Sculptures on Sale

Introducing 'Ocean Waves', my one-of-a-kind organic wall sculpture crafted from plaster and featuring abstract modern design with light blue and beige tones. Part of my 'organic scul...

Linda Stein, Honor Guard 688 - Feminist Contemporary Black Leather Metal Wall Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuate her N...

Keith Haring Andy Mouse Bearbrick: 400%: A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's 'Andy M...

Natasha Dikareva's "Solace," a 6 x 9 x 4 inch contemporary sculpture from The Cloud Dwellers series, depicts two folded delicate, porcelain hands com...

Linda Stein, Tough Love 683 - Contemporary Mixed Media Fashion Leather Sculpture Tough Love 683 is from Linda Stein's Body-Swapping Armor series. These wearable sculptures are ambig...

Rare Limited Edition After Modigliani sculpture "Tete de Femme" by Austin Productions 1961 in EX+ condition. Austin Productions started in Brookl...

Linda Stein, MascuFem 681 - Feminist Contemporary Black/Silver Leather Metal Torso Sculpture Starting in 2007, the artist Linda Stein began to ...

Linda Stein, Guardian 697 - Feminist Contemporary Black Leather Metal Figurative Wall Sculpture Guardian 697 from Linda Stein’s Knights of Protection series functions both as a def...

Knight of New Thoughts 667 is from Linda Stein's Body-Swapping Armor series. These wearable sculptures are ambiguous and androgynous in form, allowing the wearer to explore new and different body and gender incarnations. This artwork was part of Linda Stein's exhibition titled "The Fluidity of Gender", which has traveled to 30 institutions in the US, including the Holter Museum of Art and Noyes Museum of Art. Please note: this work can be displayed hanging...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Doug Aitken EveryThing, 2015 Mirror, Fibreglass & resin 92.5 x 119.5 x 12.5 inches Edition of 4 plus 2 AP's Provenance: NB: Available on sale

From a series of editioned sculptures by Bruno Munari produced by Plura editions in the Nineties, based on original projects by the artists dating back to the Forties. From an edition of 100. Exemplar 85/100. Signed and numbered by the artist. "Sensitiva" means in Italian sensible, sensitive The work is a light kinetic sculpture, composed of simple materials such as wood and steel, slightly moving in the space. Exhibition History: “Bruno Munari Artista totale”, Ettore Fico Museum, Turin, 2017 “Omaggio a Bruno Munari”, Fondazione Bandera per l'Arte, Busto Arsizio (VA) Bruno Munari - Maria Montessori...

Linda Stein, Sentinel 689 - Feminist Contemporary Black Leather Metal Figurative Wall Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuat...

Gustave FONTAINE ( Etterbeek 1877-1952 Brussels). Sculptor–painter. Took courses in Saint-Josse-ten-Noode, continued his training at the Academy of Brussels and with the sculptor Julien Dillens...

"Self-portrait" Terracotta, underglazed, and glazed to cone 5

"Orchid Castle" Stoneware, Glazed to cone 6

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

W 629 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wond...

White Alabaster Sculpture of Cleopatra, semi-nude in repose. Great detail in clothing and headdress. Face is sharply carved. Sculpture is strongly attributed to Eugenio Battiglia based on the style and theme. Battiglia recreated this particular Cleopatra sculpture...

With "Hommage to Vasarely" the renowned Belgian designer and artist Olivier De Schrijver has created a stunning retro-mirror wall sculpture honoring the art of Vasarely. The work is all hand-made, a unique series of only 6 works; signed and numbered on the back. Certificate. (3/6) Practical hanging mechanism on the back for easy handing on the wall. This Belgian designer reinvents the mirror by giving it a graphic role, like in his sought after "Hommage to Vasarely" whose projected lights create luminous tesserae onto walls and ceilings. His artwork invites you to escape into the imagination and the serenity offering a moment of intimacy. Through the subtle blend of poetry and fantasy on on head and the aesthetics and ergonomics on the other, Oliver De Schrijver could perfectly assume been gate design...

A Checkered Past- Repurposed street banners and wire Discarded billboard banners are transformed into new narratives. Colors are curated from the banne...

Vestment 628 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such ...

Yayoi Kusama Red & White Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors for w...

Sculpture by Brazilian-born artist Elizabeth Freire. Sculpture is mounted on marble base and signed "EF". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...

Arrow Knight 670 is from Linda Stein's Body-Swapping Armor series. These wearable sculptures are ambiguous and androgynous in form, allowing the wearer to explore new and different b...

