Skip to main content

Ceramic Mixed Media

1
to
33
328
78
41
2
70
58
35
257
62
46
22
45
Overall Height
to
Overall Width
to
239
60
20
18
13
9
3
1
1
5
5
3
2
2
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
64
366
1
1
1
2
9
11
3
6
16
23
18
17
17
16
91,605
12,251
11,078
7,245
7,189
Medium: Ceramic
Broken Bunch
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Glass, Resin, Found Objects, Latex

Cracked Cocktail
Located in Nashville, TN
This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Glass, Resin, Found Objects, Latex

Cascade (Fine bone china plate, new in bespoke box, Limited Edition of 175)
Located in New York, NY
Loie Hollowell Cascade, for Coalition for the Homeless, 2020 Fine bone china in red gift box 10 3/4 in diameter Edition of 175 Signed in plate, Artists ...
Category

2010s Abstract Ceramic Mixed Media

Materials

Porcelain, Screen, Mixed Media, Board

Flores 3- 3D nature inspired floral composition feather, clay in plexiglass box
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Clay, Linen, Mixed Media, Acrylic

SAKE Bottle
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Metal

Petits visages no.57, Picasso, 1960's, Postwar, Naif, Faces, Plate, Design
Located in Geneva, CH
Petits visages no.57, Picasso, 1960's, Postwar, Naif, Faces, Plate, Design Petits visages no.57 Ed. 50/150 pcs 1963 White earthenware clay, decoration in engobes and enamel under partial brushed glaze D. 27 cm Numbered and inscribed on the back: No.57, Edition Picasso, 50/150, Madoura Picasso : Catalogue of the edited ceramic works 1947-1971, by Alain Ramié, Editions Madoura, 1988, illustrated under no.468, p.244. Literature : Céramique de Picasso...
Category

1960s Post-War Ceramic Mixed Media

Materials

Ceramic, Earthenware

Backloaded Horn Speaker No.003
Located in Dallas, TX
A working ceramic speaker (bluetooth/cord) by Japanese artist Hiroyuki Yamada. Hiroyuki Yamada (b 1970, Hyogo Pref., Japan). Yamada has been actively exhibiting his works since the ...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay

Guardian
Located in Denver, CO
Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Metal

Juggling
Located in New Orleans, LA
"Juggling" is a mixed media sculpture by Eva Maier. The piece is 10 inches tall, 8 inches wide, and 2 inches in depth. It is made from porcelain, cotton thread (dyed with turmeric), ...
Category

2010s Ceramic Mixed Media

Materials

Wire

Visage no.202, Picasso, 1960's, Portrait, Plate, Design, Edition, Ceramic, Naif
Located in Geneva, CH
Visage no.202, Picasso, 1960's, Portrait, Plate, Design, Edition, Ceramic, Naif Visage no.202 Ed. 111/500 1963 White earthenware clay, decoration in engobes and enamel under glaze D...
Category

1960s Post-War Ceramic Mixed Media

Materials

Ceramic, Earthenware

Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design
Located in Geneva, CH
Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design Pichet Têtes Ed. 500 pcs 1956 White earthenware, decoration with oxidized par...
Category

1950s Post-War Ceramic Mixed Media

Materials

Ceramic, Earthenware

SAKE Cup
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Metal

Red Grooms Moonstruck Porcelain Sculpture Plate 3D Manhattan NYC Cartoon
Located in Surfside, FL
Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...
Category

1990s Pop Art Ceramic Mixed Media

Materials

Porcelain, Screen

"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin

Tête de chèvre de profil, Picasso, 1950's, Plate, Goat, Animal, Design, Ceramic
Located in Geneva, CH
Tête de chèvre de profil, Picasso, 1950's, Plate, Goat, Animal, Design, Ceramic Tête de chèvre de profil Ed. 50 pcs 1950 White earthenware clay, decoration in oxidized paraffin and ...
Category

1950s Post-War Ceramic Mixed Media

Materials

Ceramic, Earthenware

"Victorian Soiree, " Mixed Media Tile, 2007
Located in Chicago, IL
Liverpool-based artist Pauline Hughes takes a fluid approach to her ceramic practice, combining aspects of painting, collage, and printmaking into her w...
Category

