Stoneware Decorative Objects

We have TWO in stock Drippy Celadon Ginger jars size 10x8" this new line is Fresh nuetral matte base with black cracks, crackle glaze and flowing on top celadon green gloss glaze...

Barbara Garrett (1930-2020) pair of Organic Mid Century Modern Pottery Owls. Both pieces with fabulous textured mottled glossy glaze wh...

The stoneware sculpture, designed and crafted by Espen Kalmann, showcases a harmonious blend of form and texture. Kalmann's creation exudes a sense of craftsmanship and artistry, evi...

A small vase designed by Carl-Harry Stålhane. A great addition to any collection, this vase has earth tones ranging from a rust/ terra cotta to a slate/brown. In very good condition.

Spruce up your home with a unique statement piece - a large stoneware floor vase, designed and glazed by the talented Per Weiss in a beautiful combination of blue, gray and white col...

For sale a wonderfully playful and typically kitsch stoneware candle holder by the rebel Swedish artist and designer, Per B. Sundberg for his limited edition "FÖREMÅL" Collection for...

#2 Sculpture by Evamarie Pappas Dimensions: D 16.51 x W 16.51 x H 50.16 cm Materials: Stoneware. This sculpture is incomplete. it will be fired once again with an underglaze. For E...

Vase in fantastic colors and patterns. The vase is in the colors light green, brown and some white details. The vase is designed by Gunnar Nylund for Rörstrand. Signed at the bottom...

#1 Sculpture by Evamarie Pappas Dimensions: D 31.75 x W 48.26 x H 44.45 cm Materials: Stoneware. This sculpture is finished with an underglaze and is non-functional. For Evamarie P...

WOODLAND SERIES Large Moon Vase approx 12inches tall x 12inches wide Heavy: 12lbs a mix of traditional with organic modern this Large Moon jar shape ...

#3 Sculpture by Evamarie Pappas Dimensions: D 22.86 x W 17.78 x H 16.51 cm Materials: Stoneware, Underglaze. Non-functional sculpture. For Evamarie Papp...

Carl-Harry Stålhane, Swedish Mid-Century Modern, Stoneware Vase, Sweden, 1970s Scandinavian modern stoneware vase designed by Carl-Harry Stålhane (1920-1990) and produced in Lidköpi...

Article: Pottery ceramic vase Producer: ILKRA Ceramics, Germany Decade: 1970s Original vintage 1970s pottery ceramic vase made in Germany. High quality German production...

A distinctive studio ceramic vase has a tall narrow shape, brown, with an outer glossy glaze and speckled white detailing. The cylindrical form contains an unglazed area at the neck ...

A vase designed by Gunnar Nylund at Rörstrand, the vase is 24.5 cm high and it is in mint condition.

Article: Ceramic stoneware object Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925 †2005 Decade: 1970s This original vintage Studio...

A wonderful small vase designed by Carl-Harry Stålhane for Rörstrand. Features a bulbous body and a longer thin neck. Stunning terra cotta color to complete the vase.

A beige and black-glazed stoneware vase with relief decoration, designed by Noomi Backhausen and produced by Søholm, Bornholm, Denmark, 1960s.

A well sized decorative bowl designed by Gunnar Nylund. Iconic form with great movement iconic of Swedish modern design. Wonderful scale and glaze

A part of a captivating new line blending ancient Greek pottery with contemporary design, the ‘Krater N°3’ vase showcases delicate blue underglaze illustrations that harmonize tradit...

Hand-thrown, salt-fired stoneware vessel crafted in the studio of noted Detroit-based ceramicist and sculptor Ebitenyefa Baralaye. Entitled "Awako I" and glazed in shades of taupe, r...

Christian Thompsen (1860 - 1921) for Royal Copenhagen. Established in 1775, Royal Copenhagen grew to become one of the major producers of Danish porcelain. 1895 marked the beginni...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1956. Excellent condition. ...

French stoneware bottle Neutral toned ceramic stoneware ceramic bottle Organic composition and feel Vessel has not been tested to hold water...

The Olé collection is a tribute to Spain, as colourful and enchanting as it is. Each vase is a celebration of joy. Unique piece in stoneware, hand built and hand glazed and lustred i...

A beautiful green glaze vase with incised leaf decorations by Eva Staehr Nielsen for Saxbo. Marked with the Saxbo yin-yang symbol encircled, the model number 167, four dots (the mark...

Signed Ken Edwards Hand Painted Stoneware Dish, Mexico 1970s

A part of a captivating new line blending ancient Greek pottery with contemporary design, the ‘Krater N°2’ vase showcases delicate blue underglaze illustrations that harmonize tradit...

Berndt Friberg miniature egg vase and brown bowl, hand-crafted at his studio at Gustavsberg factory in 1957. Both in brown hare‘s fur glaze, ...

