Nick Wallis

Plus d'Afterthoughts 3, grande peinture abstraite de Nick Wallis

circa 1980

Artiste : Nick Wallis Titre : Plus de pensées après coup 4 Année : vers 1980 Moyen : Acrylique sur toile, signé Taille : 60 x 60 pouces (152,4 x 152,4 cm)

Artiste : Nick Wallis Titre : Plus de pensées secondaires 7 Année : vers 1980 Moyen : Acrylique sur toile, signé à droite. Taille : 121,92 x 121,92 cm (48 x 48 pouces)

Artiste : Nick Wallis Titre : Plus de pensées après coup 10 Année : vers 1980 Moyen : Acrylique sur toile, signé à droite. Taille : 121,92 x 121,92 cm (48 x 48 pouces)

Artiste : Nick Wallis Titre : Plus de réflexions après coup 15 Année : vers 1980 Moyen : Acrylique sur toile, signé à droite. Taille : 36 x 48 pouces [91,44 x 121,92 cm]

Peinture en spray, crayon, encre, aquarelle sur papier. Non encadré. Peter Soriano travaille sur des feuilles de papier japonais relativement grandes, avec une tendance à travailler...

Warren St 8 (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Non encadré. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally around him. He tends to be “in” the configuration that is the subject of the work. Soriano is fond of “systems” objects attached to other objects, such as the wiring plan of a room. But very often there are other shapes that play a role in the work. The artist would fold and rework a piece a number of times. Folding seems to concentrate the dialogue that attracts him. Reworking is part of his nature. The finished work normally is the result of this ebb and flow between the heightening and repositioning the relationship between forms. The title refers to Warren street where Soriano had his studio at that time. In this particular piece, the artist focussed on a ceiling fan...

Warren St 8 (Abstract Painting) Spray paint, pencil, ink, watercolor on paper. Non encadré. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally around him. He tends to be “in” the configuration that is the subject of the work. Soriano is fond of “systems” objects attached to other objects, such as the wiring plan of a room. But very often there are other shapes that play a role in the work. The artist would fold and rework a piece a number of times. Folding seems to concentrate the dialogue that attracts him. Reworking is part of his nature. The finished work normally is the result of this ebb and flow between the heightening and repositioning the relationship between forms. The title refers to Warren street where Soriano had his studio at that time. In this particular piece, the artist focussed on a ceiling fan...

Acrylique sur toile Pierre-Alain Michel est un peintre suisse né en 1959 qui vit et travaille à Delémont en Suisse. En 1989, il s'inscrit à l'école des beaux-arts de Bâle et suit de...