21st Century and Contemporary Surrealist Ceramic Mixed Media

Materials

Ceramic, Paper, Acrylic

SAKE Bottle
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Metal

Tea Bowl
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Metal

Untitled
Located in New York, NY
This Lichtenstein plate, commissioned by Rosenthal/Germany, is hand-colored porcelain, stamp signed and inscribed  “Kunstlerplatzteller" / "Rosentha...
Category

Late 20th Century Contemporary Ceramic Mixed Media

Materials

Porcelain

Tea Bowl
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Metal

Corrida sur fond noir, Picasso, Multiple, 1950's, Animal, Toros, Spanish, Plate
Located in Geneva, CH
Corrida sur fond noir, Picasso, Multiple, 1950's, Animal, Toros, Spanish, Plate Corrida sur fond noir Ed. 500 pcs 25.09.1953 White earthenware c...
Category

1950s Post-War Ceramic Mixed Media

Materials

Ceramic, Earthenware

Verführung
Located in München, BY
"Verführung" (2022) is part of the exhibition "Connect and Disconnect", running from 20 May - 15 July 2022 at HELDENREIZER Contemporary. Visit the exhibition page on our website to ...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Ceramic

"Ocean Canyon", ceramic sculpture, porcelain shards, saggar, blue, rust Kintsugi
Located in Toronto, Ontario
"Ocean Canyon" is a saggar-fired porcelain sculpture by Alison Brannen. It measures 13" high by 9" wide by 9" deep, however the sculpture can be arrange...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Porcelain

"After the Rain" hand painted tea set with birds, swallows, ravens, cardinals,
Located in New York, NY
Sascha Mallon’s stoneware tea set, “After the Rain” features a hand-painted underglaze of soaring ravens and swallows on the central teapot. Each of the accompanying teacups (nestled on cashmere crocheted doilies) depict a different bird: a hummingbird, a raven, a blue tit and a cardinal. Sascha Mallon’s sculptural set relates to her narrative storytelling style and creates a conversation amongst the birds. The total set includes 5 hand-sculpted pieces: the central teapot and four teacups with saucers and crocheted doilies. Sascha Mallon, "After the Rain Tea Set", stoneware, cashmere yarn doilies , underglazes, clear glaze ravens and swallows teapot: 10.5”x 7.5" x 4” humming bird cup: 2.5” x 41/4" x 41/4” raven cup: 2.5” x 4” x 4” blue tit cup: 3 1/4" x 4" x 4” cardinal cup: 2.5” x 4" x 4" Sascha Mallon has exhibited her work in Austria, the USA, Taiwan, and Germany. In 2021 she has 4 solo shows: At the Woodstock Artist Association and Museum, at Front Room Gallery...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Ceramic, Porcelain, Yarn

"TAO-51" Abstract Textured Clay Composition
Located in Soquel, CA
Textured and expressive composition by an unknown artist (20th Century). Constructed of a sheet of clay laid on wood, the piece is divided into nine sections. Each section is treated with a different texture, color, or set of inscriptions. The middle section contains writing, and the upper right section has a bold red plus symbol. Possible signature in the lower right corner. Unframed, but mounted on a raised wood panel...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Clay, Wood, Acrylic

Wall Plate with Snails "Traversing Painted Flowers" by Bethany Krull
Located in Buffalo, NY
This piece was created with a real found snail shell and durable epoxy clay by New York artist, Bethany Krull to traverse the surface of the floral plate. The glistening wet snail f...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Clay, Porcelain, Epoxy Resin

Visage dans un ovale, Multiple, Picasso, 1950's, Portrait, Abstract, Design
Located in Geneva, CH
Visage dans un ovale, Multiple, Picasso, 1950's, Portrait, Abstract, Design Visage dans un ovale Ed. 100 pcs 08.04.1955 White earthenware clay, engobe ground engraved by knife under...
Category

1950s Post-War Ceramic Mixed Media

Materials

Ceramic, Earthenware

Here's to the Night Owls
Located in New Orleans, LA
"Here's to the Night Owls" is a sculpture by Marcy Lally. The piece is 9.25 inches high, 6.50 inches wide, and 3.25 inches in depth. It is made from ceramic pieces and a horseshoe mo...
Category

2010s Ceramic Mixed Media

Materials

Metal

"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Pigment, Other Medium

Awakening
Located in Denver, CO
Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Thread, Wood, Mixed Media, Clay, Sequins

