Earthenware Ceramics

Rare surviving small piece of early tableware. Suitable for everyday use as a charming piece of history for the dining table. two red bands around the top. the base decorated with...

Rocking cradle with child. Delft, 1750-1780 White figure of a child in a rocking cradle with open hood. It sits upright under a blanket and holds the sides of the cradle with both hands. Dimensions: length 13,5 cm / 5.31 in., width 9 cm / 3.54 in., height 11,5 cm / 4.52 in. Figures of children in a rocking cradle are generally dated to the second half of the eighteenth century. They may have been inspired by plates, made at the birth of Prince William V in 1748, depicting a child in a cradle. At the time, the rocking cradles with children may also have been initially intended as an expression of support for the House of Orange. Separately, they were perfect gifts for a married couple to wish them a child-rich marriage. Nice condition, some minor glaze damage, as to be expected with antique delftware.

An unusual early modernist almond green and white vase. Designed by Anna-Lisa Thomson, for Upsala-Ekeby, Sweden, 1940. Stamped. Very good c...

Set of 6 majolica asparagus plates. Marked on the bottom, Faïencerie Onnaing. French origin, dated around 1880-1890. In good condition.

Rare brown 19th faience oyster plate signed Vieillard Bordeaux usually found in blue in white.

Decorative large round dish 32,5 cm hand painted with very delicate colors by the artist in Japonism spirit with fan, flowers, manga, rodents, lizard, and birds... Stamped "MONTEREAU / B&Cie / 35" B&Cie added when Barluet become the new director of Creil & Montereau, a very well-known French manufacturer, in 1876. Artworks of the Japonisme style in France were first discovered at Paris Universal Exhibition in 1867 and then in 1878. Some of these french Japonism...

Longchamp Large Oval Palissy Ware Trompe L'oeil Platter, with molded and applied fish, two langoustines, and two naturalistically molded and glazed frogs, a green-glazed lizard, and ...

Our ceramic plate "Mediterranean Nuances" is handmade and hand-painted in Italy: realized in majolica painted in polychrome, it is characterized by elegant decorative motifs of the Deruta tradition colored with different variations of blue and brown tones following the original Renaissance painting technique. The particular shape of this dish is traditionally called "a priest's hat". This majolica can be exposed as an centerpiece or it can be used as a fancy wall dish...

Paire of Japanese style Old Hall Earthenware vases decorated with gilt elephants. Design attributed to Christopher Dresser (a similar model in C.W Dress...

Rare surviving small piece of early tableware. Suitable for everyday use as a charming piece of history for the dining table. The oval centre painted with a large berry and leafy ...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plates, as they look fantastic hanging on walls as pictures, as well as displayed on tables and shelves. They are also functional, and an integral part of a good meal - one of the best and most important things in life. Animals and ??sea creatures on ceramics are part of a long tradition, and were a particular favourite of the ancient Greeks and Romans. Tom sees...

Decorated with a chinoiserie scene of a man sitting on rocks within a landscape. Surrounded by a triple-circle center and an interlocking arc and trefoil border. The rim with 27 flut...

Slip pitcher, represents a frog in suit. Signed under the base. France, early 20th century Little chips at the bottom of the suit, above the right leg.

Great authentic and rare piece of pottery from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it was a utilitarian type...

Longchamp Large Oval Palissy Ware Trompe L'oeil Platter, with molded and applied fish, two langoustines, and two naturalistically molded and glazed frogs, a green-glazed lizard, and ...

A large vintage serving platter featuring the wild turkeys flying brown and white transfer-ware pattern by the celebrated English pottery firm...

Majolica oyster plate signed Sarreguemines, circa 1950. 4 plates are available.

Coffee pot Antonio Maria Coppellotti Manufacture Lodi, Circa 1740 High fire polychrome maiolica It measures: 7.87 in x 6,49 x 5.11 (20 cm x 16,5 x 13); weight 1.23 lb (561 g) ...

Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...

Minton Majolica Taza, molded as an inverted mushroom, the bowl interior glazed in orange, with three naturalistically modeled and glazed frogs around the stem,...

- Handbuilt white fruit dish - made of clay collected from the potter's surroundings. - slip applied made of natural pigments like lime - made in the M...

Arabia, Finland. Art Deco vase in glazed faience. Beautiful marbled glaze. 1920s/30s. Measures: 27.5 x 17 cm. In excellent condition. Stamped.

The dish has a wide-spreading flange and is painted in blue with a still life in a panelled border. A bottle vase with various flowers is in the foreground before a low rectangular container on feet, filled with a rocky landscape. To the left of the container is a tall, cylindrical vase with grassy plants. Two butterflies and an insect fly in the sky. The well and flange are divided into eight wide and eight narrow panels...

A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled stoneware clay. Part of the Golden Promise Series- a theme of abstracted and stylized elemen...

Rare & Important Antique English Large Wedgwood Queensware (Creamware) Centerpiece with influences by Robert Adam represented by the swags and fest...

Bottega Vignoli, Borgia conical vase, 2022 hand painted majolica 17cm x 37cm height. Unique piece. Bottega Vignoli is a brand of artistic ceramics...

Ancient Sicilian Majolicato panel "Magnagrecia" end 19th century. Panel consisting of 15 x 15 cm tiles - 49 tiles. Classic-inspired panel: MAGNA-GREECE THICKNESS 1.2 cm WEIGH...

Blue and white landscape dish. Makkum, 1775-1800 Tichelaar pottery. painter: Douwe Klases Hofstra [attributed to] The dish has a wide and raised flange and is painted in blue wi...

The designs of the Tecla Collection are characterized by a gear pattern that changes the width as it adapts along the organic shapes of the object. This creates a sturdy product with...

