Terracotta Sculptures

Unity V is a unique terracotta sculpture by contemporary artist Delphine Brabant, dimensions are 28 × 18 × 8 cm (11 × 7.1 × 3.1 in). The sculpture is signed and comes with a certifi...

Union V is a unique white terracotta sculpture with chamotte by contemporary artist Delphine Brabant, dimensions are 45 × 27 × 19 cm (17.7 × 10.6 × 7.5 in). The sculpture is signed ...

The legendary Greek god Perseus is the subject of this elegant half-bust by Ubaldo Gandolfi, a major painter and sculptor from Bologna. The son of Zeus and Danaë, Perseus was the le...

Katherine Bust Atelier, Terracotta draws on Richard MacDonald's unique sensitivity to the experience of the dancer. Based on a classical study for the masterwork Dance the Dream, thi...

Terracotta bust of a young girl, the color mimicking the shadow of bronze sculptures, a feature that established the fame of the Friederich Goldscheider ceramic manufactory in Vienna...

Raffaelle "Lello" Scorzelli (Naples 1921 - Rome 1997), Portrait of Neapolitan actor Raffaele Viviani (1942) Terracotta sculpture 38 x 51 x 26 cm signed and dated 1942 on the back of...

SEYNI AWA CAMARA (born in 1939) Maternité Terracotta, Unique piece Height 36 cm Width: 16 cm Depth: 18cm In perfect condition. Provenance: Private collection, Le Havre Acquired in S...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificare l'artista con Ferr...

a very interesting sculpture, a studio of the Belvedere Torso made in french in the 19th Century. Standing on a double order circular wood base, the sculpture present an harmonic and...

Pair of important Terracotta busts depicting the Satyr and the Nymph by Antonio Giovanni Lanzirotti (Naples, 9 May 1830 – 1921) signed on the back. Antonio Giovanni Lanzirotti was ...

Renato Giuseppi Bertellis Born in 1900 in Lastra a sign and died in Florence in 1974. The title is sometimes given as Head of Mussolini, but is better known as Head of Mussolini (Co...

A rare and beautiful vase by Beato! Beatrice Wood, It is signed. Beatrice Wood (American, 1893–1998) was a painter, draughtsman, and sculptor best known for her luster-glazed ceramic...

a very interesting sculpture, a studio of the Belvedere Torso made in french in the 19th Century. Standing on a double order circular wood base, the sculpture present an harmonic and...

Bust of a young woman wearing a shawl by Albert-Ernest Carrier-Belleuse (1824-1887) Terracotta bust Raised on a in blackened wood pedestal signed "A. Carrier " France circa 1860 total height 41 cm width 24 cm depth 17 cm Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart...

Thalia, one of the Three Graces, frequently appears alongside her sisters in Neoclassical sculptures. She is known to symbolize youth and beauty. The Coade Head of Thalia draws inspiration from a 2nd-century Roman bust that bears resemblance to Greek models from the late fourth to early third century B.C. Thalia, the Muse of comedy and pastoral poetry, finds her inspiration from an original Roman sculpture from the 2nd century. This particular artwork can be found in the Vatican in Rome. Thalia holds a significant place among the Nine Muses...

Additional Information: Unfinished base may not be original to the piece. Provenance: Private Collection New York, from a collector of many petite works by the artist. Marking(s); n...

Reinata Sadimba Senza Titolo Ceramic sculpture cm 47 x 28 x 26 Signed work in drypoint. Artwork accompanied by certificate of authenticity issued by the Foundation Sarenco, Salo. Bo...

Additional Information: Provenance: Private Collection New York, from a collector of many petite works by the artist. Marking(s); notes: signed Country of origin; materials: unknow...

Additional Information: Petite portrait has painted eyes, circlet and necklace in blue and gold. Provenance: Private Collection New York, from a collector of many petite works by the...

Reinata Sadimba Senza Titolo Scultura in ceramica e grafite cm 40 x 26 x 22 Opera firmata a punta secca. Opera accompagnata da certificato di autenticità rilasciato dalla Fondazione ...

An exquisite set of a pair of North African orientalist/africanist terracotta sculptures of a man and female conveying water containers. Most likely by Goldsheider, incredibly molded...

Pair of scagliola sculptures - Dancers (from Canova). Italy, 19th-20th century. h 81 x 30 x 30 cm. Entirely in glazed terracotta. The sculptures take inspiration from the original...

