Robert Slezak Desk

Best known for his sleek, Bauhaus style, designer Robert Slezák was a pioneer in the manufacturing of chrome and bent-metal furniture during the early 20th century.

Born in the town of Bystřice pod Hostýnem in today’s Czech Republic, Slezák originally trained as a locksmith and in 1908 established a locksmith’s workshop in his hometown. What began as a small business providing common locksmith products grew into the Slezák Factory, which made brass fittings for furniture and buildings. In 1911, Slezák became one of the first manufacturers in Europe to use a galvanic coating of copper, chromium and nickel on the surface of his products. 

Starting in 1913, Slezák focused on designing and producing brass and metal furniture with wood accents, like chairs, beds and tables. By the 1930s, Slezák’s furniture style began to evolve towards mid-century modern and Bauhaus design, leading to streamlined and tubular three-seat sofas, stools, bent-metal chairs, wood and chrome coffee tables, desks, lighting and cabinets. During this time, Slezák also collaborated with the Czech furniture company Ton N.P. Bystřice pod Hostýnem on pieces including his Bauhaus chrome and walnut side table. 

After 1948, Slezák’s firm became part of the Kovona furniture-making company, which continued to produce and recreate Slezák’s designs from the 1950s to the 1980s. Since 1992, the Czech furniture manufacturer has been known as Kovonax.

Today, Slezák’s designs remain highly sought after by interior designers and collectors of mid-century and Bauhaus furniture.

On 1stDibs, find a range of vintage Robert Slezák seating, tables, lighting and more.

The Bauhaus was a progressive German art and design school founded by the architect Walter Gropius that operated from 1919 to 1933. Authentic Bauhaus furniture — sofas, dining chairs, tables and more — and the school’s followers married industrial and natural materials in simple, geometric forms. The goal of the Bauhaus was to erase the distinction between art and craft while embracing the use of new technologies and materials.

ORIGINS OF BAUHAUS FURNITURE DESIGN

• Art and design school established in Germany in 1919
• Promotion of a union of art, craft and technology
• Design intended for mass production
• School’s workshops focused on cabinetry, metalworking, typography, textiles and more
• Informed by De Stijl, Constructivism, Art Nouveau, Arts and Crafts, and modernism; influenced mid-century modernism, Scandinavian modernism

CHARACTERISTICS OF BAUHAUS FURNITURE DESIGN

• Emphasis on craft
• Simplicity, order, clarity and a prioritization of functionalism
• Incorporation of geometric shapes
• Minimalist and refined, little to no ornamentation
• Use of industrial materials such as tubular chrome, steel and plastic as well as leather, cane and molded plywood in furniture and other products

BAUHAUS FURNITURE DESIGNERS YOU SHOULD KNOW

• László Moholy-Nagy
• Ludwig Mies van der Rohe
• Anni Albers
• Josef Hoffmann
• Marcel Breuer
• Marianne Brandt

AUTHENTIC BAUHAUS FURNITURE ON 1STDIBS

The name Bauhaus is derived from the German verb bauen, “to build.” Under the school’s innovative curriculum, students were taught the fine arts, such as painting and sculpture, as well as practical skills like carpentry and metalworking. 

The school moved from Weimar in 1925 to the city of Dessau, where it enjoyed its heyday under Gropius, then Hannes Meyer and Ludwig Mies van der Rohe. The period from 1932 to 1933 when it operated in Berlin under Mies was its final chapter. Despite its brief existence, the Bauhaus has had an enduring impact on art and design in the United States and elsewhere, and is regarded by many as the 20th century’s chief crucible of modernism. 

The faculty roster at the Bauhaus reads like a who’s who of modernist creative genius — it included such artists as Paul Klee, Wassily Kandinsky and László Moholy-Nagy along with architects and designers like Mies and Marcel Breuer, who became known for his muscular brutalist-style concrete buildings in the postwar years. In 1925, while he was head of the Bauhaus carpentry workshop, Breuer gave form to his signature innovation: the use of lightweight tubular-steel frames for chairs, side tables and sofas — a technique soon adopted by Mies and others. Breuer’s Cesca chair was the first-ever tubular steel frame chair with a caned seat to be mass produced, while the inspiration for his legendary Wassily chair, a timeless design and part of the collection crafted to furnish the Dessau school, was the bike he rode around campus.

Bauhaus design style reflects the tenets by which these creators worked: simplicity, clarity and function. They disdained superfluous ornament in favor of precise construction. Seating pieces such as side chairs, armchairs or club chairs for example, were made with tubular metal or molded plywood frames, and upholstery was made from leather or cane. Above all, designs in the Bauhaus style offer aesthetic flexibility. They can be the elements of a wholly spare, minimalist space, the quiet foundation of an environment in which color and pattern come from one’s own collection of art and artifacts.

Today, from textiles to typefaces, architecture, furniture and decorative objects for the home, Bauhaus creations continue to have an outsize influence on modern design.

Find a collection of authentic Bauhaus furniture on 1stDibs.