KAWS Brown Companion, 2016. New and sealed in its original packaging. This classic KAWS figurative sculpture was published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth. New/never displayed & accompanied by original packaging. Medium: Painted Vinyl Cast Resin. Year: 2016. Dimensions: 11 × 5 inches. New, unopened; excellent condition. Stamped on underside of foot; from a sold out edition of unknown. KAWS: Spanning the worlds of graffiti, pop art, and consumer culture, KAWS’ bodies of work are highly charged, each conveying his underlying wit, irreverence, and affection for our times. He has primarily looked to and appropriated from pop-culture animations (including The Smurfs, The Simpsons, SpongeBob, and Peanuts) to form his artistic vocabulary for his paintings, drawings, and sculptures. Now well known for his larger-than-life sculptures and hard-edge paintings that emphasize line and color, KAWS’s cast of hybrid cartoon/human characters, with similarities to popular cartoon figures and logos like Mickey Mouse and the Michelin Man, are perhaps the strongest examples of his exploration of humanity. These figures have amicable names—Chum, Companion, Accomplice—and express and provoke an array of human emotions, from sad, overwhelmed, pathetic, and weary, to shy. They reflect feelings and situations we can empathize with in presentations that are balanced with humor, heartening in their cartoon aesthetic. (source: The Modern Fort Worth). Related Categories Shepard Fairey. Street Art. Damien Hirst. Street Art. Pop Art. Brown Kaws companion...

Linda Stein, In Charge 694 - Feminist Contemporary Black/Silver Leather Metal Torso Sculpture Starting in 2007, the artist Linda Stein began to...

Gypsum cast - medieval tile, from Central Europe. Adjusted in a frame, ready to hang or install.

Knight of Courage 655 is from Linda Stein's Body-Swapping Armor series. These wearable sculptures are ambiguous and androgynous in form, allowing the wearer to explore new and differ...

Early 20th C Italian Art Nouveau Alabaster Sculpture of a young female bather. Bather is seated on a stone with arms crossed in a mode...

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Linda Stein, On Alert 691 - Feminist Contemporary Black/Silver Leather Metal Torso Sculpture Starting in 2007, the artist Linda Stein began to ...

Linda Stein, GenderBend 682 - Feminist Contemporary Black/Silver Leather Metal Torso Sculpture Starting in 2007, the artist Linda Stein began to...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

AMERICA MARTIN "Woman Standing At Ease" Welded Core, Foam, Cement, and Black Epoxy Mortar on Metal Base 89 x 31 x 3 inches with Base: 101 x 36.5 x 24 inches Bursting with life, fo...

Black Guard 633 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke and the Buddhist goddess of mercy Kannon, and addresses protection, safety and upstander behavior. This artwork was exhibited in a group exhibition titled "Beware: Women Working...

An exceptionally beautiful antique French wood carving, made in the 17th century. It depicts Madonna standing with open offering arms .The...

Security Knight 646 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icon...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

This is a brand new, in its original packaged, never open. Perfect condition. KAWS's cartoonish style—including his best-known characters with X-ed out eyes—has its roots in his ea...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Keith Young Bart is watching you Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 13.5x2.5in Signed by hand COA provided Ready to hang Ref.: 924802-11330 ------...

MEL RAMOS (1935-2018) Dita 2017 Cast and polished stainless steel 58 x 33 x 26 cm 22.83 x 12.99 x 10.24 inches Number 29 of 60, Edition of 60 + 6 A.P. Cast signature and number on b...

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Spray painted Street banner vinyl Wall Sculpture/ tapestry One of a kind

19th Century French Bacchanalian Bronze in the 18th century style depicting two Putti, in the manner of Clodion. One putto reclines while another feeds it grapes. The Patina is worn ...

KAWS: HOLIDAY United Kingdom Black (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in thei...

KAWS Black Plush BFF Companion: This KAWS companion was originally created in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth (2016...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

Fragment / Family House silicone mold size with frame 60x60 single work, non-reproducible edition The work of art is part of the cycle Fragments / Family House tell and trace the evolution and changes of a 70s house of a typical Italian family, this series of Artworks...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

Linda Stein, Fascist Five 937 - Feminist Contemporary Fabric Mixed Media Sculptural Tapestry Fascist Five 937 is from Linda Stein's Armored for Today's Events series, which advocat...

Peter Voulkos Large Tea Bowl (brown glaze) Stoneware and wood fired Circa mid-1990s 4.5 x 6 x 6 in Signed (bottom) COA provided Ref.: 924802-1004 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

Shelley Heffler was born and raised in the Bronx. She attended the Fashion Institute of Technology in New York where she studied interior design, followed by a Bachelor’s Degree in Art. She graduated from Cal State Northridge with a Master’s degree in fine art followed by a teaching credential. She traveled extensively throughout Europe and Asia photographing...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Legs Together and Apart 925 is from Linda Stein's Sexism series, which advocates an expanded perspective of gender constructions--one that includes non-binary views of masculinities ...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled ...