Art

St Ives Shadows is an Original Painting by Eleanor Woolley. Painted in the Artist's Gloucestershire Studio, St Ives Shadows is inspired by a trip to Cornwall last Summer. Photographs...

Yinka Shonibare CBE, (b. 1962) Dreamscape (for Documenta 11), 2002 Medium: Chromogenic photograph Dimensions: 40.5 x 60 cm (16 x 23.5 in) Edition of 40: Hand-signed and numbered

Three vertical links make up this piece that transmits firmness and solidity. The chain, always a symbol of unity, security and permanence, can also have a playful sense reflected in...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Acrylic, dye, pencil on canvas.

Woodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper. The p...

Reflections Abstract - Two Sided Abstract Expressionist Painting on Paper Brilliant abstract expressionist work by Jack Madson (American, b-1927). A Felton, Caliornia artist. Madson ...

Edition 15 More sizes on request For several days I went out with these baby elephants of the David Sheldrick Wildlife Trust to the bush in Tsavo East, Kenya. Together with their ke...

Gouache painted on cardstock, intended for a greeting card design, painted circa 1970. Unsigned. Displayed in a red archival mat. Cellophane tape on board.

El Nene. Como Comiendo Mamon, 1993 Fom the Vendedores series Photocollage Image size: 10 in. H x 7.5 in. W Sheet size: 28 in. H x 20 in. W Unframed Unique The root of these unique p...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Hand Signed. Etching and aquatint. Artist's Proof. Edition of 90 prints. Image Dimensions : 48 x 62 cm

Original gouache, probably Belgian for matchbox covers. Mid-20th Century.

Composition 6 is an original drawing in tempera realized by Clément Kons (1879-1956). Very good conditions. No signature. The bright colors make up the design for French fabrics ma...

Vintage original Alexander Calder Three Legged Man Lithograph 1975: Lithograph in colors. 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. ...

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

Polaroid transfer on Rives BFK paper Signed, titled, dated, and numbered (4/6) in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is o...

Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...

Degas - Poster is an original poster print. The artwork was realized on the occasion of the artist's exhibition In Paris in 1960. Good conditions except for being aged and some fol...

James Rosenquist F-111 announcement: Vintage original folding exhibition pamphlet published on the occasion of a 1960’s exhibition in Stockholm at the Museet Moderna: September 29th-October 18th 1965. Features a reproduction of Rosenquist’s famed “F-111”. Folding out to four portions, the reverse chronicles an extensive interview (in Swedish) between Rosenquist & the museum. Rare and highly collectible. Medium: Offset printed fold-out museum pamphlet. Condition: Quattro fold-lines as issued; good overall vintage condition. Dimensions: 5.5 x 11 inches (opening to 5.5 x 44 inches). Unsigned from an edition of unknown; rare. Rosenquist began the painting F-111 in 1964, in the middle of the Vietnam War. He positioned his main subject, the F-111 military plane, which was in development at the time, flying through fragmented images of consumer products and references to war. Through its expansive network of colliding visual motifs, F-111 addresses the connections between the Vietnam War, income taxes, consumerism, and advertising. James Rosenquist was an American Pop artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts...

Head of apostle or Christ in carved limestone. Elongated face with a large forehead and long hair with thick wavy locks on the sides. The almond-shaped eyes are underlined by the hem...

Stamped on top of deck: Made by Medicom Toy, Brandalism

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

"Dark Phoenix" Oil painting 59" x 31" inch by Alina Shimova 2020

Artist: Pierre Marie Brisson (French, 1955-) Title: "Figure Sur Rouge (Figure on Red)" *Signed by Brisson lower right. It is also signed and dated on verso Year: 1983 Medium: Origina...

Artist: Pierre Marie Brisson (French, 1955-) Title: "Figure sur Fond Rouge (Figure on Red Background)" *Signed by Brisson lower right. It is also signed and dated on verso Year: 1983...

Framing charges includes As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...

This 18 x 18 inch oil painting on canvas is stretched on heavy-duty stretcher bars. The sides are white. This piece is not framed. Please inquire if you have any questions at all.

Artist: Victor Vasarely (Hungarian-French, 1906-1997) Title: "E.T. (Fond Argent)" *Signed by Vasarely in pencil lower right Year: 1983 Medium: Original Screenprint on Arches paper Li...

A leading exponent of contemporary art in Europe, Paul Wadsworth utilises a palette of vibrant colours to achieve his signature paintings redolent of people and place. Expressionism ...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

"Open Heart II" Abstract Sculpture 81" x 37" inch by Karim Abd Elmalak Karim Abdel Malak's layered multi-media works are influenced by the old maste...

"Abstract Script" Ink on Fabric Painting 81" x 20" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

"Drift 23" Photography 20" x 30" Edition 3/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of the nation, our lone navigator reflects on the grandeur of a land both ethereal and familiar. Not unlike the archetypal tumbleweed, the wayfaring drifter goes where the wind takes him. Through the highways and secret byways of a mythic American landscape, this iconic series encourages us to ask ourselves just who we are, and who we aim to be. Rowan Daly Rowan Daly is a Los Angeles based photographer with a BA in Political Science from the University of North Florida. His work ranges from album covers to videography, editorial and photography. He has photographed for Tyga, Nick Jonas...

ROBERTO MATTA (1911-2002) FOG, GOG, AND MAGOG 1971 Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...

"Bukhara" Abstract Oil Painting 59" x 39" inch by Muzaffar Abdullaev ABOUT: He was born in 1953 in Bukhara, where he lives and works. Boasting fo...

"Incomplete Solar System" Painting 55" x 79" inch by Gosha Ostretsov Acrylic & enamel on canvas Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and wo...

America Martin "The Caught Catfish" Oil & Acrylic on Canvas 72" x 36.5" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fro...

Antique 19th century English fishing vessels In the English Channel William Henry Williamson was a gifted, London painter of coastal scenes, ...

Aerial Views, Adria 05 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: H 60 x W 90 cm: edition of 10 H 80 x W 120 cm ...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Did I Steal You Away? oil on panel 18h x 24w x 1.50d in 45.72h x 60.96w x 3.81d cm RIS036 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit...

"Untitled" is a painting by artist David Smith. The work is signed and dated in the upper left "David Smith (symbol) 1936". When David Smith set up a workshop on the Brooklyn Navy P...

This piece represents a human figure with a tail and a headdress in feather. In this sculpture the birdcatcher, a man who is catching birds with nets and traps, seems to transform into a bird himself. In recent years, animals have taken an increasingly important place in the artist's production: "All sorts of animals and hybrid forms inhabit my work, chimeras, somewhere between animal and human figures." (Mémoires de Braise, by Cécile Raynal...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD6075 (She Disappeared into Complete Silence) 45" x 60" / 114cm x 152cm edition of 8 + 2AP 30" x 40" / 76cm x 102cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art...

This portrait is part of a series of sculptures designed by the artist during an eight-week art residency at a private hospital in Lyon (France). During several stays, the artist immersed herself into maternity life, crisscrossing the corridors with her sketchbook or modeling there and then in clay the portraits of the people who she came across, health professionals as well as patients. These sessions, marked with sensitive exchanges, created clay figures caught within the very particular circumstances of these encounters: the expectation of a happy event, always tinged with uncertainty for the future parents; passion and tension, constantly linked in the healthcare teams work.

A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970. Bathers in bright pink and red vintage swimwear enjoy the afternoon on t...

ROBERTO MATTA (Chilean 1911- 2002) NEW SCHOOL PORTFOLIO (1943-5) (Sabatier 1-7, 4 prints not recorded by Sabatier) Portfolio with complete set of 10 etch...

2009, Unique Artwork Oil on Canvas 78 7/10 × 55 1/10 × 1 1/5 in - 200 × 142 cm The artwork is signed by the Artist on verso of the canvas & stamped with the logo of the Artist's Stud...

"Japanese Vista I" Mixed Media Painting 8" x 12" inch by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gen...

Wait (with Carole), by contemporary French artist Cécile Raynal. Smoke-fired stoneware sculpture, pigments, cypress plinth, 155 cm × 36 cm × 60 cm. Dimensions of the woman : 30 cm H...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Published by Rosenthal, Germany in 1990, this exquisite glazed porcelain plate is from an image created by Roy Lichtenstein. The brilliantly colored plate, accompanied by its origin...

Signed lower right, 'W.Georgetti', and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

Mixed media by Vito Difilippo. Certificate of authenticity by the Artist. Excellent condition. This artwork powerfully and symbolically captures Hulk's moment of vulnerability, em...