French Art Deco terracotta sculpture by Ugo Cipriani (1887-1960), France, 1930s. A man operating a rudder. Measurements : Width : 31"(79cm), Height : 16.7"(42.5cm), Depth : 8.7"(22cm...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

EMERSON WOELFFER Abstract Form No. 2 1979 Terra cotta on wooden plinth 3.5 x 5.5 x 8.5 inches

"Suzanne Surprise" by Jean-Baptiste Carpeaux (1827-1875) Terra cotta "Propriété Carpeaux" Marked with the stamp ‘Propriété Carpeaux’ with the Imperial Eagle and the stamp 'Atelier ...

Terracotta sculpture - Prometheus - Italy, 18th century. 48 x 50 cm x h 94 cm. Entirely in terracotta. - All shipments are free and professionally packed. - This item is sold wit...

For sale: A captivating terracotta sculpture from the esteemed Swedish artist Evert Lindfors (1927-2016), crafted in the 1970s. A connoisseur of fine arts, Lindfors honed his craft a...

Josephine H.N. LUI

Intrigued by the stature and carriage of a particular figure, MacDonald pursued Angelic Crystal, the study of a ballerina in the studio. Inspired by a continuing appreciation of danc...

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Josephine H.N. LUI

The ‘Goddess’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2019. Ney began his professional career as a highly productive visual artist, as a ...

Pablo Picasso (1881-1973), terracotta fish pitcher. Madoura pottery 1952. This original terracotta fish pitcher was created by Picasso in 1952 and was ...

The Diorama was in a private collection for more than 20 years and is said to have been exposed at the China Exposition 1902 in Copenhagen.This group of Chinese polychromed-decorate...

Irmgard Biernath (1905 Waldheim in Saxony - 1998 Mainz), Hommage à Kahnweiler, 1984. Terracotta relief, burnished red body, 43.5 x 38 cm, mounted on support plate, in wooden frame 57 x 49.5 cm, monogrammed "IB" at lower right. - Isolated patina losses, but overall good condition, frame slightly bumped. - The Appearance of Genius- This homage to Daniel-Henry Kahnweiler shows the gallerist and art theorist as Pablo Picasso portrayed him in his lithographic portrait of 1957. As an innovative Parisian gallery owner, Kahnweiler had exclusively represented Picasso since 1911, while Picasso had painted his famous portrait of Kahnweiler the previous year as a major work of Cubism. And it is Picasso who appears at the centre of Irmgard Biernath's image. Here, his face echoes the features of the self-portrait he painted in 1907 in the Prague National Gallery. His eyes are wide open as he gazes into the distance, surrounded by the works of his artistic vision that have already taken shape. On the right is the bronze "Man with Sheep...

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes an...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes an...

Unique terracotta sculpture Hand-signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolatio...

Terracotta unique sculpture Hand-signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolatio...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

Charming Italian Cocker Spaniel sculpture crafted in terra cotta, hand decorated and glazed, complete with soulful expression.

Unique terracotta sculpture Hand-signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolatio...

Delightful Italian sculpture of two white cats on a fancy pillow crafted in terra cotta, hand decorated and glazed for your curiosity.

TERRACOTTA FIGURINE OF A COMIC ACTOR , Greece, c. 350 B.C. Labeled to the reverse, 'LAWRENCE COLL./LOT 426. SOTHEBY./APR. 1892. P. 816.'; Terracotta height 15.2 cm height 6 in Prove...

Midcentury painted terracotta abstract figurative sculpture “La Testa” by Italian Futurist artist Renato Bertelli (1900-1974). Initialized “R. B. A-XI”.

LADY MURIEL WHEELER, PSWA (1888-1979) Mother and Baby Signed and indistinctly dated 19-4 Terracotta on wooden base 44 cm., 17 ¼ in. high including base Muriel Bourne was born in ...

One of a selection of lions we make at Coade Studio. This Coade Stone lion sejant, is one of a handed pair commissioned by an investment bank in Frankfurt, Germany to replace a miss...

A beautifully sculpted terracotta statue depicting Winter. The robed figure is holding a burning cauldron of fire. A laurel crown tops her head. She is standing beside a rock with ca...

Beautiful pair of life-sized, hand cast, left and right, English, terracotta poodles from the East Hampton Estate of legendary socialite, publicist, and sister of Jackie Kennedy, Lee...

An elegant, dynamic, fully finished, 19th century terracotta sculpture of richly attired figures in the Chinoiserie style. The idealized, rural imagery features two women in flowing ...