1820s Sterling Silver

Heading : Sterling silver vinaigrette Date : Hallmarked in Birmingham in 1824 for Thomas Shaw Period : George IV Origin : Birmingham, England Decoration : Tooled embelishment to the ...

An exceptional, fine and impressive, antique George IV English sterling silver mustard pot; an addition to our 19th century silverware collection. This exceptional antique George IV...

An exceptional, fine and impressive antique George IV English cast sterling silver vinaigrette; an addition to our diverse collectable silverware collection. This exceptional antiqu...

A fine antique English mustard spoon. In sterling silver. By William Chawner II or London. In the Kings pattern. Each with light gilding to the bowl. Fully hallmarked to the re...

Being offered is a sterling silver fish server made in London, England in 1827. Manufactured by William Knight II in true English fashion; straight lines and a clean design. Althou...

A fine and impressive antique English sterling silver mounted coconut cup; an addition to our diverse silverware collection. This impressive antique sterling silver mounted coconut cup has a circular rounded form onto a circular pedestal foot. The upper portion of this antique coconut cup...

Heading : Cowrie shell snuff box Date : c1820 Period : George III / Regency Origin : Most likely Scottish Provincial Decoration : Silver mounted cowrie shell with monogram, parcel gi...

Antique Georgian silver gilt double vinaigrette . Made in the United Kingdom, London, 1828 Maker: Archibald Douglas Fully hallmarked. Dimensions: Length x width depth: 4.8 x 3.5 x ...

An incredibly rare set of 14 antique sterling silver Georgian plates, from the Estate of Edward Chichester 4th Marquess of Donegall and Duke of Belfast, Ireland, dated 1825. Weighing...

Heading : Sterling silver cowry shell snuff box Date : Hallmarked in Edinburgh for an uknown maker whose mark was registered (IR) in Edinburgh and was known only in 1823. Period : Ge...

Small casket / caddy, England, London 1820, 925/- sterling silver, rectangular shape with grooved decoration on the body, relief decoration with a small crab on the lid. Height 6.5 ...

Heading :A Fine Sterling Silver Ladle London 1825 Date : Hallmarked in London 1825 For Charles Eley Period : George IV Origin : London, England Decoration : Cast floral, foliate and...

Antique George 1V Silver Bucellas Wine Label Dated 1828 London Charles Rawlings A heavy beautifully cast wine label with hand pierced bucellas. This maker specialised in making fine...

Heading : One Date : Hallmarked in London 1820 For Joseph Angell I Period : George III- George IV Origin : London England Decoration : A floral cast finial. Cast foliate rim. Acanthu...

Heading : Nathaniel Mills vinaigrette Date : Hallmarked in Birmingham in 1825 for Nathaniel Mills Period : George IV Origin : Birmingham, ...

Heading : Pair of George IV silver candlesticks Date : Hallmarked in 1826 in Sheffield for James Kirby & Co Period : George IV Origin : Sheffield,Yorkshir...

Two elegant plain Empire silver candle holders on round stand, central raised smooth shaft, lower third constriction by profiled bead ring, shaft widening conically upwards, vase-sha...

Antique silver, a pair of Rococo-style silver candlesticks, pressed, cast and chased. Circular, curved feet with hinged. This pair of large antique sil...

Very rare and important piece of George IV silver, highly important silver-gilt Inkwell probably by John Bridge of the renowned silversmiths Rundell & Bridge, Royal Silversmiths to t...

Neo-Classic sterling silver decorative dish plate. An antique piece made in the state of Hanau during the German Imperial period, circa 1820. It was crafted in solid sterling silv...

AN IMPORTANT GEORGE IV FOUR BOTTLE DECANTER stand MADE IN LONDON IN 1823 BY William Bateman I This very rare piece has a square platform base with gadrooned edge, displaying a Ro...

Large, Georgian (George IV) Period, sterling silver-mounted wood wine/champagne bottle coaster, Sheffield, England, year-hallmarked for 1820, ...

