United Kingdom - More Art

Amy Winehouse Turquoise by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition...

About San Francisco #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that began in 2015. This ongoing int...

About San Francisco #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that began in 2015. This ongoing in...

Amy Winehouse Lavender by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition ...

About San Francisco #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that began in 2015. This ongoing in...

Ireland SENEX, John. Ireland Corrected from the Latest Observations Divided into its Provinces, Counties and Baronies. Shewing the Principal Roads, and the Distances of Places, in Common reputed Miles. by Inspection Where Barracks are Erected &c. By John Senex F.R.S. John Senex F.R.S., the Globe against St Dunstans Church, Fleetstreet, London 1712 [-1728]. John Senex (1678-1740) was one of the foremost mapmakers in England in the early eighteenth century. He was also a surveyor, globemaker, and geographer. As a young man, he was apprenticed to Robert Clavell, a bookseller. He worked with several mapmakers over the course of his career, including Jeremiah Seller and Charles Price. In 1728, Senex was elected as a Fellow of the Royal Society, a rarity for mapmakers. The Fellowship reflects his career-long association as engraver to the Society and publisher of maps by Edmund Halley...

A wonderful 19th century gilt oval picture frame in the French Rococo style, elaborately decorated with foliate running patterns and elaborate upper gesso shell and acanthus ornament...

Untitled (Coca Cola) By AI Weiwei Ai Weiwei is a renowned Chinese contemporary artist and activist whose diverse body of work spans sculpture, installations, and social commentary...

THUILLIER, Colonel Henry Ravenshaw. Railway Map of India. Railways Brought up to October 1895. Scale 1 Inch = 48 miles or 1:3,041,280. [Calcutta], Published under the direction of Colonel H. Thuillier, R.E., Surveyor General of India, October 1890. A comprehensive railway map of British India, including the subcontinent and Burma, also displaying the main road networks, navigable canals, steamship routes, and telegraph connections across the peninsular. This publication by the Survey of India Office includes a useful ‘References’ key giving information on the differing gauges in use across the region, and a colour code highlighting the lands under direct British administration in pink, ‘Tributary States’ in yellow and ‘Independent & Foreign Possessions’ in Green. A notice records the price for colour as ‘Five Rupees’, as against ‘Four Rupees’ without. Prepared under the direction of Colonel Henry Ravenshaw Thuillier, who as his father before him, served as Surveyor General of India from 1887 to 1895. Here Baluchistan is shown as an enclave of the British Raj. This strategically important territory lies in modern-day Pakistan, and is situated around the natural fort town of Quetta located high in the Chiltan mountains. It came under direct British rule in 1876, securing the vital Bolan Pass though which British troops under the command of General Michael Biddulph passed during the Second Anglo-Afghan War...

Great seascape from this exceptional and well collected British Impressionist.

Amy Winehouse Red by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition of 5 ...

Untitled By Paul McCarthy Paul McCarthy is an American contemporary artist known for his provocative and often controversial work that spans various mediums, including performance...

This exquisite portrait, presented by Titan Fine Art, was painted in the era of London’s Great Fire - a young woman has been depicted wearing the most luxurious attire and a fortune ...

Aurelia is a painting in oil, acrylic and gold leaf on canvas by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings through the medium o...

A fine 19th century gilt wood picture frame, magnificently decorated with large plaster mouldings in the scrolling acanthus style. This wonderful antique frame comes with a fitting c...

Original oil painting of St Ives viewed across St Ives Bay at last light from Gwithian Beach in Cornwall. Oils on board - Framed in a clean white tray style moulding. Additional information: Andrew...

A fine 19th century gilt wood picture frame, magnificently decorated with large plaster mouldings in the scrolling acanthus style. This wonderful antique frame comes with a fitting c...

An ornate 19th century gilt case picture frame, complete with original mount and floral and acanthus rococo mouldings. Elegantly lined with brown velve...

Daniel Arsham Heinz Tomato Soup Selfridges Exclusive 2019. Ltd edition of 3,000 Excellent Condition, some slight marks to paper. Hard to come by in this condition. 4 1/4 × 3 × 3 i...

Dimensions: 23.4 x16.5 inches Offset Lithograph in colors on glossy satin poster paper. Excellent condition

William Anslow Thornley flourished between 1858 and 1898, almost all of his output were marine scenes, he was especially fond of depicting shipping at dawn or dusk. This is a very im...

David Hockney A Year in Normandie Ashtray by David Hockney (Numbered, Limited Edition of 170), 2022 Ceramic Ash Tray 7 9/10 × 6 3/10 in 20 × 16 cm Edition of 170

A beautiful George VI sampler, hand embroidered by Leah Young in 1827. Cases of the alphabet, birds and heart motifs have all been created from open stitch, cross stitch, and stem st...

