British Paintings

This was purchased directly from the family James Scrase and never been available to purchase before Large scale, signed James Scrase (1938-2018) oil landscape of Berkeley Castle, Gloucestershire. The castle, which dates back to the 11th century, is a grade I listed building. James painted for over 60 years and trained under Italian Master Annigoni in Florence in the 1970s, most famously remembered for his two portraits of Queen Elizabeth...

An excellent late 19th century still life oil painting of apples and grapes on their vines laid out on the ground, against a warm autumnal themed background. Mounted in a decorative ...

Royal House Antiques is delighted to offer for sale this stunning pair of 16th to 17th century, miniature oil paintings which are after the originals by James Northcote (1480-1517) t...

1963 English artist Derek Middleton ( 1928 - 2002 ) extra large black and white painting with accents of rectangular shaped color. Can b...

Unique oil paint and wax on paper by James Nares ( British, b. 1953 ). Untitled. circa 2008. Archivally framed in a 12-karat white gold frame.

Watercolour by David Birtwhistle. Titled, "Barn cat”. Signed lower left. Glazed and framed in gold coloured frame. David Birtwhistle was born in 1947, the son of a Methodist minis...

‘A Windy Day’ by Montague Dawson,watercolour heightened with white on artist board showing a gaff rigged yacht in the foreground with two astern in the distance, the water realistically painted with an approaching line squall to weather, signed ‘MONTAGUE DAWSON’. In the original gilt frame with a label stating ‘Windy Day Montague Dawson’ and a trade label from the Old Customs House on the back.. English circa …. Provenance: Sold by The Old Customs House Gallery, Lymington. Private collection, USA. Footnote: Montague Dawson RMSA, FRSA (1890–1973) was born in West London, in Chiswick in 1895, Montague Dawson was the grandson of Victorian landscape painter Henry Dawson. He studied under the seascape artist Charles Napier Hemy at the Royal Academy. He also worked in an art school in Bedford Row...

Vintage early 20th century oil on artist board cottage evening painting by Herbert F. Royle (1870-1958) UK. Signed lower left corner, late evening impressionist scene with candleligh...

A Dusky Town Square Landscape Painting, Early 20th century by Winifred Beatrice Roome 1873-1957 Depicting figures walking with a dog in the distance in a quiet town square in t...

This exquisite pair of hand-painted Wedgwood porcelain plaques, painted by Thomas Allen, is a beautiful example of the Aesthetic Movement. The delicate, intricate designs and vibrant...

A pair of exquisite gouache / watercolour studies of exotic flowers and butterflies; European in the Cantonese style, circa 1900. Why we like them Exquisitely hand-painted with ...

A striking 1960s abstract painting, possibly of a Northern England Industrial street scene. Oil on board signed FD Taggart (British born 1937), with indistinctive title to the back. ...

Original Antique Oil on Canvas Painting Coming from a Cornish estate, it was said by the previous owners that the subject was a tin miner, although by the looks of it, I imagine it ...

The Honorable John Maler Collier (British, 1850-1934) was an important artist who painted portraits, dramatic themes, and landscapes. Maler painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. He was educated at the Eton School and studied art in Munich and Heidelberg, as well as at the Slade School under Poynter and in Paris under Laurens. He also was encouraged by Millais and Alma-Tadema. Presented is a large hillside and river landscape signed oil painting by Collier. Framed it measures 48" wide, 30.5" high and 3" deep. Canvas is 42" wide and 24" high. Frame has very light wear. Painting is in very fine condition. Collier was one of the 24 founding members of the Royal Society of Portrait Painters, of which he became Vice President and was also a member of the Royal Institute of Oil Painters. He exhibited no fewer than one hundred and thirty paintings at the Royal Academy and one hundred and sixty five at the Royal Society of Portrait Painters, as well as many others in galleries throughout the country and abroad. He was the author of The Primer of Art (1882), A Manual of Oil Painting (1886) and The Art of Portrait Painting (1905). He was awarded the O.B.E. in 1920 and he was the subject of The Art of the Honourable John Collier...

From the world renowned Portobello Market in London, this authentic antique oil painting, circa 1840, features a casual floral arrangement in a muted color scheme showcased in an ornately carved giltwood and gesso frame...