Sterling silver set of 6 kings pattern dessert knives. All 6 pieces are stamped with a full English hallmark, applied by the London Assay Office, but not all the marks are legible on all six pieces:- Lower case g & h - Date letters for London 1822 & 1823 Kings head - Duty mark (duty has been paid to the Crown) Lion - Sterling silver quality guarantee Leopard`s head - London Assay Office mark WE over EW - Maker`s mark for William Eley I & William Fearn, A good and very rare set of King`s Pattern dessert knives, with a beautiful kings honeysuckle pattern on both sides. See the honeysuckle instead of the more common shell; on both sides of the stem ends, They would have, originally, had mild steel blades fitted, which would have rusted away a long time ago. Hence the rarity of Georgian knives...

Antique George 1V Provincial Silver Toddy Ladle Rettie & Son Aberdeen Circa 1820 This ladle was used to serve Hot Toddy( Hot water, whiskey,lemon, honey and spices) into the drinking...

A good antique Georgian sterling silver & silver gilt christening cup/mug, William Bateman I, London, 1825. The handled cup having a tankard shape and...

Antique Georgian sterling silver chased sauce boat with elaborate decorations, featuring Oak leaves with acorns. Made in England, London, 1827 Maker: James Arthur Fully hallmarke...

A fine quality and handsome George IV/Regency inlaid rosewood dressing box, with the original sterling silver and glass fitted contents, London, 1824. The box having a lift-up hinged lid, finely inlaid with brass and bone marquetry of floral garlands & swags, the front having twin locking doors with corresponding inlay. Both the top, base and door panels have 'Dutch Ripple' molding and at each corner a hand-turned 'Barley Twist' column, both to the front and rear. The interior of the box also having inlaid satinwood stringing and three fitted compartments each with an etched crystal container...

London, 1826, near pair of old English engraved pattern serving spoons. Sterling silver; feather edge. One by John Harris IV. One by John, Henry & Charles Lias. Later monograms. 3.75...

Two elegant, simple early Biedermeier silver candle holders on a round stand with a slightly curved, smooth shaft, chased decoration on the edge of the foot, on the narrow bulge rings and on the upper edge of the slightly flared vase-shaped spout. Branded by the Wheel mark, Viennese official hallmark: 13 Lot silver, dated 1827 Master's stamp: 'LK' in oval - Leopold Kuhn, Worked as master 1818-1828 Bibliography: 'Old Vienna' dictionary for Austrian and southern German arts and crafts...

An exceptional, fine and impressive antique George IV English sterling silver galleried tea tray; an addition to our antique silver teaware collection This exceptional antique George IV sterling silver tea tray has a rounded navette shaped form. The surface of the tray is plain and unembellished. The flared galleried border is embellished with pierced interlacing, geometric arch decoration. The pierced decoration to the gallery incorporates a horizontal pale which incorporates the full hallmarks; this indicates the high quality of the piece. The rim of the galleried border is encompassed with a band of applied bead decoration. This impressive sterling silver tea tray incorporates a plain oval inset handle to either end. Condition This antique tea tray...

An exceptional, fine antique George IV English sterling silver three piece tea service / set made by Charles Thomas Fox; part of our silver teaware collection This exceptional antique sterling silver three piece tea service consists of a teapot, cream jug and sugar bowl. Each piece has an oval rounded compressed form on to a collet base and four bracket style feet. The body of each piece is embellished with chased flower and foliate decoration incorporating a shaped cartouche to either side, each displaying a contemporary bright cut engraved crest of a mower with his scythe proper habited*. The upper rim of each piece is encompassed with a gadroon decorated border. The swept shoulders and the swan necked spout of the teapot are further ornamented with chased floral and scrolling leaf decoration. The original hinged hallmarked cover of the teapot is surmounted with a silver flower and leaf decorated finial. The teapot is fitted with a C scroll sterling silver handle ornamented with an impressive leaf design incorporated into a scrolling thumbpiece. The cream jug and sugar bowl have leaf decorated sterling silver C scroll handles and retain the original gilt interiors. Each piece is supported by four impressive bracket style feet accented with floral and paw ornamentation in the classic Regency style. The components of this exceptional antique teaware set were crafted by the renowned London silversmith Charles Thomas Fox. * The crest pertains to the Pilkington family, who are found in the Counties of Lancashire and Yorkshire, although other families bearing the name are found further afield and a similar crest. Whether these families are genealogically connected is not known. The Pilkingtons, of Rivington in the County of Lancashire are probably the more ancient and senior line. Legend has it that a member of the family (which was said to be one of repute prior to the Norman Conquest of 1066) disguised himself when sought by Norman soldiers as a mower and escaped. A similar legend adheres to another Lancashire family, the De Traffords or Traffords in which a member of that family avoided capture by the Parliamentarians during the Civil War of the 17th Century by disguising himself as simple-minded thresher wielding a frail rather than the Pilkington's scythe. There is certainly a possibility that this tea service was in the possession the baronetcy family of Pilkington, of Stanley in the County of Yorkshire who descended from Sir Alexander de Pilkington who held lands at Rivington during the reign of King Henry III. The baronet at the time of the manufacture of this tea service was Sir William Pilkington, the 8th Baronet (baptised 14th November 1775 died 30th 1850). Condition The pieces of this antique tea service...

