Plaster Stools

Cylindrical stool by contemporary French designer Paul Hardy, made of resin and black and gray stone. Excellent condition. This stool can also be used as a side table. DV602

Loggia is a side table made in marble or resin terrazzo. Designed by Matteo Leorato A material, traditionally used in the Renaissance for the paving of the noble palaces, here is r...

Elissa Lacoste's 'I Dream of Megalithic Times' series: Boulder Footstool, 2019. Composed of various speleothem-like shapes emerging from silicone skins infused with earthly pigments....

Linea stool is characterised by a hand-worked feet finished in bronzed plaster with an upholstered seat pad available in a range of ten jacquard fabrics from the ,,Second Firing” ser...

Linea stool is characterised by a hand-worked feet finished in bronzed plaster with an upholstered seat pad available in a range of ten jacquard fabrics from the ,,Second Firing” ser...

Loggia is a side table made in marble or resin terrazzo. This is a set of 2 pieces. A material, traditionally used in the Renaissance for the paving of the noble palaces, here is...

Black tooth chair by Dongwook Choi Dimensions: 70 x 37 x 45 cm Materials: EPS, Plaster It is a chair made with the motif of tooth shape. After the urethan...

Contemporary beauriful sculptural plaster and leather strap stool. It unique shape has knopped supports and stretchers. Great accent piece for a living room or bedroom. Property fr...

A fabulous vintage Boho plaster stool. Done in the manner of John Dickinson. Beautiful rope tie design with a great textured finish. Acquired from a Palm Beach estate.

A fabulous vintage Boho low stool. Done in the manner of the iconic John Dickinson. A chic textured plaster finish with tie detail. Acquired from a Palm Beach estate.

Stool Manufactured by Nebil Zaman Produced in exclusive for Side Gallery Oslo, Norway, 2022 Plaster, resin Measurements 60 cm x 30 cm x 50h cm 23,6 in x 11,8 in x 19,6h in ...

This eclectic, one-off azure-blue decorative accent table or stool is made by French multidisciplinary artist-designer Louis Bressolles. The entirely unique sculptural object is constructed of interlocking pieces of reclaimed tree branches and layered Plexiglass sheets that have been thermoformed to create a useable structure — and which can be disassembled and reassembled like a puzzle. The puzzle's trick is that it must be constructed in a specific order. Once assembled, the lightweight materials of the piece become quite sturdy, and the finished form is reminiscent of a wild and imaginatively intertwined patchwork of branches and brambles, drenched in a cheerful, bright shade of blue that recalls the Mediterranean Sea on a sunny day. A versatile and functional design object that is guaranteed to stand-out in even the most discerning contemporary interiors. About the Artist: As an artist and designer, Bressolles has developed a personal and singular approach, inspired by lived experience. Bressolles exploits materials, particularly plastic, to new formal and technical potential, give new life to re-used plastics, such as his recent “Gainage” Collection, created with discarded swimming pool equipment...

Sgabello Rose Antique wood stool by Yukiko Nagai. Dimensions: D36 x W37 x H47 cm. Material: Wood, Marble, Natural stone, Venetian color glass, Ce...

Sgabello Pois Antique wood stool by Yukiko Nagai Dimensions: D33 x W33 x H50 cm Material: Wood, Marble, Nero, Natural stone, Styrofoam, Glass fib...

Sgabello Rombi antique wood stool by Yukiko Nagai Dimensions: D 40 x W 53 x H 40 cm Material: Antique wood stool, Marble, Natural stone, Styrofoa...

Sgabello Camouflage Antique wood stool by Yukiko Nagai Dimensions: D40 x W40 x H45 cm Material: Chestnut wood, Marble, Natural stone, Styrofoam, ...

Terrazo rainbow stool by Lilia Cruz Corona Garduño. Hapiness Series Dimensions: W 19.7" x D 12" x H 17" Materials: Terrazzo (Pigmented concrete and gr...

Set of 2 terrazzo rainbow nench and stool by Lilia Cruz Corona Garduño Hapiness series Dimensions: W 30.5 x D 50 x H 43 cm Materials: Terrazzo (Pigmented concrete and granulated m...

White Tooth Chair by Dongwook Choi Dimensions: 70 x 37 x 45 cm Materials: EPS, plaster It is a chair made with the motif of tooth shape. After the urethan...

White tooth chair by Dongwook Choi Dimensions: 70 x 37 x 45 cm Materials: EPS, plaster It is a chair made with the motif of tooth shape. After the ureth...

It is a chair made with the motif of tooth shape. After the urethane painting to add hardness to the EPS carved through 3D modeling, I wanted to express the t...

"Plaster Whip" sculpture by Lionel Jadot A stool made of leftover plaster vats from a molding company, scrap metal, leather whips from the 1950s and a bodybuilder’s belt from the 1930s Collectible Design / Functional art , Lionel Jadot for Everyday Gallery, Belgium 2020 Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips— the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner — but as you walk this walk please be seated on any of the thrones and experience the work for a moment— the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Very nice side table / stool designed and manufactured by Cupioli Lodovico, an Italian artist of Rimini with more than 60 years of experiece in the field of scagliola art inlay that origins in the XVI century. The color becomes the great protagonist and the craftsmanship exalts and distinguishes the furniture solutions made in Italy...

Bend Goods wire furniture The ultimate in versatile modern wire furniture, the switch table and stool is a two in one piece that works as a stool or table. The tabletop features a p...

Bend Goods wire furniture The ultimate in versatile modern wire furniture, the switch table and stool is a two in one piece that works as a stool or table. The tabletop features a p...

Bend Goods wire furniture The ultimate in versatile modern wire furniture, the switch table and stool is a two in one piece that works as a stool or table. The tabletop features a p...

Côme Clérino Bar stool model "Le Solitaire Blue" Contemporary Design Manufactured by Côme Clérino Produced in exclusive for Side Gallery Paris (France), 2021 Polystyrene, stainless, steel, plaster, oakum, ceramic, enamel, tile joint, electronic components, polyester resin, fiberglass, wood and PU foam. Measurements Option for measurements made to order 33 cm diameter x 88 cm height (57 cm seat height) 13 in diameter x 34,64 in height (22,44 in seat height) Edition Unique Piece Côme Clérino (1990, Paris) lives in Paris and works in Pantin, France. After graduating from the École Nationale Supérieure des Beaux-Arts de Paris in 2016, he developed a multidisciplinary practice shaking up the academic definition of painting and integrating photography, drawing, sculpture, ceramics, textiles and installation. In 2017, he presented his first solo exhibition, Voir au verso, at Les Gens Heureux gallery in Copenhagen. In 2018, after a new solo exhibition, Emulsilfy(ing), at the Castellana 22 gallery in Madrid, he was nominated for the International Painting Prize of Vitry-sur-Seine. In 2019, he presented his first solo show in France, Et si on passait les meubles par la fenêtre?, at the Double V Gallery...

Mid-Century Modern Italian or French lacquer faux draped side or end tables featuring original gilt painted roped detailing on all four sides. Surrealist stools feature white lacquer...

Six vintage adjustable swivel counter or bar stools featuring a 1950s diner vibe with circular black seat and tubular chrome frame. Dimensions: 16"d x 25...