Sculptures on Sale

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition 1/8

Lucien Smith Skateboard Deck: A vibrant piece of Lucien Smith wall art featuring 'Beast of Burden, 2020', limited series in conjunction with Sneeze Magazi...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. T...

Linda Stein, Iron Knight 625 - Contemporary Art Ceramic Wall Sculpture Iron Knight 625 is from Linda Stein’s Knights of Protection series, which she started after being forced to ev...

Linda Stein, River Knight 617 - Contemporary Bronze Indoor or Outdoor Sculpture River Knight 617 is one of Linda Stein's most iconic works. It is from her Knights of Protection ser...

MATT DEVINE "Anemones #3 (Black)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. *Can be installed on wall or placed on table* Matt Devine is a self-taught sculptor working w...

Linda Stein, Shaman 635 - Contemporary Bronze Indoor or Outdoor Sculpture Shaman 635 is one of Linda Stein's most iconic works. It is from her Knights of Protection series, which s...

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition 6/8

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition 7/8

Linda Stein, Protection 469 - Contemporary Mixed Media Metal Wall Sculpture Protection 469 is from Linda Stein’s Knights of Protection series, which she started after being forced ...

Linda Stein, Knight of Glyphs 626 - Contemporary Art Ceramic Wall Sculpture Knight of Glyphs 626 is from Linda Stein’s Knights of Protection series, which she started after being fo...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. T...

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition 1/8

Linda Stein, Picnic Case 928 - Contemporary Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the t...

Linda Stein, Case 1203 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabi...

Linda Stein, Summer Knight 616 - Contemporary Art Metallic Wall Sculpture Edition Summer Knight 616 is from Linda Stein’s Knights of Protection series, which she started after being...

Linda Stein, Case 1204 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabi...

Linda Stein, Knight Spirit 675 - Contemporary Art Metallic Wall Sculpture Edition Knight Spirit 675 is from Linda Stein’s Knights of Protection series, which she started after being...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Peacock I (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1330 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

Alabaster temple with Corinthian capitals decorated with swans and flower ornaments. At the centre, a bronze statue representing the Queen Omphale dre...

Yayoi Kusama Set of 3 Pumpkins: Yellow and Black, Red & White and Red & Black Naoshima: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka dot patterns and bold colors for which the artist is perhaps best known. Kusama first used the pumpkin at the 1993 Venice Biennale for the Japanese pavilion and since then it has appeared worldwide in various iterations, to ever rising acclaim and popularity. Medium: Painted cast resin. Red/White, Yellow/Black c. 2015. Red & Black Naoshima pumpkin...

Good eye ceramic egg sculpture for home, office decor, collector piece. handmade in the picturesque village Arsuf in Israel is an art piece for designers a...

Winner 678 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights ar...

Yayoi Kusama plush Pumpkins (set of 2 works): An iconic, vibrantly colored pop art set - these highly decorative plush Kusama pumpkins feature the u...

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition 1/8

-Made with Finest Calf Leather from the Weinheimer Tannery in Germany - Copyrighted Artgoods Exclusively Available at Moon Art & Masters - Strictly Limited Edition of 45 - Signed & N...

Takashi Murakami Flowers Skateboard Decks: set of 3 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

Marc Chagall Untitled (Roi David), 1954 is a rare and imaginative culmination of the collaboration between Marc Chagall and the Fucina degli Angeli. This work is from the beginning of Chagall’s usage of Murano glass as a means of expression. In 1954, Chagall was invited into the Fucina degli Angeli by Egidio Costantini who was the master glass blower at the time. This stunning and mesmeric sculpture beckons the eyes through the use of vivid, bold colors that blend seamlessly together. Blue, purple, teal and hints of red coalesce in the center of the glass plate, creating the backdrop for a whimsical scene placed in the foreground. A man in a crown kneels in the center of the work, preoccupied with the string instrument delicately constructed in his hands. Gilded flecks of gold are highlighted around the crown and instrument, showing us the depth of the lyrical poet. The transparent glass allows us to follow suite of the man, becoming entranced and lost in thought. Created in 1954 in the Fucina degli Angeli in Venice, Italy, this Murano glass sculpture was realized by master glass artist Egidio Costantini (Brindisi, 1912- Venice, 1998) in collaboration Marc Chagall, (Vitebsk, 1887 – Saint-Paul, 1985). This work is inscribed ‘M. Chagall E. Costantini 1954 © Fucina degli Angeli’ on verso and is an artist proof. Catalogue Raisonné: Marc Chagall Untitled (Roi David), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work). Egidio Costantini: Il Maestro dei Maestri. Brussels: Espace Kiron and Espace Medicis, 1990. A different Chagall glass...