Hallmarked in London in 1823 by Samuel Whitford II, this stunning and rare pair of George IV period, Antique sterling silver toast racks, feature late Regency influenced decoration t...

Splendid Viennese clock, ebonized fruitwood, with four alabaster columns in front of mirrored glass, above, flanking the cylindrical clock case, carved ...

Hallmarked in London in 1822 by William Eley II, this very handsome pair of Antique, Sterling Silver Meat Dishes, are in the Regency taste, featuring shell...

Beautiful American coin silver 3 -piece tea and coffee service in the manner of Thomas Whartenby Pennsylvania, Circa 1816-1818. Thomas Whartenby and Peter Bumm were independently su...

Hallmarked in London in 1828 by Charles Fox II, this delightful, George IV, Antique Sterling Silver Tea Set, features converged fluting, silver handles ...

Hallmarked in London in 1827 by Benjamin Preston, this incredible, Antique Sterling Silver Soup Tureen, is a masterpiece of the regency style, with cast and applied feet and handles,...

Antique European hand blown Georgian / Edwardian cobalt blue glass candy basket or sugar bowl with sterling silver 925 handle and strawberry leaf design, ...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A fine and impressive antique George IV English sterling silver quart tankard; an addition to our silver tankard collection. This exceptional antique George IV sterling silver qua...

Drageoir in silver and crystal blown and carved. The drageoir is decorated on both sides with finely chiselled motifs representing children in gardener...

An exceptional, fine and impressive, large antique George IV English sterling silver quart and a half tankard made by William Bateman I; an addition to our silver tankard collection....

A fine George IV silver-gilt vinaigrette, slender rounded rectangular form, engine-turned decoration, the silver-gilt interior with a finely pierced and engraved foliate grille. M...

An exceptional, fine and impressive, antique George IV English sterling silver egg cruet set for three persons; part of our dining silverware collection. This exceptional antique George IV sterling silver egg cruet set consists of three egg cups and three associated spoons, displayed on a functional original purpose-made stand. The original hallmarked egg cups have a bell shaped form onto a circular spreading pedestal foot. These silver egg cups are embellished with cast and applied floral and foliate decorated borders to the upper portions, in addition to a band of leaf decoration to the each foot. The three associated hallmarked English sterling silver spoons have a plain tapering form with leaf ornamentation to the terminals. This silver cruet set is supported and displayed on the original and impressive cast sterling silver circular rounded stand, ornamented with foliate decoration. The surface of the stand bears three circular receivers enabling the egg cups to stand securely in situ; these supports alternate with integrated receivers for the three egg spoons. The receivers surmount an exceptional pedestal constructed of three putto figures stood with their arms elevated, bracing scrolling supports to the plain circular boss. The original antique stand features a central carrying handle modelled in the form of a foliate wreath. Each antique egg cup and egg spoon retains the original gilt interior. The initials displayed within the maker's marks, in addition to the standardization of the surround could pertain to a multitude of antique silversmiths; these silversmiths include William Eaton, Ellerby, Esterbrook and Eley II. In art and culture, a putto (plural: putti) is a chubby male child, usually nude and occasionally bearing wings. Condition These antique sterling silver egg cruet...

Exceptional vermeil tureen with its lobed tray. The circular terrine is decorated with a border of chiselled foliage.The grip lid is decorated with foliage patterns. The soup tureen ...