Vintage Midcentury Demitasse Coffee Set Hans Achtziger for Hutschenreuther Selb
Located in East Quogue, NY
Pristine decorative white porcelain 'Apart' coffee demitasse set from Hutschenreuther Selb, with 6 cups, 6 saucers, coffee pot, creamer/milk jug, sugar bowl (15 piece set). Germain porcelain maker Hutschenreuther (est.1814) commissioned sculptor Hans Achtziger...
Category

1950s Modern Ceramic Mixed Media

Materials

Porcelain

"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Pigment, Other Medium

"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Pigment, Other Medium

"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Pigment, Other Medium

"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Pigment, Other Medium

"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Pigment, Other Medium

Flores 1 - 3D nature inspired floral composition feather, clay in plexiglass box
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Clay, Linen, Acrylic, Mixed Media

Porcelain Monkey, Topiary Tree "Surrogate/Monkey Topiary" by Bethany Krull
Located in Buffalo, NY
This piece by New York artist, Bethany Krull depicts a white porcelain monkey clinging to a white porcelain potted topiary tree with a bulbous top made of...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Porcelain, Handmade Paper

V4 – Crown the Clown Collection, 2021, Stoneware Clay with Glazes
Located in London, GB
FREYA BRAMBLE-CARTER V4 – Crown the Clown Collection, 2021 Thrown and assembled in Stoneware Clay, with a combination of Glazes, Underglazes, Enamels and...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Enamel, Gold

"Yellow", contemporary, mixed media, vest, ceramic, red, bright, sculpture
Located in Natick, MA
Virginia Mahoney’s “Yellow” is a mixed-media sculpture in vest form that is yellow with red accents, and has attached ceramic tags on which words referring to fear are handwritten. B...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Copper, Brass

"Mug Composition Number 48", Contemporary, Mixed Media, Ceramic, Sculpture, Cup
Located in St. Louis, MO
Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Ceramic, Mirror, Resin, Plexiglass, Glaze, Mixed Media, Other Medium

Paper Mache and Porcelain "Elephant Topiary" by Bethany Krull
Located in Buffalo, NY
This beautiful soft green paper mache and porcelain elephant topiary sculpture was created by New York artist, Bethany Krull. The pot portion of the...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Porcelain, Handmade Paper

V1 – Crown the Clown Collection, 2021, Stoneware Clay with Glazes
Located in London, GB
FREYA BRAMBLE-CARTER V1 – Crown the Clown Collection , 2021 Thrown and assembled in Stoneware Clay, with a combination of Glazes, Underglazes, Enamels an...
Category

2010s Modern Ceramic Mixed Media

Materials

Gold, Enamel

Daydreams
Located in Southampton, NY
Part of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “Daydreams” is a luminous meditation on the sun's rays. In this painting, Lin...
Category

2010s Abstract Expressionist Ceramic Mixed Media

Materials

Ceramic, Glaze, Oil

Profil de Jacqueline, Pablo Picasso, Edition, 1950's, Monochrome, Design, Plate
Located in Geneva, CH
Profil de Jacqueline, Pablo Picasso, Edition, 1950's, Monochrome, Design, Plat Profil de Jacqueline Ed. 100 pcs 22.01.1956 White earthenware clay D. 42 cm Stamped on the back: Empre...
Category

1950s Post-War Ceramic Mixed Media

Materials

Earthenware

Riding the Big Gun
Located in Nashville, TN
"Riding the Big Gun" is a mixed media and plywood sculpture from Denise Stewart-Sanabria's award-winning series of free-standing representational figures. The scene depicted took place when a slightly drunk actor wandered into an opening reception Sanabria had at a friend's showroom in Knoxville. Her friend, a concrete and steel fabricator, had made a fake Gatling gun...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Ceramic, Plywood, Charcoal, Pastel, Pencil

Chope Visage, Picasso, Pitcher, Edition, 1950's, Design, earthenware, Figurative
Located in Geneva, CH
Chope Visage, Picasso, Pitcher, Edition, 1950's, Design, earthenware, Figurative Chope Visage Ed. 300 pcs 1959 Earthenware clay, decoration in engobes, g...
Category

1950s Post-War Ceramic Mixed Media

Materials

Ceramic, Earthenware

Suspended
Located in Southampton, NY
Part of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “Suspended” uses deep blues, purples, and reds, to explore Lin’s melancholy e...
Category