This is an artwork based on the transformation of a book. It uses the book historic print in the endsheets as background to a geometric form made up by ...

Patricia Corredor's modern sculptures evolve from her drawings into three-dimensional metal shapes created with precision laser cutting. She finishes the artworks with layers of elec...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized architectural and classic...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Moth III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1328 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

Large Cloisonné Eggs Set of 2 Blue & Red with Birds & Flowers are a lovely set of sculptural beauty. Purchased directly from the Chinese manufacturing fa...

Knight of Calm 621 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Steve Sangapore’s “Good Intentions” is a 17 x 33 x 1 inch wall-hung mixed media black and white sculpture from his Modern Icon series. The sculpture is signed on back. Sangapore typ...

Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair HAIG PATIGIAN (American/Armenian, 1876-1950) Aeronautics Pediments Two Plaster Casts, c. 1930s each 13.25 x 14.75 x 6 inches It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco. Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967 Loan to Oakland Museum of California (Oakland, CA) BIO Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America. Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up. Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno. At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator. In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors. In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture. In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head". The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor. The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'. In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley. George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...

Knight Emerged 641 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Beautifull Mexican Modernist Madonna and Child ; Maternity Midcentury wood sculpture. Probably caribbean rosewood characteristic of the ext...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano edizione ex (LIMITED EDITIONS OF 50) Misure: alto...

Roby Dwi Antono Kira (Black), 2021 Bronze sculpture with black patina finish and crystal resin tears 12 1/5 × 10 1/5 × 9 1/10 in 31 × 26 × 23 cm Edition of 75

Keith Haring Bearbrick 400% (set of 2 works): Unique, timeless collectibles trademarked & licensed by the Estate of Keith Haring. This Bearbrick set reveals Keith Haring's iconic art...

KAWS SEPARATED COMPANION: New & unopened in its original packaging: This highly collectible black KAWS SEPARATED figure is derived from the Br...

DANIEL ARSHAM Hourglass (Blue), 2019 Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

Inderjeet Sahdev (Canadian, b.1938) #9, 1974. Wood and polymer paint. Signed, dated, titled and numbered on base. Minor paint loss in various areas as depicted in detail photos. Al...

Knight Emerged 583 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Heroic Vision 561 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kni...

Carved stone sculpture with incredible detail. Father and Son was created by an unknown artist in the Late 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the stone. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

Village Knight 674 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

This is a hand-carved wood polychromed sculpture of the Infant Jesus. A baroque figure probably from the 18th century, this religious figure was obtained in Mexico. It appears to hav...

Steve Sangapore’s “I'm Neither Good Nor Evil, Or I'm Both” is a 44 x 13.5 x 1.75 inch mixed media wall-hung sculpture from his Modern Icon series. The black and white mixed media sculpture is a double cross shape combined with the eastern Taoist symbol (yin yang). The sculpture is signed on the back. Steve Sangapore is a contemporary oil painter and mixed media sculptor. Using vastly different stylistic approaches of composition, medium and structure throughout various series, his work can be described at once as aesthetically traditional and conceptually contemporary. His work is intellectually exploratory with a gravitation toward religion, science and the human condition. Steve Sangapore’s work has been exhibited in galleries and leading art fairs nationally and has been included in a variety of publications including Art Business News and The Boston Globe. Sangapore is represented by Fountain Street...

Knight of Healing 614 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's...

A limited edition, black powder coated mild steel sculpture on a white steel base. The sculpture is typical to Uwe Pfaff's tongue in cheek approach, depictin...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

Slow Curve 352 is from Linda Stein’s Knights of Protection series, which are shield-like forms made of mixed media that hang on the wall. They function simultaneously as defenders in...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Gypsum cast-medieval tile, inspired from Central Europe. Adjusted in a frame, ready to hang or install.