An exceptional, fine and impressive Russian silver gilt and niello enamel beaker, an addition to our Russian silverware collection. This exceptional antique Russian silver gilt beaker has a cylindrical, tapering form. The surface of this antique beaker is embellished with a fine niello enamel scene depicting a structural rooftop skyline behind a towered brick wall, incorporating cloud designs on the matte textured upper portion. The ornamentation to the beaker is flanked with two opposing chevron style borders. The upper rim of the beaker is encircled with an applied moulded border. The hallmarks struck to the beaker include: Maker's mark: ?? (Andrey Shikhin / ?????? ?????, Tver) Assay mark: ??, 1827 (Nikolay Dubrovin/??????? ????????) Silver quality/purity mark: 84 (84 zolotniks) City mark: St George slaying the dragon (Moscow, Russia) The surface and interior of this exceptional example of antique silverware retains the original gilding. 84 zolotniki is equivalent to 875/1000 or .875 standard silver Condition This antique Russian Niello...

English silver basket bowl by Henry Herbert, from 1823, in detailed decorative floral design on basket and handle, standing on base. Measuring 9.8 inches tall, 13 inches long, and 10...

An exceptional, fine and impressive pair of antique George IV English sterling silver wick trimmers; an addition to our silver flatware collection. This exceptional pair of antique George IV sterling silver wick trimmers has a hinged scissor action. The domed anterior surface of this antique candle wick trimmer...

An exceptional, fine and impressive, large antique George IV English sterling silver meat skewer or letter opener; an addition to our diverse flatware collection. This exceptional and large antique George IV sterling silver meat skewer/letter opener has a tapered form. The surface of this skewer is embellished with a contemporary bright cut engraved crest of upon a naval crown thereon a fox passant, all below the plain circular ring loop finger piece. The reverse surface is plain and unembellished apart from the featured hallmarks. The initials within the maker's marks, in addition to the standardisation of the surround could pertain to a multitude of antique silversmiths; these silvermsiths include William Eaton, Esterbrook and Eley II. This impressive skewer is larger example of its type than you would expect to find. The original use of this item was purely as a silver meat skewer. Due to its form, this piece may certainly be used as an effective letter opener. Given the evidence of the crest (with its label of three points charged upon the fox’s breast) engraved upon this meat skewer it was undoubtedly in the possession of Rear Admiral Edward Le Cras Thornbrough (born 1st March 1795 died 25th December 1857) the only surviving child of Admiral Sir Edward Thornbrough, GCB and his first wife, Ann Le Cras. Rear Admiral Thornbrough was son and grandson of Royal Naval officers. His father Admiral Sir Edward Thornbrough was a senior, long-serving veteran officer of the Royal Navy during the late eighteenth and early 19th century having seen action in the American Revolutionary War, the French Revolutionary Wars and the Napoleonic Wars; whilst his grandfather was Commander Edward Thornbrough. Rear Admiral Thornbrough entered the Royal Navy in 1806 and saw action throughout the later Napoleonic period on both the Home and Mediterranean stations. He married Emily Raikes Garrett, the second daughter of Daniel Garrett, of Colt House, near Honiton in the County of Devon on the 30th November 1820. Condition This antique antique meat skewer...

An exceptional, fine and impressive set of three antique George IV Scottish Provincial sterling silver fiddle pattern sauce ladles, an addition to our silver flatware collection. These exceptional antique George IV Scottish Provincial silver sauce ladles, in sterling standard, have been crafted in the fiddle pattern. The anterior surface of the handle of each antique silver ladle is embellished with a contemporary bright cut engraved crests of a hawk ringed...

Sterling silver decanter label or bottle ticket if you prefer the English style, handmade by silversmith Charles Rawlings in London, 1828 during the Geor...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A fine and impressive antique George IV English sterling silver vinaigrette; an addition to our silver boxes collection This antique George IV sterling silver vinaigrette has a ro...

A fine and impressive antique George IV English sterling silver vinaigrette in the form of a purse; an addition to our silver boxes collection. This antique George IV sterling silve...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). The central loop carrying-handle w...

An exceptional, fine and impressive antique George IV English sterling silver snuffer tray; an addition to our antique silverware collection. This exce...

Twelve silver glass coasters and four silver wine coasters. Silversmith Antonio Mantelli Milan, circa 1830 They measure: Glass coasters: 0.78 in high x 3.46 in diameter (2 cm x 8.8 c...

An exceptional, fine and impressive antique George IV sterling silver half pint tankard, part of our wine and drink related silverware collection. This e...