37). With the incised signature and numbered 11/S, lower verso. Cast by A.A. Hébrard, Paris, with the foundry mark lower verso. This bronze was featured in the Swann Galleries March 13th 2018 catalogue, page 51.
Published in Czestochowski and Pingeot, Degas Sculptures...
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1880s Impressionist Edgar Degas Art
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Danseuse Mettant son Chaussonm, Impressionist Etching
By Edgar Degas
Located in Saint Augustine, FL
Artist: Edgar Degas
Title: Danseuse Mettant son Chausson
Medium: Original Etching from Cancelled Plate
Edition: Out of 150, Second and Final State
Publisher: Vollard, Paris
Dimensi...
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1880s Impressionist Edgar Degas Art
Materials
Etching
Edgar Degas art for sale on 1stDibs.
Find a wide variety of authentic Edgar Degas art available for sale on 1stDibs. You can also browse by medium to find art by Edgar Degas in bronze, metal, aquatint and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large Edgar Degas art, so small editions measuring 3 inches across are available. Customers who are interested in this artist might also find the work of Paul Cézanne, Albert Besnard, and Louis Abel-Truchet. Edgar Degas art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $450 and tops out at $1,664,319, while the average work can sell for $62,102.