Original Antique Engraving of the Admiralty Islands 'Bismarck Archipelago', 1774

Antique map titled 'Trois Vues des Isles de l'Amirauté'. Several coastal views of the Admiralty Islands, Bismarck Archipelago, to the north of New Guinea in the South Pacific Ocean. ...

The 1801 engraving depicts a figure labeled as "A Savage of the Admiralty Isles in the South Sea." The image portrays a solitary indigenous man standing with a paddle in hand, exudin...

Antique map titled 'Nova Hibernia'. Antique map of New Ireland, an island in the Bismarck Archipelago, New Guinea. Lying just north of New Britain, from which it is separated by St. ...

Antique print titled 'Isles de la Reine Charlotte (..)'. A detailed chart of the Santa Cruz islands, to the north of the New Hebrides, with Carte...

Antique map Indonesia titled 'Malay Archipelago, or East India Islands'. With vignettes of Victoria Mount, New Guinea, Nativaes of New Guinea an...

Antique print titled 'Vue de la Rde de Tinian Gezigt van de Rheede van Tinian (..)'. Views of the south-west side of the island of Tinian and a view of the anchorage of Tinian, w...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...

This 1865 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait...

Great map of The Netherlands Copper-plate engraving by Cooper Published by Sherwood, Neely & Jones. Dated 1809 Unframed.

Great map of Netherlands Copper-plate engraving by Barlow Published by Brightly & Kinnersly, Bungay, Suffolk. Dated 1807 Unframed.