Starlings in a Winter Landscape by British artist Raymond C. Boothe (1929-2015). Oil on canvas in a hand carved custom frame. Framed the dimensions are 35" wide, 29.38" high and 2.5 inches deep. The canvas measures 24" wide and 18.75" high. Boothe, a Leeds artist, is known as of one of Britain's most accomplished botanical, wildlife and natural history artists. He was represented by the Fine Art Society for 50 years, where he had eight exhibitions. This painting has been in a private collection for the past 30/40 years and was purchased from the art dealer Henri Tiercet. Despite rarely leaving his native Yorkshire, Booth developed an international reputation as a leading botanical and natural history artist. He Spent much of his career in his private studio at home in Alwoodley – an 'inner sanctuary', which no one besides the artist was permitted to enter. Booth's meticulous rendering of wildlife, woodlands, meadows and heathland found admiration far beyond the bounds of his beloved Adel Woods, where he spent much of his time studying and refining his technique, even 'sleeping under hedgerows', remembers Peyton. A plantsman as well as an artist, Booth would cultivate flowers, plants and botanical specimens at home in the garden before painting them in the studio. It was through this extensive and painstaking process that Booth developed an expert knowledge of his subject, a defining feature of his work. Starlings in a Winter Landscape was purchased in the 1980s from Henri Tiercet and owner of Henri Tiercet Galleries Inc...

Manner of George Chinnery (English, 1774-1852), a softly rendered portrait of a young woman, unsigned, in carved and gilded wood frame A remnant "...R. Davy, Colourman to Artists, 83, Newman Street, London" label on verso. Christie's inventory tags also on verso. A little gem of a portrait, this painting also contains lovely details such as a flower adorning the young woman's hair, a pink shawl draped on the chair, and an ornate gilt mirror with candelabra visible in the background. Robert Davy (c.1771-1843) established his business in the 1790s. He began his career as a carver and gilder...

Very fine Mid 20th Century oil on canvas painting of a resting Woodcock with good naturalistic colour, signed Colin Burns to lower right. Framed in original wooden veneered frame wit...

Sotheby's Summer Travel The New Grand Tour, Aspen, Basel and More The Dukes Of Northumberland 500 Years Of Collecting, June-July 2014 London and New York. Published by Sotheby's, 2014. 1st Ed softcover. Beautifully illustrated catalog with great information on museums, books on travel, summertime attractions in NYC, Aspen Art...

A very decorative Arts and Crafts painted frieze, very much in the manner of Albert Edward Hayes. The paining has areas of loss as the photos show, the remainder is stable and adhere...

The Autumn Run, Salmon Fishing Oil Painting. A signed oil painting on board of a leaping salmon by Arthur J.W. Burgess, R.I. R.O.I. The oil painting is si...

Oil on Masonite of cats by Anne Hudson (1920-1977) England. Well know for her cat portraits, signed lower left corner. Unframed, edge wear.

Collection of Original Artwork by Arthur Weaver. A large collection of original artwork for the Morton & John Olman book "St. Andrews & Golf". It includes the concept for the dust c...

Captivating modern oil on canvas painting of a business man and woman taking a romantic soujourn on a showery spring day. Signed lower right McKean, titled to rear and presented in a dark wooden stepped frame. ADDITIONAL INFORMATION Unframed Height: 73 cm Unframed Width: 38 cm Condition: Excellent as new Condition Circa: Contemporary Materials: Oil on Canvas SKU: 299 ABOUT Graham McKean In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham is presently registered as a self-employed artist, painting full-time from a W.A.S.P. studio at the harbour side in Irvine, Ayrshire. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith...

Art in Seventeenth Century Holland : the National Gallery, 30th September to 12th December 1976 : by Christopher Brown National Gallery London. Published by Order of the Trustees, Pu...

Antique Engraving, Laslett J. Pott hand colored engraving "The Ruling Passion", H008 Mounted and matted in original solid oak frame Original old glass Colors are very vibrant Condit...

Antique Edwardian Original Oil on Canvas Folk Art Painting Depicting The Thatched Cottage, Maidenhead, by Francis Vingoe (1879-1940) Vingoe used to travel around door to door showi...

