1970s "AC2" Black Murano Glass Ashtray by Osvaldo Borsani by Venini for Tecno

With his stylish and technically innovative furniture, Osvaldo Borsani helped change the face of Italian design in the 1950s and ’60s. His sofas and chairs, featuring deeply upholstered seating and adjustable position settings, have an aura of optimism and efficiency that still seems fresh and lively today.

Born in the commune of Varedo in northern Italy’s Lombardy region, Borsani studied at the Brera Academy in Milan — the same school attended by such luminaries as designer Piero Fornasetti and artist Lucio Fontana — as well as the Polytechnic University of Milan. Borsani first worked for his father’s furniture-making firm, Arredamenti Borsani, an atelier influenced by the more expressive and curvaceous wing of Art Deco design. By 1953, when, along with his twin brother, Fulgenzio — the pair also created this visionary mid-century villa — Borsani opened the furniture company Tecno, his design sensibilities had evolved toward furnishings with strong, simple forms enhanced by mechanical innovations, as with the P40 adjustable armchair (1953). Borsani would be the firm’s lead designer for 30 years, while fostering work by Vico Magistretti, Carlo di Carli, Robin Day and others.

Similar to Gio Ponti in the earliest years of his career, Borsani first created designs marked by lush and buoyant lines: tables with voluptuous curved legs, sofas with undulating backrests. But Borsani’s best-known and most novel pieces date from Tecno’s initial furniture lines: the adjustable D70 sofa, which folds open to make a daybed, and the P40 recliner. The latter — now included in the collections of the Museum of Modern Art and the Victoria & Albert Museum — is an articulated lounger with a back, seat and leg rest that can be moved into 486 different positions. Not only is it extremely comfortable, it is also enduringly chic.

Find a collection of vintage Osvaldo Borsani tables, dining chairs and other furniture on 1stDibs.

Beginning in the 1930s — and throughout the postwar years especially — Venini & Co. played a leading role in the revival of Italy’s high-end glass industry, pairing innovative modernist designers with the skilled artisans who created extraordinary chandeliers, sconces and other lighting in the centuries-old glass workshops on the Venetian island of Murano.

While the company’s co-founder, Paolo Venini (1895–1959), was himself a highly talented glassware designer, his true genius was to invite forward-thinking Italian and international designers to Murano’s hallowed workshops to create Venini pieces — among them Gio Ponti, Massimo Vignelli, Finnish designer Tapio Wirkkala, Thomas Stearns of the United States and Fulvio Bianconi.

Paolo Venini trained and practiced as a lawyer for a time, though his family had been involved with glassmaking for generations. After initially buying a share in a Venetian glass firm — he and antiques dealer Giacomo Cappellin established Vetri Soffiati Cappellin Venini & C. in 1921 — Venini took over the company as his own in 1925, and under his direction, it produced mainly classical Baroque designs.

In 1932, Venini hired the young Carlo Scarpa— who would later distinguish himself as an architect — as his lead designer. Scarpa, working in concert with practiced glass artisans, completely modernized Venini, introducing simple, pared-down forms; bright primary colors; and bold patterns such as stripes, banding and abstract compositions that utilized cross sections of murrine (glass rods).

Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. Bianconi’s masterworks are considered by many to be his Pezzato works — colorful vases with patterns that resemble those of a patchwork quilt.

Other noteworthy and highly collectible vintage Venini works include Ponti’s dual-tone stoppered bottles (circa 1948); rare glass sculptures from the Doge series by Stearns, the first American to design for the firm; Vignelli’s striped lanterns of the 1960s; the Occhi vases with eyelet-shaped patterns by Tobia Scarpa (son of Carlo); and, with their almost zen purity, the Bolle (“bubbles”) bottles designed by Wirkkala in 1968. 

With these works — and many others by some of the creative titans of the 20th and 21st centuries — Venini has produced one of the truly great bodies of work in modern design.

Find antique and vintage Venini chandeliers, serveware, table lamps, decorative objects and other furniture on 1stDibs.