Ebony Lacquered Hollywood Regency Crank Table

Mellier & Co. was founded by Charles Mellier after working for the Anglo-French firm of Georges-Alphonse Monbro from his arrival in London through 1868 when he purchased the firm from Monbro. Despite an award-winning reputation as Monbro, Charles Mellier renamed the firm C. Mellier & Co. and would go on to become one of the most distinguished cabinet-making firms in London. Mellier was renowned for his work with the most well-regarded interior designers and leading architects of his day, producing collections of furnishings and decorations for such residences as the Farmleigh House and Estate in Dublin, the Manderston, Berwickshire property of Sir James Miller and the Grosvenor Square residence of Henry Duveen in London. One of his most famous commissions was for the trans-Atlantic ocean liner, Mauritania, built-in 1907. Operating at 60 Margaret Street and Cavendish Square, Charles Mellier purchased the prestigious 26A Albemarle Street, which he used as both his showroom and residence. By the end of the 19th century, Mellier & Co was recognized as one of the finest cabinet-making firms in England. He was perhaps the most well-regarded manufacturer to exhibit in the World Fair exposition of 1904 in St. Louis, where they won multiple medals.

Reflecting the final era of royal opulence before the upheaval of the French Revolution, antique Louis XVI furniture features more angular shapes than the Rococo curves of the Louis XV style, harkening back to the imposing grandeur of Louis XIV.

Dating between 1750 and 1800, an era that overlapped with the last king of France whose reign was cut short by the guillotine, Louis XVI furniture, known as the goût grec, is emblematic of the neoclassical revision that French furniture underwent during the second half of the 18th century.

Authentic Louis XVI furniture characteristics include clean lines and carved details such as scrolls and acanthus flourishes that were inspired by ancient Greece and Rome. This was informed by a burgeoning interest in antiquity in the 18th century, owing to new archaeological excavations at sites including Pompeii and Herculaneum. It largely eclipsed the more East Asian–influenced ornamentation of Louis XV for something more geometric and symmetrical.

The Louis XVI style was defined by what was being created for the palatial rooms at Versailles and Fontainebleau, particularly for the queen, with cabinetmaker Jean-Henri Riesener being a favorite of Marie-Antoinette’s for his luxurious pieces accented with gilded bronze and marquetry. Furniture maker Jean-Baptiste-Claude Sené was also a major designer of the period, with his pieces for the royal residences adorned with giltwood and neoclassical touches like tapered columns for chair legs and laurel leaf carvings. Cabinetmaker Adam Weisweiler occasionally incorporated into his furniture porcelain panels produced by Sèvres, a popular manufacturer of European ceramics that served the crown with serveware, vases and other decorative objects.

Find a collection of antique Louis XVI seating, tables, cabinets and other furniture on 1stDibs.

Vintage, new and antique conference tables are key to designing functional offices, setting the tone through shape and materials.

The evolution of floor plans and office furniture such as desks or office chairs shows how the workplace has changed over the years. One trend in the 20th century was the open floor plan, which was pioneered by Frank Lloyd Wright. The profoundly influential architect’s design for the 1936 office building for SC Johnson Wax was an early example. Soon, major American furniture manufacturers would take aim at creating furnishings for the workplace.

In 1942, Herman Miller, anticipating a postwar economic boom, began making office furniture for the first time, while at Knoll, a special office-focused division created by Florence Knoll in the mid-1940s designed office spaces for the likes of GM and CBS.

Open-floor-plan offices became mainstream by the mid-century as a way to reflect a company’s values. Working in an open space meant that employees were equal and the design was aimed at improving communication and cooperation. The conference table was key to this vision. Businesses with an open floor plan needed a place for meetings and this ensured that the conference table and conference room became staples of the modern office.

A round conference table is egalitarian and informal, getting people to participate and share ideas. A rectangular conference table is more structured, allowing executives to sit at the end of the table to conduct the meeting.

The style and color of the table are also important. A bold color can make participants feel more creative; a unique shape can evoke innovation and modernity. Creatives often invest in eye-catching furniture to express their company’s individuality.

A variety of conference tables can be found on 1stDibs, from postmodern conference tables for forward-looking businesses to new and custom options to make a conference room stand out.