1960s Prints and Multiples

The painting is being offered with a work and authenticity certificate

And You Child, the Prophet of the Most High is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color...

Medium: original lithograph. Printed in 1960 for the "Poetes, Peintres, Sculpteurs" issue of the art revue Derriere le Miroir (No. 119) and published in Paris by Maeght. Size: 15 x 2...

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Fleur d'Helice, 1969 Lithograph in colors on Chiffon de Mandeure paper Maeght Editeur, Paris 29.5 x 43.3 inches Signed and numbered in pencil, edition of 75 copies Professionally fr...

Consummatum est! is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag p...

Et cognoverunt eum in fractione panis is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Signed and dated on plate on the lower right margin. Perfect conditions. Prov. Private Collection, Genova. The artwork represents a very important episode from the Gospel of Luke: the Last Dinner. In the center of the composition there is Jesus that is sharing the bread. In the Gospel this gesture is emphasized: Jesus takes the bread and pronounces the famous words: "Take it and eat it, this is my body". Through these words, the rite aquires a sacrificial meaning. The lithograph is part of the imponent work Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. It was illustrated by Salvador Dalí with a suite of 105 colored lithographs after watercolor artworks. The paper sheets are signed and dated on plate, and each of them comes with a Japanese paper tissue with a printed biblical quotation. In 1963, Biblia Sacra was commissioned by Giuseppe Albaretto, a very pious man, who was one of Dalí’s closest friends and patrons between the 1950s and the 1960s. Giuseppe Albaretto and his wife Mara commissioned several of Dalí's works, and became important publishers of his etchings and lithographs, including the Biblia Sacra. Through these commissions, Albaretto hoped that Dalí would reconcile with religion. The friendship between the Albarettos and Salvador Dalí provided the art world with some of the most spectacular Surrealist artworks. These works are a few of the most desirable graphic works ever created by the artist. In the preface of the work, the publisher asserts that the lithographs “configure, in both a universal and a personal way, the dynamic vision that characterizes the relationship between men and God”. Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. In his early use of organic morphology, his work bears the stamp of Pablo Picasso and Joan Miró. His work is also characterized by a fascination with classical art, manifested in the realistic style and religious symbolism of his latest works. Dalí was born near Barcelona to a middle class family. He soon demonstrated an interest in art, and, at the age of 18, he attended the Special Painting, Sculpture and Engraving School of San Fernando in Madrid. His eccentricity was notorious, and at first even more famous than his works. When he traveled to Paris, he met Pablo Picasso in his studio and took inspiration from Cubism. In 1928, he collaborated with Buñuel on Un Chien Andalou...

Pablo Picasso (1881-1873) Vacarme Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Maurice Brianchon Saint-Jean-de-Luz : La Plage 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot,...

Et baptizatus est a Ioanne in Iordane (" And he was baptized by John in the Jordan ") is an artwork realized in 1964. The artwork is part of Biblia Sacra vulgatæ editionis publish...

Works from this bold abstract series by Robert Goodnough have been featured in collections at the Metropolitan Museum of Art, the Whitney Museum of Art, the Smithsonian Institution, ...

Pink Series is an artwork realized by Lucio Fontana in 1966. Etching and Aquatint on BFK Rives. cm 75,5x56, one of the biggest graphic works ever created by Fontana, and a conceptu...

Hircus Caprarum Super Faciem Terrae is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 196...

Planctus David in mortem Saul (" David's Mourning at the death of Saul ") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediola...

Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm). Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing. Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...