This portrait depicts an elegant, aristocratic women wearing a yellow silk dress with white chemise and a red mantle elegantly draped around her body. By tradition the portrait represents Mary Capel, Countess of Essex. Born Lady Mary Bentinck in 1679, she was the daughter of William Bentinck, 1st Earl of Portland, a Dutch and English nobleman who became in an early stage the favourite of stadtholder William, Prince of Orange (the future King of England) and his wife Anne Villiers (died 1688). Lady Mary's maternal grandparents were Sir Edward Villiers and Lady Frances Howard...

Dimensions: 16.5 x 23.5 in / 59 × 42 cm Medium: Offset lithograph exhibition poster print on white satin paper.

The Octopussy with signature on the suckers, and the artist's thumbprint (on the reverse) screenprint on earthenware, with underglaze paint 37 cm. (14 ½ ) diam. 6.1 cm. (2 ⅜ in....

This unique work in colours is hand signed in pencil by the artist "Wesselmann", at the centre of the lower image. It is also dated in pencil “99” [1999] next to the signature. The...

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady in a simple blue silk dress and without jewelry or a background, thus allowing the viewer to concentrate solely on the beauty of the sitter. The effect of this restrained manner creates a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

A vibrant floral & botanical embroidery depicting parrot tulips intertwined with red berries and smaller spring flowers. Presented in a stunning o...

A beautiful and large Impressionist Oil painting of Lake Como in Italy. Inspired by recent commissions for the Lake District in the UK, Rene has approached this Oil in much the same way, the focus is on the swirling low mist which appears to be floating just above the water and of course the iconic building in the background. Villa Balbianello is one of the most famous landmarks in the Italian Lakes and is renowned for its beauty. Much of Rene's recent work has been whilst on location in Italy where he spends much of his time, he starts with a series of small pencil sketches...

Cactus Omelette by Ed Ruscha 2019 Screenprint on cotton 28 × 26 2/5 in 71 × 67 cm Edition of 100 Condition - Excellent, 'as new' condition Ed Ruscha is an American artist ce...

Blue Yonder is an original oil over acrylic on canvas painting by American artist Monroe Hodder. Hodder’s abstract paintings are gloriously bold. Inspired by the urban backdrops of h...

A wonderful Oil pastel drawing by the artist Terrick Williams. Renowned as the foremost post impressionist painter in the Uk he left a diverse and stunning body of work. This arti...

[World War Two map] Dunkirk to Berlin June 1940 - July 1945 - A Map of the Journeys Undertaken by The Rt. Hon. Sir Winston Churchill, K.G., O.M. C.H. in Defence of the British Commonwealth and Empire. London, George Philip & Son Ltd., 1947. The map provides a record of Winston Churchill's journeys in the Second World War and the means by which the travels were made. His journeyswere to numerous political conferences from New York to Moscow, beginning with the ‘Atlantic Charter’ in 1941, which was the product of his meeting at sea with Roosevelt that established the general desire on both sides for a democratic, progressive post-war world. After a number of intercontinental circuits the map brings his journeys to an end at the Potsdam Conference of 1945, the historic meeting of the ‘Big Three’ (Churchill, Roosevelt and Stalin), to negotiate the post-war treatment of Germany. In addition, the map also illustrates Churchill's 1944 tours of the beaches of Normandy and the invasion coasts of Italy and Southern France. Featured at the bottom are illustrations of his travelling crafts, including the ships ‘King...

River In The Sea is an oil on canvas painting by American artist Monroe Hodder. Hodder’s abstract paintings are gloriously bold. Inspired by the urban backdrops of her life in New Yo...

This is a large Oil Painting on Canvas, it came from a Country Estate in the UK. It is housed in its original restored gilt sporting frame. The painting is not only really well exe...

The Artists Art Palette French School oil painting on board, framed board: 14 x 9.5inches provenance: private collection, the Luberon, Provence condition: ...

David Shrigley Animal Series (Set of 4), 2020 Printed on 200g Munken Lynx paper 31 1/2 × 23 3/5 in 80 × 60 cm

Marriage Flag, 2018 Grayson Perry Handmade cotton fabric and embroidery appliqué flag From the edition of 45 Published by Victoria Miro Gallery, London Multiple: 97 × 143 cm (38....

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...

Anthony Klitz British 1917 - 2000 Klitz was born in Southport and studied both Art and Architecture at Cheltenham College of Art. Hi is famous for his cityscapes, most notably Lond...

