1980s Drawings and Watercolor Paintings

Michael Heizer III-8 (two unique works), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Crouching nude man with a mustache...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Sklye by Sam Francis (1923-1994) Acrylic on paper 14.6 x 10.2 cm (5 ³/₄ x 4 inches) Signed, Sam Francis an...

Farmhands by Yvon Pissarro (b. 1937) Pencil on paper 56 x 76 cm (22 x 30 inches) Signed below left end of stick, Yvon Vey Executed 1982 Provenance Studio of the Artist, Montpellier ...

"The Relic" is an original gouache and ink painting by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Old machinery in washes of red/maroon, b...

Basket Case, 1986 Ballpoint pen on paper 11 x 8-1/2 in. (27.9 x 21.6 cm) Signed and dated, lower margin At the heart of Bousfield's work lies a lyrical celebration of color and tact...

Maker’s Prayer, 1986 Ballpoint pen on paper 11 x 8-1/2 in. (27.9 x 21.6 cm) Signed, titled, and dated, lower margin At the heart of Bousfield's work lies a lyrical celebration of co...

Crystal Ball, 1989 Graphite on paper 11 x 8-1/2 in. (27.9 x 21.6 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactil...

Whirlwind, 1989 Graphite on paper 11 x 8-1/2 in. (27.9 x 21.6 cm) Signed and titled, lower margin At the heart of Bousfield's work lies a lyrical celebration of color and tactile se...

"Two Villages" is a black and white landscape ink drawing by Joan Carl Strauss that unfolds a narrative of hidden rivalry within a picturesque valley. In the heart of a flat-floore...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

Ink drawing Title "Pink Bug" made by Robert Clarence, framed signed and numbered.

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Nude woman laying sideways with washes of tea...

Oil stick on paper titled "Barn Side with Sliding Doors" by George Vander Sluis (1915-1984) of a grey wooden barn with two windows as well as two r...

Hannelore Baron Untitled (C82-142), 1982 Signed and dated on the reverse Mixed media collage Sheet 12 1/4 x 10 1/2 inches Provenance: Manny Silverman ...

Original ink, gouache and oil pastel figure painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude woman standing in washes of neon pink,...

Farmhands by Yvon Pissarro (b. 1937) Conté chalk on paper 76 x 56.5 cm (30 x 22 ½ inches) Signed lower middle Yvon Vey Executed in 1983 Provenance Studio of the artist, Montpellier ...

Original watercolor on archival paper of a sailboat with a trailing dory heading out to sea. Attributed to the hand of Alexander Yaron. Signed lower right and dated 1980. Condition is excellent. Under glass. The artwork is matted and housed in a rounded front edge solid oak wood frame. Overall framed measurements are 27 by 34 inches. Provenance: A Sarasota, Florida gentleman. Alexander A. Yaron was born in Estonia in 1910, lived in China and the Philippines before moving to the United States in the 1950’s. He lived in New York as well as in Anaheim, California where he has a working studio. An autodidact and a versatile commercial artist, Alexander Yaron applied his talent in portraiture, photography, interior design, advertising, layout and illustration. His best known projects were illustrated art...

Bette Midler Legendary Film and Recording Star. Gay Icon. 20th Century Litho Al Hirschfeld (1903 - 2003) Bette Midler 15 x 11 inches (sight) Etching 22 x 18 inches Framed Signed an...

Original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude woman reclining in a turban in washes o...

Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith...

James O. Clark, American sculptor, art educator. Recipient Sculpture award, Creative Artists Public Service, 1978, award for sculpture, National Endowment for Arts, 1982, Graphics award, 1983; fellow, John Simon Guggenheim Memorial Foundation, 1989; grantee, Pollock-Krasner Foundation, 1995, New York Counsel on Arts. Member selection committee Islip (New York ) Museum, 2002; Member of American Abstract Artist (associate; active 1999—2003). ONE PERSON EXHIBITIONS 2015 ltd los angeles, Los Angeles, CA 2011 RHV Fine Art, Brooklyn, NY 2010 Mariboe Gallery, Hightstown, NJ 2009 Lesley Heller Gallery, New York, NY 2006 Elizabeth Harris Gallery, New York, NY 1998-9 “Tulips, Hysteria, Coordinating”, Nicholas Davies, New York, NY 1997 “James O. Clark”, Ohio University, Athens, OH 1994 The College of Saint Rose Art Gallery, Albany, NY 1991 Max Protetch Gallery, New York, NY 1990 James...

Untitled is a contemporary arteork realized by Julio Galan in 1988. Mixed colored pastel on paper. Hand signed and dated on the higher margin. Provenanc...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the artist you ...

Original conte crayon drawing of a reclining female nude on tinted archival paper by the American artist, Renate Duncan. Signed lower left. Artist full name and address verso. Circa ...

Enter the whimsical world of famed children's book illustrators husband and wife team Alice and Martin Provensen. On top of a heavy tree trunk sits a...