Tertia die resurrexit ("Raised up the Third Day") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Signed and dated on plate on the right margin. Perfect conditions. Prov. Private Collection, Southern France. This artwork represents the Resaurrection of God after his Death. According to the Scriptures, in fact the God raised up after three days. In the representation there are two figures that spread light and brightness. The spontaneous Bulletism process and the richiamo colors in the image truly highlight Dali’s range of creativity and use of space. The lithograph is part of the imponent work Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. It was illustrated by Salvador Dalí with a suite of 105 colored lithographs after water-color artworks. The paper sheets are signed and dated on plate, and each of them comes with a Japanese paper tissue with a printed biblical quotation. In 1963, Biblia Sacra was commissioned by Giuseppe Albaretto, a very pious man, who was one of Dalí’s closest friends and patrons between the 1950s and the 1960s. Giuseppe Albaretto and his wife Mara commissioned several of Dalí's works, and became important publishers of his etchings and lithographs, including the Biblia Sacra. Through these commissions, Albaretto hoped that Dalí would reconcile with religion. The friendship between the Albarettos and Salvador Dalì provided the art world with some of the most spectacular Surrealist artworks. These works are a few of the most desirable graphic works ever created by the artist. In the preface of the work, the publisher asserts that the lithographs “configure, in both a universal and a personal way, the dynamic vision that characterizes the relationship between men and God”. Salvador Dalí (Figueres, 1904 – Figueres, 1989) is considered one of the most versatile and prolific artists of the XX century and the founding father of Surrealism. In the course of his long career, he successfully experimented with sculpture, fashion, writing, and filmmaking. In his early use of organic morphology, his work bears the stamp of Pablo Picasso and Joan Miró. His work is also characterized by a fascination with classical art, manifested in the realistic style and religious symbolism of his latest works. Dalí was born near Barcelona to a middle class family. He soon demonstrated an interest in art, and, at the age of 18, he attended the Special Painting, Sculpture and Engraving School of San Fernando in Madrid. His eccentricity was notorious, and at first even more famous than his works. When he traveled to Paris, he met Pablo Picasso in his studio and took inspiration from Cubism. In 1928, he collaborated with Buñuel on Un Chien Andalou...

Original vintage drink advertising travel poster - Rose Wine California Land of America - featuring colourful artwork by Amado Gonzalez (1913-2007) depi...

Pablo Picasso (1881-1873) Le Chevre a la caisse d'Emballage Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Assuerus adamavit Esther ("Assueres loved Esther greatly") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 a...

Lithograph in colors Published by Maeght Éditeur, Paris Printed by Arte Adrien Maeght, Paris 22 x 29.5 inches Edition of 75 on Rives, signed and numbered - This one being a proof...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1964 From the journal "XXe Siecle" Unsigned edition of unknown size Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Refere...

Original vintage music advertising poster featuring a colourful and psychedelic photo design using a new solarisation technique by the American photographer Richard Avedon (1923-2004...

C-print on paper. Hand signed and numbered by Bert Stern. Frame size approx 33 x 33 inches. AP edition of 6. Artwork is in excellent condition. Certificate of Authenticity include...

Two Faces is a contemporary artwork realized by Miguel Angel Ibarz (Barcelona, 1958) in the 1960s. Original etching on paper. Hand-signed by the artist on the lower right corne...

Pablo Picasso (1881-1873) Bohu Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Medium: engraving (after the 1934 etching for "Lysistrata"). This facsimile edition was printed in 1962 and published by The Heritage Press, reproducing the Picasso etching. Plate si...

Seduxisti me, domine ("You seduced me, my Lord") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between ...

Ipse coniugant vos ("May he himself join you in Marriage") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 ...

Kees VAN DONGEN Montmartre, Dancing at Moulin de la Galette Stone lithograph in colors Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) REFERENCES : Catal...

Plange, Virgo, accinta sacco is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on ...

Original vintage music advertising poster for the Stan Getz Quartet show on 5 November 1966 featuring a comic strip design with an illustration of the Brazilian samba and bossa nova singer Astrud Gilberto (b 1940) vocal and the American jazz band saxophone and drum musicians - saxophonist Stan Getz (1927-1991) ts, vibraphonist Gary Burton (b 1943) vib, bassist Steve Swallow...

The title of this piece by Mexican Surrealist artist Rufino Tamayo translates to "Woman with Pink Tights", The signed and numbered lithograph is from the Mujeres suite, a portfolio o...