This is a very good period Regency portrait of a young Regency-era dandy. The features of the subject match those of published Beau (George) Brumme...

Superb painting by Daniel Van der Putten, depicting a wonderful rural snow scene, a snow-covered dirt road with a tall snow-covered towering tree on a hillside and alone peacock on t...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Oil on canvas titled "The Taming of the Shrew" by Frank William Warwick Topham (1879). A wealthy Padua merchant, Baptista, has two daughters. One day Lucentio, a student, comes to ...

Superb painting by Daniel Van der Putten, depicting a wonderful rural snow scene, a snow-covered dirt road with a herd of sheep on the left and a view of Glenquin Castle Killeedy Cou...

An exceptionally fine quality example of a framed still life of fruits oil painting on Artists board by well documented English Artist Oliver Clare, first quarter of the 20th century...

Lugger in full sail riding a wave past a lighthouse with land on the horizon. Characterful naive picture in the spirit of Alfred Wallis. Provenance: Pa...

Superb traditional oil painting by Daniel Van der Putten, depicting a wonderful Irish river and farmyard scene with wandering children and animals within the grounds. The remains of Ballycowan Castle in County Offaly are visible in the distance. Oil on board complete with its original exceptional traditional giltwood ornate frame. The Artist's majestic brush work captures with consummate finesse the magical colours of this rural Winter scene and his shadow and light work is superb. Signed lower left Daniel Van der Putten and titled at back. Condition: Perfect showroom condition with no imperfections. Height (entire including frame) 25" (65.5cm). Width: (entire including frame) 31” (79cm). Height (image only) 15.75" (40cm). Width: (image only) 21.5” (54.5cm). Location: Dublin City, Ireland. Van der Putten is Dutch born but resides and paints in England. Exhibited only in the finest Galleries, we are pleased to offer this exceptional Artist’s work on-line. Ballycowan Castle is an Irish castle...

A Pair of hand painted watercolors of country Landscapes by Henley-on Thames. Both artist signed on the lower corners depicting landscapes from the town Henely on Thames, England, da...

David Hewitt (1878-1939), a listed British artist. “In the Pass of Aberglaslyn – facing south” (Wales) Oil on board. In excellent condition. Dimensi...

Pair antique English framed oil on canvas "Hunting" paintings signed "J.L. Petit" (1801-1868).

"Pinch" by Ángela de la Cruz in 2015. Edition of 50 + 18 A.P. + 2 P.P. Acrylic on canvas. The document shown on the photo is the “Certificat...

Oil on canvas by the English artist John Wright (b. 1932) dated 1965, and composed of four graphic panels depicting scenes relative to the work’s title “A Journey in Cardiganshire”. ...

D.F.N. (Unknown/Unidentified Artist) - 'Corfe Castle - Dorset, U.K.' - Vintage watercolor painting on paper - unframed - initialed lower left - United Kingdom - 20th Century. Good vintage condition - toning to the paper from a previous framing - no loss - no restoration - signs of age and use...

An exceptionally fine quality example of a pair of framed Still Life of fruits Oil Paintings on Artists board by well documented English Artist William Hughes, third quarter of the Nineteenth Century. Complete with good giltwood frames, one is signed lower left W. Hughes and dated 1863  Both paintings with similar views depicting Still Life of fruits to include Apples, Pears and Black Grapes  Condition: Good condition recently professionally cleaned and ready to hang. Old trade label CHAS H WEST Framemakers in Primrose Hill, London.  Height: (entire including frame) 13.75" (35cm). Width: (entire including frame) 17.5” (44.5cm).   Location: Dublin City, Ireland.  Affordable fixed charge Worldwide Store to door shipping offered.  Provenance: Burling Paintings Art Gallery, Burlington Gardens, Mayfair, London.   William Hughes (1842-1901) was a still life painter, father of Sir Herbert Hughes-Stanton. He was a pupil of George Lance and W.H. Hunt.  Hughes exhibited at the Royal Academy between 1866 and 1901 as well as at the British Institute, Suffolk Street and the Grosvenor Gallery.   Titles at the R.A. include “The Baron’s Dessert” and “For the Feast of the Tournament”. A major work, a set of large bird paintings...