Ink drawing signed Guillot. Surrealist school. Dated on the back August 1980. Small dirt on the bottom right. 29.5 x 21 cm

Gerard CHARRIERE (1935) Suite of five sketches. Ink and watercolor on paper. A single signed sketch. Folds, stains, small tears depending on the sheets. ...

"Nude with green accents" is an original gouache and ink drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Nude woman turning her back...

Jay Rosenblum Polarity #9, 1981 Acrylic on Paper painting 6 × 9 1/2 inches Pencil signed and titled on the front Unique work Unframed ]This gem of a work is an acrylic painting on p...

Original oil pastel twilight scene on Canson Mi-Teintes pastel paper of a tree lined country lane. Beautiful use of light and shadows. American School, post impressionist style. Init...

Wonderful figurative watercolor on Strathmore tinted paper by the well known Florida artist, Gerald “Jerry” Franklin McClish. Signed lower right. Condition is excellent. The artwor...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Chaotic, rock n roll sketch of nude woman rec...

8.5" x 15" Unframed Original - Watercolour Hand Signed by Joe Lasker 1986 Original illustration, pencil and watercolour, for the book he wrote and illustrated which was published by...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Enigmatic doubl...

William Anthony, (1934 - 2022) Gilles, 1982 Matted 17 X 15 (not framed,) sheet is 9.5 X 12.5, drawing is a bit smaller. American painter, illustrator and draftsman William Anthony ...

This refined ink on paper work was realized by the renowned American artist Alexander Markovich circa 1985, which the scholar Svetlana Rakic called "The most dispersed and energy-cha...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude ...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

"Shower" is an original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald S...

Original conte crayon drawing of a sitting female nude on tinted archival paper by the American artist, Renate Duncan. Signed lower left. Circa 1980. Condition is excellent. The art...

Signed "Blay". Frame size 50x56 cm.

Harold Town (1924-1990) remains one of the best-known and most intriguing artists from the "Painters Eleven" group. Town's reputation was established in the late 1950s with a serie...

Wolf Kahn Brattleboro Seen as a "Flugstadt" (European river town), 1980 Pastel on paper painting. Framed with handwritten label by the artist and Grace Borgenicht label Hand-signed by artist, hand signed front; bears the artist's handwritten label as well as label from Grace Borgenicht verso and a sticker from original collector Frame included: original vintage frame This work was acquired from the Brattleboro Museum in Vermont, which sold it to raise funds for their ongoing programming. As its title notes, it depicts the "Brattleboro Seen as a Flugstadt (European River Town)" - which has important autobiographical images. Wolf Kahn was born in Germany but he and his wife spent summers in Brattleboro Vermont...

RGRFineArts is pleased to offer this beautiful watercolor by renowned North Carolina artist William Mangum of skiers on a ski run, likely in Mangum's ho...

WOLF KAHN Untitled barn in wooded landscape ca. 1980 Pastel on Paper painting Hand signed on the front Provenance: from the legendary Allan Stone Collection Frame included: held in t...

Pastoral pencil on paper sketch by a celebrated Filipino artist, Jose V. Blanco. The drawing depicts Filipino women and children sorting out mangoes...

Stromboli is an artwork realized by Pedro Cano, 1980s.  Pastel and watercolor on paper.  h 72 x 92.5 cm with frame ; Sheet 49 x 70 cm. Hand signed and ti...

Mother and Child is a drawing artwork realized by an Anonymous in the late 18th century Two ink drawig with figures nn paper. with ntes. The state of preservation is good with slig...

Strange Patient is a drawing realized by Shokirov in the 1980s. Waterclor and ink drawing on paper. Hand-signed on the lower right. The state of preservation is good. Th artwork...

Rafael Duran Benet (1931-2015) - Cadaques - Watercolor Watercolor measurements 31x47 cm. Frame measurements 47x63 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Cata...