Titan Fine Art presents this portrait of a brave and chivalrous character. The gentleman has been depicted in armour, an elaborate full wig, and in accordance with the latest French fashion, an elaborate type of Venetian Gros point lace cravat and large silk bow (also called a cravat-string) – a type that were popular across Europe in the 1680’s. Point lace was fabulously expensive - a cravat was equivalent to six weeks income for a gentleman - and therefore indicative of a wearer's wealth and social class. A nobleman riding onto the battlefield would wear a lace cravat over his armour to demonstrate his status. The attire, along with the coat-of-arms, help to proclaim to every onlooker that the gentleman is a superior being. The depiction of the lace, apart from denoting the wealth of the sitter, was a deliberate way for the artist to demonstrate his own artistic ambition and technical skills Argent seasoned gule with three lozenges sable are those of the Crois family, who were minor nobility, originating from the Boulogne region in the north of France. The fact that the sitter is a high ranking noble excludes him as a member of the Crois family. As is so commonly the case, the coat of arms was a later addition, probably in the nineteenth century, by a family who sought to glorify their pedigree by adding their arms to the portrait. These arms are now an interesting part of the portraits history. The artist has captured a sense of the sitter’s character and the features of the sitter’s face have been rendered with great sensitivity. His confident gaze perhaps reflecting the near invincibility afforded by this steel suit. The work is a very good example of French portraiture from the period. Presented in an exquisite hand-carved and gilded seventeenth century frame - which is an exceptional work of art in itself. Pierre Mignard, known as le Romain, was a French painter of the court of the French King Louis XIV and was, with Charles Le Brun (1619-90), one of the most successful painters during the reign of Louis XIV. After training in Troyes, where he was born, and in Bourges, Mignard joined the studio of Simon Vouet in Paris in 1627. He went to Italy in 1636 and remained there until 1657. He studied the work of Correggio and Pietro da Cortona in Rome as well as copying Annibale Carracci's frescoes in the Palazzo Farnese. On Le Brun's death in 1690 he succeeded him as its Director and as First Painter to the King painting...

Limited edition of 250 Fine bone china 10.5" diameter; 26.7 cm Printed signature and edition details on verso Custom artist box with printed signature Dishwasher and microwave safe...

An exquisite crewel work embroidery depicting a still life of red and orange chrysanthemums in a fine glass vase. The needle work picture has been well presented in a beautiful oak w...

Portrait of a Lady in an Elaborate Stone Cartouche c.1675-80 Mary Beale (1632-1699) Titan Fine Art present this superb portrait where the sitter has been portrayed wearing a low-cut white chemise under a gold silk robe with a draped light...

Anyone who is a fan of Hercules Brabazon Brabazon will love this painting! Venice is one of the artist's most favoured and frequented location for his wonderful loose atmospheric fi...

"Cote d'Azur" Oil on Canvas, 15 by 31 inches, Signed and Framed (Framed size is 23 by 39 inches) By Jean Potronat, French 1921 - 1997 This is a large, colourful and atmospheric oi...

This is a limited edition lithograph that is untitled. It was originally in a catalogue and consequently there is slight evidence of a fold in the centre. We have had this ironed by ...

Handwoven stretched lampas panel, made on a 32 shaft Leclerc Weavebird loom medium: Cotton and silk, stretched and framed in painted wood

"Flamenco Dancer in Red Dress" by Rene Legrand (Born 1953) Oil on Canvas, Signed and Framed Beautiful and evocative portrait of a young Flamenco Da...

Handwoven stretched lampas panel, made on a 32 shaft Leclerc Weavebird loom medium: Cotton and silk, stretched and framed in painted wood

This is a limited edition lithograph that is untitled. It was originally in a catalogue and consequently there is slight evidence of a fold in the centre. We have had this ironed by ...

Official BANKSY Dismaland Program 2015 23.02 x 29.02 cm Very collectable souvenir, Banksy’s Dismaland Official Program. This is a great piece of history for any Banksy enthusiast and was one of the very few official items that were for sale at the Banksy show in 2015. Dismaland was an amusement park-like setting art show conceived and curated by Banksy in Weston Super Mare. It had artwork by notable artists from all over the world. This Programme is in Great condition, Never opened nor read; The Programme has come straight from Dismaland and has been carefully stored to preserve the historical documentation of this renowned one of a kind art event. The booklet contains 64 pages of art, photographs, plans, sketches of the park itself, the park interior & its designs, and Q&A with selected artists. You will see some of the art that is displayed in the park & who is responsible for it. You will also find information on other artists in the book, such as Bill Barminski, Jenny Holzer, Ben Long, James Joyce, Barry Reigate, Paco Pomet...