2010s Abstract Expressionist Ceramic Mixed Media

Materials

Ceramic, Glaze, Oil

Colorful Geometric Abstract Modern Glazed Ceramic 6 Tile Painting
By Harris Strong
Located in Houston, TX
Harris Strong colorful abstract tile piece that incorporates different shapes and colors on a black background. The piece is signed by the artist on the bottom right corner. Dimensions Without Frame: H 18 in. x W 11.5 in. Artist Biography: Harris Strong was born in Waukesha, Wisconsin, in 1920. His aunt owned a greeting card company, and that influenced him to become an artist. He also had a strong scientific bent, so he was meticulous about the engineering of his tiles, which featured many innovations, when competitors were creating pie plates, in his dismissive works. During World War II, Strong was a cryptographer, working directly under General Douglas MacArthur. Afterward, he studied ceramics and the chemistry of ceramic glazes at North Carolina State University. Then he worked in Brooklyn, New York, at Kelby Pottery. Later, his own business took off. Strong had showrooms in Chicago, New York and Tokyo. He created a 30' long free-standing ceramic tile mural...
Category

20th Century Abstract Ceramic Mixed Media

Materials

Ceramic

A World Without Limits
Located in Southampton, NY
Part of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “A World Without Limits” contrasts blues and blacks to point to a deep and di...
Category

2010s Abstract Expressionist Ceramic Mixed Media

Materials

Ceramic, Glaze, Oil

White Porcelain Pig Jumping a Hurdle "Underdog" by Bethany Krull
Located in Buffalo, NY
This sculpture depicts a white porcelain pig embodying sheer determination. Hand sculpted in a super-white porcelain by New York artist Bethany Krull th...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Porcelain, Fabric, Wood, Acrylic

Porcelain and Wood Cat Skeleton Marrionette "Resurrection of Fluffy"
Located in Buffalo, NY
This sculptural marionette cat skeleton hangs from an included wall mount which allows the intricate piece to cast beautiful shadows on the wall. The skull is hand sculpted with-out ...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Stainless Steel

Wreath of Life, deep midnight Blue with gold leaf tree
Located in Brookville, NY
Frank Olt finds most of his creative images in the landscape. The suggestion of a late night sky with a silhouette on the Arboretum like property that he lives on. The vivid deep blues surround the golden tree with sprays of moonlight coming from the edges. A ceramic and encaustic on panel, mounted for hanging installation.
Category

2010s American Modern Ceramic Mixed Media

Materials

Ceramic

Tender Yet Fierce
Located in Denver, CO
Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Wood, Mixed Media, Clay, Cotton, Thread, Foam

Snails On a Weathered Board “Traversing Weathered Wood” by Bethany Krull
Located in Buffalo, NY
This wall piece was created by New York artist, Bethany Krull using found drift would and found snail shells. The glistening snail forms are hand sculpted directly onto the wood usi...
Category

2010s Contemporary Ceramic Mixed Media

Materials

Clay, Epoxy Resin, Driftwood, Paint, Mixed Media

"Spotted Blue Moon Jar", ceramic sculpture, porcelain vase, saggar fire, cobalt
Located in Toronto, Ontario
"Spotted Blue Moon Jar" is a saggar-fired porcelain vessel by Alison Brannen. It measures 18" high by 15" wide. Inspired by her journeys sailing the Atl...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Gold

"Midnight Over Mountains", ceramic sculpture, porcelain shards, blue, copper
Located in Toronto, Ontario
"Midnight Over Mountains" is a saggar-fired porcelain wall sculpture by Alison Brannen. It measures 15" high by 15" wide by 7" deep, however the sculptu...
Category

21st Century and Contemporary Contemporary Ceramic Mixed Media

Materials

Ceramic, Clay, Porcelain

No Sweeter Song , Recycled Ceramic Mosaic by English Artist Susan Elliott
Located in Battle, East Sussex
Recycled Ceramic Wall mounted mosaic of Amy Winehouse By Susan Elliott Taking inspiration from the cupboards of the nation. Since moving to St Leonards from London, in 1999 Susan...
Category

21st Century and Contemporary Pop Art Ceramic Mixed Media

Materials

Ceramic, Mosaic

Ceramic mixed media for sale on 1stDibs.

Find a wide variety of authentic Ceramic mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Elizabeth Jordan, Rachel Denny, Harold Wortsman, and Bethany Krull. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ceramic mixed media, so small editions measuring 0.1 inches across are also available

Recently Viewed

View All