Cotton Screen Print by Jean Lurcat for Corot France

Credited with helping revive the design and production of tapestries during the 20th century, French artist Jean Lurçat rubbed shoulders with some of the greatest painters in the world while weaving his own artistic narrative into the fabric of history. 

Lurçat met artists Henri Matisse, Paul Cézanne and Pierre-Auguste Renoir in Paris in his early twenties — when the Bruyères native found himself fully immersed in the French art world. He had studied at Académie Colarossi and worked in the studio of sculptor Victor Prouvé, and later made paintings inspired by Fauvism. Lurçat first exhibited his tapestries in 1917. 

Lurçat’s inaugural textiles were constructed with weaver Marthe Hennebert and were marked by Cubism and avant-garde–inspired art styles before he embarked on extensive travels that would enrich his work. Lurçat’s travels exposed him to other movements and styles that ranged from German Expressionism to Spanish and African influences that inspired his later works.

Lurçat’s tapestries found a regular home in 1925 at Jeanne Bucher’s gallery, which featured the work of other artists including Pablo Picasso, Hans Arp, Jacques Lipchitz, Georges Braque and Max Ernst. Between 1930 and 1936, Lurçat had solo exhibitions at the Flechtheim Gallery in Berlin and the Pierre Matisse Gallery in New York. In 1939 — when the popularity of tapestries had long been on the decline — Lurçat opened a factory with other artists in Aubusson, the home of a centuries-old tapestry production industry, in order to create modernist tapestries.

Over the course of his life, Lurçat designed more than 1,000 tapestries. One of his most notable, Apocalypse Tapestry (1948), is on display in the Church of Notre-Dame de Toute-Grâce and complements the original which dates back to the 14th century. His other highly acclaimed works include Song of the World (1957–64) and Four Seasons (1940).

While Lurçat’s best known works are his tapestries, he also produced engravings, book illustrations and ceramics. The Museum of Modern Art in New York City holds some of these book illustrations as well as a few other works in its permanent collection. Other works by Lurçat are held in the collections of the Detroit Museum of Fine Arts, the Musée Nationale d’Art Moderne, the Museum of Chicago, the Philadelphia Museum of Art and the National Gallery in Washington DC.

On 1stDibs, find a collection of Jean Lurçat wall decorations, decorative objects and ceramics.

Favorites of European nobility and royalty for more than 300 years, the tapestries and textiles made by the Royal Manufacture of Aubusson remain legendary for their exceptional quality and grand designs. 

The origins of Aubusson’s textiles date back to the 14th century, when residents of the town of Aubusson, located at the base of the Creuse river in France, started small weaving workshops. When skilled weavers from Flanders, Belgium, arrived in Aubusson, seeking refuge and settlement, the town’s weaving industry flourished. 

Aubusson was granted the Royal Manufacture title by King Louis XIV in 1665. Along with pieces by rival workshops such as Gobelins and Beauvais, Aubusson’s textiles, carpets and tapestries were prized for their meticulous designs. Early Royal Manufacture of Aubusson works resemble Turkish rugs and Asian textiles, which were popular with European royalty. In later years, though, Aubusson’s weavers shifted their style to reflect Western European and Caucasian rugs as well as Italian Renaissance style, incorporating floral, religious and pastoral themes into the tapestries.

Throughout the 18th century, Aubusson’s tapestries and rugs remained among the most desired by the European aristocracy. An inventory compiled in 1786 listed more than 100 Aubusson carpets at the Palace of Versailles. After the French Revolution, many workshops, including those of Aubusson, lost their Royal Manufacture status. Upholstered and machine-made carpets also became more dominant in the industry.

In 1869, the establishment of the École Nationale des Arts Décoratifs d’Aubusson sparked a renewed interest in Aubusson tapestries, which the school still produces today. Although the advent of wallpaper during the late 19th and early 20th century reduced consumer demand for tapestries as wall decor, Aubusson adapted to the shift towards modernist style. Artists like Henri Matisse and Pablo Picasso often had their artworks translated into tapestries. 

Aubusson’s carpets and tapestries continue to be coveted by interior designers and collectors of 18th-century, mid-19th-century and Napoleon III textiles and furniture. Aubusson’s history of weaving, wool production, spinning and dyeing is on UNESCO’s list of Intangible Cultural Heritage of Humanity. 

On 1stDibs, find a range of antique Royal Manufacture of Aubusson wall decorations, Asian-inspired art and furniture, carpets and more.