PVC Paintings

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From Sea to Shining Sea" Peña takes a traditional approach to representing a house with modern architecture in what is seemingly the suburbs and contrasts the image with a more abstracted and chaotic foreground consisting of Sintra or PVC. The image is framed with a 1 inch white border. Nick Peña...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of ...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From the Bottom Up", Peña takes a more traditional approach to representing a landscape with bold and vivid colors and contrasts the image with a more abstracted and chaotic foreground consisting of arrows and cut Sintra board to act simultaneously as an obstruction and window into the image. The work is framed with a 1 inch white border. Nick...

"Speed in Paris" / Acrylic, oil on PVC / 100 x 70 cm is a work full of energy and power that will enliven any room. Framed in a black wooden frame. Ready to hang. A certificate is at...

Represented by George Billis Gallery. This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I drin...

Represented by George Billis Gallery -- This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I dri...

Represented by George Billis Gallery. This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I drin...

Kerry Smith Talking Heads - 77 Mixed Media on PVC Year: 2022 Size: 25x23.5in Signed, dated by hand COA provided Ref.: 924802-1626 ------------------------------------- "Off The Rec...

Kerry Smith The Rolling Stones - Some Girls Mixed Media on PVC Year: 2022 Size: 38x37in Signed, dated by hand COA provided Ref.: 924802-1613 ------------------------------------- "...

Kerry Smith Germs - GI Mixed Media on PVC Year: 2022 Size: 25x23in Signed, dated by hand COA provided Ref.: 924802-1614 ------------------------------------- "Off The Record" is a ...

Steve Sangapore’s “Contenta Absentis” is a 24 x 18 x 1 inch oil and 24k gold leaf painting mounted on a reflective mirror. The painting is housed in an ornate gold wood frame measuri...

Medium Size artwork with Oil paint on PVC panel. Contact gallery for framing options. BIO Johnny Taylor currently creates from his studio in the south Bronx, New York, where the action, intensity and energy of this historic epicenter propels his work, a return to his abstract roots. Embracing change as the only constant, Taylor has carved out a nomadic creative path. The unpredictable and distinct energies of his different working environments have been absorbed into his process – from the grit of Vancouver’s downtown eastside, the neon glow of the streets of Kanda, to the spell of nature in a cabin studio above the Fraser Canyon...

Carlos Medina Fragmento Angular II, 2013 PVC, alumiminum rod, copper iron on mdf and vinyl acrylic paint 24.8 x 25 x 3.1 in. 63 x 63.5 x 8 cm CARLOS ME...

Carlos Medina Estudio para cuatro cuadrados, 2013 PVC, brass rod, copper iron on mdf and vinyl acrylic paint 23.7 x 23.6 x 4.3 in. 63 x 63.5 x 11 cm CA...

Carlos Medina Superficie blanca J, 2013 AP (Edition of 6 + AP) PVC, staimless steel rod on mdf and vinyl acrylic paint 23.6 x 23.6 x 2.6 in. 60 x 60 x...

Beauty Spring Woman - Acrylic and 3D Painting on Canvas + Artificial Boxwood Hedge Baby Green Leaves Foliage Biophilic design 24 x 24" Figurat...

This blue, red, and white artwork titled "Bob's Termite Service" is an original hand-painted oil based enamel on sign board artwork by Marissa Cianciulli measuring 20"h x 16.75"w. M...

In "Holes and Slices", Peña creates a silhouette of house and fills it with bubbly curved shapes and contrasts them with sharpe-edged shapes that contain gradients and muted tones of aqueous colors such as teal and light blue. He balances these colors with muted tones of pink and violet. The viewer can create a house that is yet to be built in between the gaps here. In "Holes and Slices", Peña remarks on a house and landscape that has yet to be built. The aquatic nature seems to hint at the possibility of a house and landscape under water. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small bubble-like cut outs where the viewer can see through to the pattern created with watercolor and acrylic paint. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I drink coffee. I drink a lot of coffee. It’s...

Bernd Haussmann’s artwork explores gesture, color, and texture in paintings on metal, acrylic, glass, wood, canvas and paper, mimicking the effects of time, temperature and the envir...

Haussmann embraces the dialogue with his audience and the inclusion of the environment into his work. He engages in interactive projects and collaborations such as "Video Sonic Proje...

BERND HAUSSMANN 2349 Darwins Coral Bernd Haussmann’s artwork explores gesture, color, and texture in paintings on metal, acrylic, glass, wood, canvas and paper, mimicking the effects...