The sitter in this superb portrait, presented by Titan Fine Art, is shown with the grandiloquence characteristic of the eighteenth-century French school of painting. The young nobleman has been portrayed wearing an ingeniously embellished French ceremonial armour, a mauve cloak, and an abundance of cascading curls falling below his shoulders. Our portrait proclaims to every onlooker that this is a superior being. The manner in which portraits were painted was set out by the terms of the commission and usually marked significant life events such as a betrothal, a death, elevation of rank… but they almost always emphasised the wealth and importance of the sitter. This type of portrait had become a standard format for aristocratic portraiture in Europe during the last quarter of the seventeenth century up to the middle of eighteenth century. Incorporated into the background was often a raging battlefield or a military encampment; our portrait is free from these trappings and contains a dramatic moody sky ensures the viewer focuses mainly on the subject. The features of the sitter’s face have been captured with great sensitivity, his confident gaze perhaps reflecting the near invincibility afforded by this steel suit. The flamboyance and penetrating sense of character, lending an air of noble expectancy to the composition, seems almost eclipsed by the artist's virtuosic handling of paint. It is not hard to understand why many wealthy sitters commissioned the artist to paint their portraits. Such fine and ornate armour was not actually used on a battlefield and thus its portrayal in portraiture was largely symbolic of a sitter’s wealth and status as well as a claim of succession to a chivalrous tradition. The style of hair and neckcloth were fashionable circa 1740. Held in an exquisite eighteenth century carved and gilded frame - a fine work of art in itself. Louis Tocqué was a very successful French portrait painter active during the Rococo period of art. His work was known for its attention to detail, its portrayal of the character of the sitter, the refined postures, and the delicacy of the rendered draperies. He created both realistic and expressive portraits. Tocqué was born in Paris in 1696 and trained with the famous portrait painters Hyacinthe Rigaud, Nicolas Bertin, and Jean Marc Nattier whose daughter he later married. He entered the Academy in 1731 and became a full member in 1734 with his portraits of Galloche and the sculptor Jean Louis Lemoine, and he pursued a brilliant career as a portrait painter, receiving numerous commissions from members of the French aristocracy and royalty. His works were highly sought after by collectors of the time, and his reputation earned him the appointment of official portrait painter to the court of France in 1746 – in fact he stayed at most of the courts in northern Europe. From 1737 to 1759 he exhibited a large number of works at the Salon. Tocqué's paintings can be found in museums and private collections around the world. Recent sales...

A delightful silhouette study of a man in fine dress carrying a bag. The figure is depicted on his toes giving him an air of elegance and poise. Unsigned. Presented in a dark wooden ...

Montreux Jazz Festival posters (set of 3) Keith Haring was invited to design the posters for the 17th Montreux Jazz Festival in 1983 after the or...

Offset lithograph From an unknown edition size From the poster stack exhibited at Barbara Krakow Gallery, Boston, MA in 1990. The work is double sided.

This work formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (née d’Harcourt) de Cabrol de Moute (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century and counted the Duke of Duchess of Windsor amongst their closest friends. This portrait is that of Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber. The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719. Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château. Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720). Much of the beauty of this elegant portrait resides in its graceful composition – it is a fine example of French portraiture. Beautifully and meticulously rendered throughout, the sitter has been depicted three quarter length in an outdoor setting beside a potted orange tree. The lady is shown in a blue dress with silver detailed décolletage and large voluminous sleeves turned over to reveal elaborately detailed lining. The sumptuous fabrics convey a sense of wealth and prestige. The portrait is striking in its portrayal of the sumptuous fabrics and their decorative richness. The prominent sprig of orange blossom that she is holding is a traditional representation of marriage and eternal love in art, but it also alludes to youth and freshness, and by virtue of the great expense and difficulty with which it was often grown, to great wealth. In accordance with the sitter's age and the style of clothing and hair with the curls on the forehead, this portrait can be dated to the 1720s. Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was the son of Roger de Cabrol de Moute and Helen Mary de Lassence. He was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but inevitably most at home in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937, the only daughter of Étienne, Marquis d'Harcourt, and his wife, Marie de Curel. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century, following the conquest of Normandy. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch, which successively received the titles of barons, viscounts, and counts. Marguerite "Daisy" Marie Brigitte Emmanuelle Ghislaine d'Harcourt, Baronne de Cabrol was one of the last survivors of twentieth century French high society. Through her mother, Daisy was a descendant of the great industrial family of Wendel, with iron and steel enterprises in Lorraine; she also descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France. The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. There they found the exiled Windsors living in unusual post-war luxury, serving delicious food and providing fresh sheets every day. Daisy suspected that the Windsors were bored, but, having nothing else to do, were condemned to an endless round of social engagements. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986. Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor, to which le tout Paris would come. One of these, in 1954, was at the Palais des Glaces, in Paris (later used in the film Gigi), at which she entertained Charlie Chaplin, the Begum Aga Khan and the Windsors. According to Nancy Mitford...