PVC Landscape Paintings

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

"Nocturnal Flower Fields" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful abstract architectural painting of unique blurry shapes brushstrokes in pastel Ar...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean line...

Dear art lover, I enjoy working on semi-abstract artworks with an impressionist touch. This is the one of the artworks which was inspired by the seasides of the south of France and in particularly, by "Canet plage " which is located in a beautiful" Canet en Roussillon " region. Please read the details below 👇: Title: "Quietude" Description : a green-blue Mediterranean seaside landscape Style: impressionism, semi-abstract Medium: oil painting on a heavyweight professional paper Fabriano ( 300 gr) I hope this artwork will fill up your space with the vibes of South Of France (Provence). It is sold without frame. The choice to sell my art unframed is to give my customer an opportunity to pick a frame to his/her taste, space and interior. This is a unique, one of a kind original oil painting. It is signed on the front and comes with a Certificate of Authenticity. The painting will be carefully packed in cardboard box with layers of bubble wrap and sent out to you as soon as possible. Please, give me a couple of days to organize a shipping from France...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean lines, the painting features intersecting shapes and patterns that evoke the cheerful, summery vibe of a day spent lounging in the shade of a colorful umbrella. Details: Title: Oasis in The Desert...

"Deep in the Forest" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes t...

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Blue Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollonian pictori...

In my art practice I love to use bright colors which boldly contrast with complementary colors so I could get unusual original compositions and structures. The objective of this ar...

This superb vibrant British Abstract painting is by noted artist John Piper. It was painted 27th October 1965 at Mendham and is a watercolour and gouache composition. The stunning palette and brushwork make this a really colourful and engaging painting. It is in excellent condition as it is behind glass. A lovely example of Piper's work with echoes from the sixties. Signed lower right. Inscribed lower middle 'Mendham 27 X 65'. Provenance. Illustrated in black and white on the back cover of Marlborough/Aldeburgh Festival show catalogue 'John Piper, Suffolk Churches and Landscapes', 1966. Condition. Watercolour and gouache, 21 inches by 14 inches and in good condition. Frame. Housed in a generous surround float mounted frame and behind glass, 28 inches by 21 inches and in good condition. John Egerton Christmas Piper CH (1903-1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career. Piper disliked the regime at the Royal College of Art and left in December 1929. Piper and his wife lived in Hammersmith and held a joint exhibition of their artworks at Heal's in London in 1931. Piper also wrote art and music reviews for several papers and magazines, notably The Nation and Athenaeum. One such review, of the artist Edward Wadsworth's work, led to an invitation from Ben Nicholson for Piper to join the Seven and Five Society of modern artists. In the following years Piper was involved in a wide variety of projects in several different media. As well as abstract paintings, he produced collages, often with the English landscape or seaside as the subject. He drew a series on Welsh nonconformist chapels, produced articles on English typography and made arts programmes for the BBC. He experimented with placing constructions of dowelling rods over the surface of his canvases and with using mixtures of sand and paint. With Myfanwy Evans, Piper founded the contemporary art journal Axis in January 1935. As the art critic for The Listener, through working on Axis and by his membership of the London Group and the Seven and Five Society, Piper was at the forefront of the modernist movement in Britain throughout the 1930s. In 1935 Piper and Evans began documenting Early English sculptures in British churches. Piper believed that Anglo-Saxon and Romanesque sculptures, as a popular art form, had parallels with contemporary art. Through Evans, Piper met John Betjeman in 1937 and Betjeman asked Piper to work on the Shell Guides he was editing. Piper wrote and illustrated the guide to Oxfordshire, focusing on rural churches. In March 1938 Stephen Spender asked Piper to design the sets for his production of Trial of a Judge. Piper's first one-man show in May 1938 included abstract paintings, collage landscapes and more conventional landscapes. His second in March 1940 at the Leicester Galleries, featuring several pictures of derelict ruins, was a sell-out. Piper had first met Myfanwy Evans in 1934 and early the next year, when his wife Eileen left him for another artist, Piper and Evans moved into an abandoned farmhouse at Fawley Bottom in the Chilterns near Henley-on-Thames. The farmhouse had no mains electricity, no mains water and no telephone connection. They married in 1937. They gradually converted the farm's outbuildings to studios for their artworks, but it was not until the 1960s that they could afford to modernise the property. Piper was an official war artist in World War II and his wartime depictions of bomb-damaged churches and landmarks, most notably those of Coventry Cathedral, made Piper a household name and led to his work being acquired by several public collections. Piper collaborated with many others, including the poets John Betjeman and Geoffrey Grigson on the Shell Guides, the potter Geoffrey Eastop...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean line...