"Adam and Eve" Whimsical Original Lithograph Limited Edition 55 of 1,000 hand-numbered and plate-signed by Jan Balet. Jan Balet (20 July 1913, in Bremen - 3...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue no. 161) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a ce...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue no. 161) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 555 mm). There is a ce...

Leo quasi Bos comedens paleas ( The Lion eating straw like the Ox ) is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

Noli me Tangere is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Signed on plate on the lower margin. Perfect conditions. Prov. Private Collection, Genova. The artwork represents a famous episode from the Gospel of John. The scene represents the apparition of God after resurrection. The meaning of "Noli me tangere" is "Do not touch me". This is the expression that Jesus says to Mary Magdalene after his resurrection. The iconographic tradition of Jesus is a standing figure with a purple mantle...

De petra exivit aqua ("Water came out of the Rock") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

An abstract geometric screenprint by Omar Rayo from 1966. Artist: Omar Rayo, Colombian (1928 - 2010) Title: Clandestine Game Year: 1966 Medium: Screenprint, signed and numbered in ...

Jesus Scourged, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1...

Original vintage music advertising poster for the Comblain 65 International Jazz Festival la tour produced by Joe Napoli held from 31 July to 1 August featuring a great illustration of three musicians playing trombone and trumpet brass...

Iesus super mare ambulans ("Jesus walking on the Sea") is an artwork realized between 1964 and 1967. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani bet...

Mulier amicta sole ("A woman clothed with the Sun") is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

Sanguis Novi testamenti (" The Blood of the New Covenant ") is an artwork realized in 1965. It is part of Biblia Sacra vulgatæ edition published by Rizzoli-Mediolani between 1967 a...

Pictured in this monochromatic Jim Dine lithograph is Basil Hallward, the artist companion of Dorian Gray in Oscar Wilde's novel The Picture of Dorian Gray...

Arnaldo Pomodoro Untitled Mid-Century Modern Geometric Abstraction, 1968 Silkscreen with colors on rag paper with deckled edges Hand signed, numbered 44 from the edition of 80 and da...

Medium: original lithograph. Printed in 1969 for the art revue Derriere le Miroir and published in Paris by Maeght. Size: 15 x 22 inches (378 x 555 mm). Not signed. Condition: there...

This raucous scene by Latin American Surrealist Roberto Matta shows leaping nude figures flying through the air above what look like boulders. Their bodies are warped and stretched a...

Shusaku Arakawa Historic Dwan Gallery Poster: Presence or the Third Person, 1967 Offset lithograph poster 30 x 22 inches Unframed Rarely found, coveted 1967 poster from the legendary...

Et posuerunt eum in monumento is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

Proelium Magnum in Caelo is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heav...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

Arca foederis ("The Ark of the Covenant") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag paper. Perfect conditions. Prov. Private Collection, Southern France. In this magnificent lithograph, a colorful monumental portrait of God is represented. In the book of Exodus, God appears to Moses and gives him the tables of the law. The Ten Commandments are then placed in the Ark of the Covenant. The figure of God is monumental and the background is realized with many shades of bright colors. In Dali's image the Ark doubles as the archbishop's hat. The symbol in the center of the image represents the Eye of Providence...

Wood engraving, 1966 Handsigned by the artist in pencil and numbered 58/60 Publisher : Louis Broder (Paris) Printer : Féquet & Baudier (Paris) 54.00 cm. x 44.00 cm. 21.26 in. x 17.3...

Original vintage travel poster - Visit Hungary! - featuring a pictorial map of the country including colourful illustrations of people in traditional dress, historic castles and other places of interest, lake...

Sanctus Raphael et Tobias (" Saint Raphael and Tobias ") is an artwork realized between 1967 and 1969. . It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani...

Cadaver in sepulchro Elisei ("The body in Elisha's Tomb") is an artwork realized in 1965. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 an...