Plum Branches and Flowers watercolor on wove paper, 1985 Signed and dated in pencil lower right corner From the artist's 1985 sketchbook Inspired by O'Sickey's love of Japanese and Chinese art and calligraphy. Provenance: Estate of the artist Condition: Excellent Image/Sheet size: 13 5/8 x 17 inches Joseph B. O’Sickey, Painter 1974 CLEVELAND ARTS PRIZE FOR VISUAL ARTS The title conferred on him by Plain Dealer art critic Steve Litt in a 1994 article, “the dean of painting in northeast Ohio,” must have pleased Joseph O'Sickey. It was more than 30 years since he had burst onto the local (and national) art scene. O’Sickey was already in his 40s in that spring of 1962 when he had his first one-man show at the Akron Art Museum and was signed by New York’s prestigious Seligmann Galleries, founded in 1888. In the decade and a half that followed, he would have seven one-man shows at Seligmann, which had showed the work of such trailblazing figures as Seurat, Vuilliard, Bonnard, Leger and Picasso, and appear in all of the group shows. O’Sickey took the Best Painting award in the 1962 May Show at the Cleveland Museum of Art (CMA). He and would capture the same honor in back-to-back May Shows in 1964 and ’65, and again in 1967. The remarkable thing, noted the Plain Dealer’s Helen Borsick, was that he accomplished this sweep in a variety of painterly styles, even using that most hackneyed of subjects, flowers. “The subject doesn’t matter,” he told her, “what the artist brings to it is the important thing.” O’Sickey’s garden and landscape paintings were big and bold, eschewing delicate detail in favor of vitality and impact. The great art collector and CMA benefactor Katherine C. White, standing before one of O’Sickey’s vivid garden paintings, compared the sensation to “being pelted with flowers.” Though he might represent an entire blossom with one or two smudged brush strokes or a stem with a simple sweep of green, O’Sickey rejected the moniker of Impressionist—or Pointillist or Abstract painter or Expressionist. “My work,” he said, “is a direct response to the subject. I believe in fervor and poetic metaphor. I try to make each color and shape visible and identifiable within the context of surrounding colors and shapes. A yellow must hold its unique quality from any another yellow or surrounding color, and yet read as a lemon or an object, by inference. It does not require shading or modeling—the poetic evocation is part of the whole.” “The subject,” O’Sickey used to tell his students at Kent State University, where he taught painting from 1964 to 1989, “has to be seen as a whole and the painting has to be structured to be seen as a whole.” He liked to think of it as “a process of controlled rapture.” When, in the 1960s, fond childhood memories drew him to the zoo, he found himself responding to the caged animals in their lonely dignity (or indignity) with sharp-edged, almost silhouette-like forms that evoked Matisse’s paintings and cut-paper assemblages. One observer was left with the impression that the artist had “looked at these animals, past daylight and into dusk when they lose their details in shadow and become pure shapes, with eyes that are seeing the viewer rather than the other way around. This is a world of shape and essence,” wrote Helen Borsick. “All is simplification.” O’Sickey attributed his ability to capture his subjects with just a few strokes—in an almost iconographic way—to a rigorous exercise he had imposed upon himself over a period of several months. Limiting his tools to a large No. 6 bristle brush and black ink, he set himself the task of drawing his pet parakeet and the other small objects in its cage (cuttlebone, feeding dish, tinkling bell) hundreds of times. The exercise gave him “invaluable insights into painting. . . . Because of the crudity of the medium, every part of these drawings had to be an invention and every mark had to have its room and clarity.” Then he began adding one color at a time—“still with the same brush and striving for the same clarity”—and headed off to the zoo where “the world opened up to me. I learned how little it took to express the subject.” Born in Detroit at the close of the First World War, O’Sickey grew up in St. Stanislaus parish near East 65th and Fleet on Cleveland’s southeast side. (The apostrophe was inserted into the family’s proud Polish name by a clerk at Ellis Island.) An early interest in drawing and painting may have been kindled by the presence on the walls of Charles Dickens Elementary School, one of only three grade schools in the district with a special focus on the arts, of masterful watercolors by such Cleveland masters as Paul Travis, Frank N. Wilcox and Bill Coombes. As a youngster O’Sickey took drawing classes at the Cleveland Museum of Art, and he and his brother spent hours copying famous paintings; while a student at East Tech High School in the mid-’30s, he attended free evening classes in life drawing with Travis and Ralph Stoll at the John Huntington Art and Polytechnic Institute, and Saturday classes at the Cleveland School (later the Cleveland Institute) of Art, where he earned his degree in 1940 under the tutelage of Travis, Stoll and such other legendary figures as Henry Keller, Carl Gaertner, William Eastman, Kenneth Bates...

Mountain and Sky, Deer Island, Maine Watercolor on paper, 1985 Signed in ink lower right corner From the artist's 1985 sketchbook Done while at their summer home in Deer Island, Main...

Untitled (Hot Air Balloon Ascent and Spectators) Sepia wash on wove paper, 1985 Signed and dated in ink lower right corner From the artist's 1985 sketchbook Probably a view of Cape C...

Untitled, 1982 is a sumi ink on paper, 38.25 x 50" image size, signed and dated verso 'SEPT.21 - 82 + K. Haring' and framed in a custom, gold-leaf frame. Haring’s image of a man-eating monster is partly influenced by the artist Hieronymus Bosch as Haring often cited Bosch’s The Garden of Earthly...

Tres chic, original fashion watercolour illustration for Pierre Balmain Couture together w/ a fabric swatch attached Image Sz: 12 1/8"H x 8 1/4...

Chic, original watercolour c1980s illustration by Givenchy Paris together w/ a couture fabric swatch attached Plate Sz: 11 3/8"H x 8"W Frame Sz: 16"H x 12 5/8" w/ lavender mat & y...