Daniel Hughes

Self Portrait (2021) - vibrant, expressif, rouge, homme, figuratif, huile sur toile

2021

Cette image super réaliste d'un homme âgé, la tête légèrement inclinée alors qu'il regarde sobrement à travers des lentilles réfléchissantes, est un portrait psychologique poignant de Dan Hughes...

Le peintre réaliste canadien Dan Hughes rend hommage à son confrère et membre des "nouveaux réalistes espagnols", Antonio Lopez Garcia. L'hyperréalisme l...

Hughes rend hommage aux techniques de peinture classiques avec une main libre. Des coups de pinceau de couleurs audacieuses et modulées mettent en valeur la composition formelle sous...

C'est un portrait saisissant. L'artiste canadien Daniel Hughes est connu pour ses peintures étonnantes et réalistes. Le souci du détail de Hughes, la palette de couleurs naturelles e...

L'artiste Zack Zdrale adopte une approche traditionnelle dans son travail, bien que ses sujets et ses compositions situent son œuvre dans le présent. Ses peintures sont imprégnées d'...

Artiste italien d'origine libanaise, Masri a développé un style qui capture l'humeur orientale avec une touche de pinceau à la Lucien Freud. Son travail est varié et connu notamment ...

Self-Portrait de l'artiste. Non signée. (Provenance : Studio Sale, George Weissbort). A bord.

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent état. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig...