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Fredrik Paulsen On Sale

Contemporary Anodized Aluminium Coffee Table by Fredrik Paulsen
By Fredrik Paulsen
Located in Copenhagen, DK
Fredrik Paulsen’s coffee table, commissioned by Etage Projects for Salon Art and Design New York 2017, turn the spotlight on a brand new and unique technique that combines anodized a...
Category

2010s Post-Modern Coffee and Cocktail Tables

Materials

Aluminum

"Opdium" Plinth by Fredrik Paulsen
By Fredrik Paulsen
Located in Copenhagen, DK
Fredrik Paulsen Opdium Mdf, paint 900x400x400 2016 Flexible MDF is mounted inside-out on a double curved surface. This reveals the material's milled groves creating a vibrating patt...
Category

2010s Danish Modern Abstract Sculptures

Materials

Wood, Paint

"Opdium" Plinth by Fredrik Paulsen
"Opdium" Plinth by Fredrik Paulsen
H 35.44 in W 15.75 in D 13.78 in
Contemporary Palazzo Iron Table with Crackle Glass Top by Fredrik Paulsen
By Fredrik Paulsen
Located in Copenhagen, DK
During the Palazzo Monti artist residency, Fredrik Paulsen collected scrap material as souvenirs from the workshops they visited during the residency. By combining them with custom m...
Category

2010s Danish Post-Modern Coffee and Cocktail Tables

Materials

Iron

Contemporary Anodized Aluminium Console by Fredrik Paulsen
By Fredrik Paulsen
Located in Copenhagen, DK
Fredrik Paulsen’s console table, commissioned by Etage Projects for Salon Art + Design New York 2017, turns the spotlight on a brand new and unique technique that combines anodized a...
Category

2010s Swedish Post-Modern Console Tables

Materials

Aluminum

Contemporary Palazzo Iron Armchair with Granite Slab Seat by Fredrik Paulsen
By Fredrik Paulsen
Located in Copenhagen, DK
During the Palazzo Monti artist residency, Fredrik Paulsen collected scrap material as souvenirs from the workshops they visited during the residency. By combining them with custom m...
Category

2010s Danish Post-Modern Armchairs

Materials

Granite, Iron

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Pair of Minimalist Nightstands Consoles Commodes 2 by Atelier Bachmann, 2019
By Fritz Grospietsch, Atelier Bachmann, Andreas Bachmann
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A beautiful pair of nightstands designed by Yuzo Bachmann for Atelier Bachmann, handcrafted in Germany, 2019. These nightstands are made out of plywood and brass handles. Finished w...
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Giraffe dining Chair in Solid Brazilian Wood by Juliana Vasconcellos
By Juliana Lima Vasconcellos
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Contemporary Light Pink Side Table or Bedside Table, Sabine Marcelis Candy Cube
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Lloyd Bar Stool with Leather or Shearling Cushion
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Sasco Semi-Flush Mount Brass Light Fixture, Custom Finishes
Located in Pound Ridge, NY
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Located in London, London
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Category

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H 31.5 in W 94.49 in D 43.31 in
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SHIMMER Large Round Mirror, by Patricia Urquiola from Glas Italia IN STOCK
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A Close Look at post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.