Majolica dish hand made and hand-painted in Deruta, Italy, according to the original Renaissance painting technique. The dish is enriched by the presence of four metamorphic dolphin-...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plates, as they look fantastic...

George Jones Majolica Pitcher, of baluster form with relief molded stiff acanthus leaves, grasses, and wheat on a brown ground, the top banded with stylized leaves glazed in chartreu...

The blue and white dishes have wide-spreading flanges and are painted with a Chinese figure in an oriental landscape. The eight-panelled border is alternately decorated with floral motifs and oriental landscapes.  The decoration is inspired by Chinese porcelain from the transitional period at the end of the Ming and the start of the Qing dynasty. The porcelain of the last Ming emperor Chongzhen (reigned 1628-1644), the first Qing emperor...

Blue and white chinoiserie bowl Delft, 1660-1680 The blue and white bowl stands on a foot, has a high, strongly cantilevered wall and is ...

A Rouen Faience in the shape of a young bacchus seated on a blue barrel holding a bottle in his right hand and a glass in his left hand. Polychrome decoration of vine branches and gr...

A Minton Majolica Large Turquoise Ground Jardinière Designed by Gottfried Semper (German 1803 -1879), the ovid-form body applied with entwined snakes forming the handles, the rim wit...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plate...

Majolica plate with hen & chicks signed Hippolyte Boulenger Choisy le Roi, circa 1890. The manufacture of Choisy le Roi was one of the most important manufacture at the end of 19th c...

Polychrome lobed dish with peacock. Delft, circa 1680 Dimensions: diameter 34,7 cm / 13.66 in. The polychrome lobed dish is composed of nine wide lobes...

Acquareccia plate Patanazzi workshop Urbino, last quarter of the 16th century It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm). Weight State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back. This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person. The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher. Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background. This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures. The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”). The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client. Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style. The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work. Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco. Bibliography: Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...

Blue and white charger with a bird on a branch. Harlingen, 1775-1800 Raamstraat pottery. painter: Pieter Ruurds The charger has a slightly raised flange and is painted in blue ...

The blue and white dish has a narrow, flat flange and is painted in the centre with a Chinese figure in an oriental garden landscape in a double circle. The brushwork is executed in blue within purple outlining on a light blue-coloured tin-glaze. The Chinese figure carries a guzheng, a Chinese zither, wrapped in a cover. On the well and flange are six different landscapes and terrace scenes, partly filled with Chinese men and women. The reverse is painted with four circles with a dot and four smaller circles.  The decoration is inspired by Chinese porcelain from the transitional period at the end of the Ming and the start of the Qing dynasty. The porcelain of the last Ming emperor Chongzhen (reigned 1628-1644), the first Qing emperor...

Blue and white dish with windmill. Delft, 1700-1750 The dish has a raised flange and is painted in blue with a windmill between two sponged tr...

A decorative pottery goblet created by William Moorcroft for James MacIntyre & Co. in 1903. This goblet is part of William Moorcroft's Green and Gold...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plates, as they look fantastic hanging on walls as pictures, as well as displayed on tables and shelves. They are also functional, and an integral part of a good meal - one of the best and most important things in life. Animals and ??sea creatures on ceramics are part of a long tradition, and were a particular favourite of the ancient Greeks and Romans. Tom sees...

Blue and white chinoiserie lobed dish. Delft, 1650-1680 Dimensions: diameter 33,5 cm / 13.18 in. The blue and white lobed dish is composed of twenty-seven double lobes. The cur...

Blue and white lobed dish with landscape. Northern Netherlands, 1650-1680. Dimensions: diameter 21,5 cm / 8.46 in. The blue and white lobed dish is composed of sixteen small lobe...

SICILIAN MAJOLICA PANEL end 19th Century Panel made with 36 tiles measuring 17x17 cm. Panel of classic Sicilian Baroque inspiration. HEIGHT 102...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plates, as they look fantastic hanging on walls as pictures, as well as displayed on tables and shelves. They are also functional, and an integral part of a good meal - one of the best and most important things in life. Animals and ??sea creatures on ceramics are part of a long tradition, and were a particular favourite of the ancient Greeks and Romans. Tom sees...

The mainly square-shaped stands have indented corners and a raised center section with rim and four small flowers. The stands are painted in polychrome with a combination of flowers,...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plates, as they look fantastic hanging on walls as pictures, as well as displayed on tables and shelves. They are also functional, and an integral part of a good meal - one of the best and most important things in life. Animals and ??sea creatures on ceramics are part of a long tradition, and were a particular favourite of the ancient Greeks and Romans. Tom sees...

The dish has a wide, slightly raised rim and is painted in blue in the centre with a Dutch water landscape within a polygonal yellow band. The well and border are painted in polychro...

Water cistern, table fountain on earthenware pedestal decorated with lambrequins and lions in blue camaieu. Lateral grip in the shape of a lion's head. Earthenware from Rouen or Lill...

Blue and white lobed dish with fruit still life. Northern Netherlands, 1650-1680 Dimensions: Diameter 22,9 cm / 9.01 in. The blue and white lobed dish is composed of sixteen smal...

George Jones Majolica Pitcher, of baluster form with relief molded stiff acanthus leaves, grasses, and wheat on a brown ground, the top banded with stylized leaves glazed in chartreu...

Mado Jolain is renown French Ceramist active in the 1950s. The present vase is made of earthenware enameled creamy. The decor is an abstraction in tones of black a brownish red. She ...

SICILIAN MAJOLICA RING end 19th Century Panel made with 30 tiles of approximately 17x17 cm. Classic "baroque" inspired panel. HEIGHT 102 cm WIDTH 85...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plate...