Grand tour style Parian ware copy after the original "Ariadne and the Panther" (1803) by Johann Heinrich von Dannecker (German 1758 - 1841), depicting the Cretan princess Ariadne, wi...

French ceramic stoneware bottle vase Neutral toned ceramic stoneware ceramic bottle Organic composition and feel This large bottle is grand in scale and substantial enough to hold a...

A part of a captivating new line blending ancient Greek pottery with contemporary design, the ‘Volute’ vase showcases delicate black underglaze illustrations that harmonize tradition...

Wonderful Fajance three-piece vase and lidded box set from the Baca line by Nils Thorsson for Royal Copenhagen, circa 1960s. The grey, white and navy blue glazed stoneware containers...

Stoneware bowls by Sven Wejsfelt & Lasse Östman for Gustavsberg in Sweden in the 1980s. Left to right first photo: • Lasse Östman acquamarine glossy bow...

A sizeable blue and beige-glazed stoneware vase designed and produced by Finn Dam Rasmussen, Denmark, 1970s.

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950’s. Great condition, with a small white dot...

We are thrilled to to share with you the first addition to INI CERAMIQUE’s 2024 collection. Inspired by the works of the painting artist Giorgio Morandi, our designer has been reinte...

A red and dark-brown-glazed stoneware vase designed and produced by Løvemose, Denmark, 1960s

Antique Art Nouveau/Arts & Crafts Doulton Lambeth stoneware pottery jardiniere, circa 1890. The jardiniere is decorated in archtypical style with tubelined trailing sage green leaves and flowers on a deep burgundy colored background. The jardiniere is stamped to the base with the Doulton Lambeth mark, this jardiniere is probably decorated by Mark Marshall...

The Olé collection is a tribute to Spain, as colourful and enchanting as it is. Each vase is a celebration of joy. Unique piece in stoneware, hand built and hand glazed and lustred i...

Wheel thrown stoneware orb-shaped vase with a narrow neck. Studio ceramic vessel made beautifully with visible throwlines and a hidden foot. Red iron glaze over a matte white glaze a...

1. Height 8.5 cm Width 2.5 cm Depth 2.5 cm 2. Height 8 cm Width 2.5 cm Depth 2.5 cm This set of 2 miniature vases was designed by John Andersson for the Swedish manufacture Hög...

Vase 0021 Grès Roux Chamotté by Marta Dervin Dimensions: ø6-7 x H 27 cm Materials: Stoneware Marta Dervin works with stoneware and porcelain that she shapes by hand to create simple...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A brown-glazed stoneware vase designed by Gunnar Nylund and produced by Rörstrand, Sweden, 1940s.

A brown-glazed stoneware vase designed and produced by Gustavsberg, Sweden, 1940s.

A fine, large vase in black basalt, decorated with an encaustic painted figure of a youth and an older man, taken from The Hamilton vase in the British Museum. It is unusual to find ...

1. Height 8 cm Width 5 cm Depth 5 cm 2. Height 7.5 cm Width 5 cm Depth 5 cm 3. Height 6 cm Width 5 cm Depth 5 cm This set of 3 miniature vases was designed by Gunnar Borg for ...

Symbiosis vase by Camila Apaez One of a kind Materials: Stoneware Dimensions: 26 x 9 x 24 cm Options: White bone, chocolate, buttermilk, charcoal black, glossy, spotted gray, pale op...

Pair of large authentic 19th century glazed terracotta pitcher bottle jugs originally used for containing water and olive oil - the smallest one still has the original cork stopper i...

Generation 01 by Eguzkiñe Egaña Unique Dimensions: W 23 x L 16.5 x H 30 cm Materials: Black stoneware, slip and rope In this series of pieces, cal...

A green-glazed and incised vase designed and produced by Andersson & Johansson, Höganäs, Sweden, c. 1940s.

1. Height 4 cm Width 11 cm Depth 11 cm 2. Height 3 cm Width 9 cm Depth 9 cm This set of 2 miniature bowls was designed by Gunnar Borg for the Swedish manufacture Höganäs Kerami...

Article: ceramic pottery vase. Origin: Germany. Producer: Carstens Tönnieshof, Germany. Decade: 1970s. This original vintage pottery object was designed and produced by C...

A set of two beautiful stoneware vases and one bowl with amazing and rare glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. First sorting. Incise...

1. Height 8 cm Width 5 cm Depth 5 cm 2. Height 7.5 cm Width 5 cm Depth 5 cm 3. Height 6 cm Width 2.5 cm Depth 2.5 cm 4. Height 4 cm Width 3 cm Depth 3 cm This set of 4 minia...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1963. Excellent condition. ...

Height 7.5 cm Width 7.5 cm Depth 7.5 cm Height 7.5 cm Width 5 cm Depth 5 cm This set of 2 miniature vases was designed by Gunnar Borg for the Swedish manufacture Gunnars Keramik...