This Edwardian era painting by Giovanni Boldini of recling nude figure dates to the late 19th and early 20th century. Note: The painting at some point was relined on the outside e...

Artist/ School: Norman A. Olley (British, 20th Century, 1908-1996), signed to the front and inscribed verso Title - "The Old Barn - Manor Farm, Claygate, and Surrey", a vibrant farming scene with figures working and leading a horse away towards fields. Medium: acrylic over pencil, on board, unframed. Painting: 14.5 x 10 inches Provenance: all the paintings we have by this artist have come from a private UK collection of this artists work. Condition: The painting is in overall very good and sound condition. We have measured to exclude the unpainted edges. Artist: Norman Arthur Olley was born in 1908 to a British Army family stationed in Lucknow, Bengal India. His mother died there in 1911, and his father in 1936. Norman married in Gravesend Kent in 1937, and at the beginning of the war in 1939 he was an aircraft sheet metal worker. He and his wife to Surrey in the late 1940s -early 1950s where he was a long term member of the Thames Valley Arts Club and where he regularly exhibited his work. In 1951 his painting "View from Richmond Park" was held in high regard at a very well attended exhibition in Esher, Surrey. The East Molesey area was one of his favorite areas to paint, a 1953 Art...

Wonderful watercolor of working dogs by Raoul Millais. Signed with Monogram HRM Raoul Millais (1901-1999) : Born in Horsham, Sussex in 1901, Raoul Millais was the grandson of the ...

Alfred Wheeler (1852-1932) Oil on Panel of the Brilliant Racehorse Pretty Polly. Signed and Dated 1906 with Jockey Danny Maher up and Trained by R Gilpin and Owner Major Eustace Loder. Alfred Wheeler was born near Bath in Somerset to John Alfred Wheeler (1821-1877), who retired early from the Army to pursue a successful painting career. Alfred is thought to have studied under his father and to have worked closely with him. He married Catherine Muspratt in 1874 and moved next door to his father at Raglan Villas, Bath. Alfred then followed his father when he moved to Hanwell. Alfred and Catherine had six children of whom Walter Herbert and John Frederick became artists. The Wheeler family specialised in sporting subjects such as horseracing and foxhunting. They also painted animal portraits. There is often confusion between Alfred Wheeler and his father because their style is so similar and they both signed J. A. Wheeler or A. Wheeler senior. They even painted some of the same racehorses and both received commissions from Baron Rothschild and the Prince of Wales. Alfred's work is thought to be less prolific. However, Alfred did contribute to many of his father's paintings toward the end of his life. Generally, Alfred's pictures tend to have more of a photographic quality about them than those of his father. Pretty Polly (March 1901 – 17 August 1931) was an Irish-bred, British-trained Thoroughbred racehorse and broodmare. One of the greatest fillies ever to race in Britain, she won fifteen consecutive races and was only the fifth horse to win the British Fillies Triple Crown since its inception in 1814. Pretty Polly also became one of the greatest broodmares of the century. Pretty Polly was bred and owned by Major Eustace Loder and trained by Peter Gilpin, she won nine races from nine starts as a two-year-old in 1903. The following year, Pretty Polly won the 1,000 Guineas as 1-4 favourite, winning easily by three lengths in record time. Other wins as a three-year-old were The Oaks, the Coronation Stakes at Royal Ascot, the Nassau Stakes at Goodwood, the St. Leger Stakes (completing the Fillies' Triple Crown) and the Park Hill Stakes with jockey William Lane. Pretty Polly stayed in training as a four and five-year-old, winning six more races, including the Coronation Cup...

Fine "Highflyer" painting by John N. Sartorius. John Nost Sartorius, was an English painter of horses, horse-racing and hunting scenes, 1759-1828. Me...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1993, signed to the front and inscribed verso Title - "Derrington Mill, Holsworthy, Devon", a detailed and delightful scene of a West Country village bridge...

A large and impressive oil painting of a male nude, by acclaimed British artist Alan Brassington. This dates from the late 20th century. Alan Brassington specialises in portraits an...

English original oil painting on canvas "Retrieving the Grog Before the Storm"; signed lower left: Thomas LUNY; and indistinctly dated--only a "2" is discernable. This dramatic painting depicts ships outward bound while smugglers in the foreground heave their small boat to shore while others roll a barrel of grog to safety. The sea is building while the white cliffs and stone fortress at the entrance to a harbor stand firm against the impending storm. This is quintessential Luny, displaying his deft handling of the ocean and the exposition of coastal life in the early 19th century. We have had this painting cleaned, rebacked and restored by Northeast Painting Conservation, York, Maine. Thomas Luny (1759-1837), was born in Cornwall but moved to London at an early age and was raised there by his parents, Thomas and Elizabeth. Thomas' father is thought to have been employed in some activity at the London Docks and from thence the younger Thomas was exposed to the maritime world from an early age. He is thought to have been apprenticed to the London artist Francis Holman...

'Healing' by British artist Jessica Zoob lives up to its title - a peaceful and tranquil place of sanctuary. Even when there are storms in evidence, metaphors for the turbulence of l...

This description is taken from the information secured to the reverse of the painting - 18th century oval oil portrait of Rebecca Steel of New Timber...

English orientalist school; late 19th - early 20th century. "Slave market". Oil on canvas. Presents stamps on the back. Measurements: 26,5 x 36 cm; 27 x 37 cm (frame). The orien...

Artist/ School: Norman A. Olley (British, 20th century, 1908-1996), 1993, signed to the front and inscribed verso Title - "Summer Evening by the Thames near Hampton Middlesex", a colourful busy scene of people enjoying boating and fishing on the river near London. Medium: pastel on thick layered card, unframed. A sheet of protective paper is attached to the upper edge, which we will leave in place to protect it until it is with its new owner for framing. Measures: Painting : 15.5 x 10.5 inches Provenance: all the paintings we have by this artist have come from a private UK collection of this artists work. Condition: The painting is in overall very good and sound condition. We have measured to exclude the unpainted edges. Artist: Norman Arthur Olley was born in 1908 to a British Army family stationed in Lucknow, Bengal India. His mother died there in 1911, and his father in 1936. Norman married in Gravesend Kent in 1937, and at the beginning of the war in 1939 he was an aircraft sheet metal worker. He and his wife to Surrey in the late 1940's -early 1950's where he was a long term member of the Thames Valley Arts Club and where he regularly exhibited his work. In 1951 his painting "View from Richmond Park" was held in high regard at a very well attended exhibition in Esher, Surrey. The East Molesey area was one of his favourite areas to paint, a 1953 Art...

Artist/ School: Norman A. Olley (British, 20th century, 1908-1996), 1993, signed to the front and inscribed verso. Title - "Rochester Castle from C...

Here we have a Robert Mcgregor (1848-1922) painting illustrating peasant life. This is a well-balanced oil on canvas revealing a french country village...

Artist/ School: Norman A. Olley (British, 20th century, 1908-1996), 1993, signed to the front and inscribed verso Title - "Rochester Cathedral Priory Gate from St Margaret's Mews", a finely painted street scene, with two figures approaching the gate. Medium: watercolor (artist indicates pencil and watercolor on the label verso but this is predominantly watercolor) on board, unframed. Painting : 14.5 x 10.5 inches Provenance: all the paintings we have by this artist have come from a private UK collection of this artists work. Condition: The painting is in overall very good and sound condition. We have measured to exclude the unpainted edges. Artist: Norman Arthur Olley was born in 1908 to a British Army family stationed in Lucknow, Bengal India. His mother died there in 1911, and his father in 1936. Norman married in Gravesend Kent in 1937, and at the beginning of the war in 1939 he was an aircraft sheet metal worker. He and his wife to Surrey in the late 1940's -early 1950's where he was a long term member of the Thames Valley Arts Club and where he regularly exhibited his work. In 1951 his painting "View from Richmond Park" was held in high regard at a very well attended exhibition in Esher, Surrey. The East Molesey area was one of his favourite areas to paint, a 1953 Art...

Oil on canvas, signed lower left. b. 1941, British Born in the East coastal town of Bridlington in Yorkshire, England, and largely self-taught, Michael Whitehand is one of England’s top maritime artists. He has successfully exhibited his work internationally and his paintings are in important collections, like Britain’s recent Prime Minister, John Major...