Friedrich Wigand

Portrait d'un jeune homme (portrait d'homme russe)

1841

Portrait d'une belle jeune femme, vers 1965. Huile sur toile de lin, 8 x 10 pouces. Mesure encadrée : 10.5 x 12.5 pouces. Signé indistinctement en bas à gauche.

Augustus Edwin John (Gallois, 1878-1961). Portrait de Barbara, vers 1930. huile sur toile, 11 5/8 x 14 5/8 pouces. Dimension encadrée : 16 x 19 pouces. Signé en haut à droite. État d...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent état. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig...

Randall Exon (né en 1956). Matthew, 1990. Huile sur panneau de bois. Mesure 24 x 36 pouces. Non encadré. Excellent état, sans dommage ni conservation. Signé et daté en bas à droite. ...

Basile de Loose Portrait d'un enfant signé et daté "1861 Basile De Loose (17 décembre 1809 - 24 octobre 1885) était un peintre belge. Il est né à Zele, en Flandre orientale, au Roy...

Peinture figurative contemporaine à l'huile sur toile de l'artiste polonaise Katarzyna Szydlowska. Photos de peinture de femmes nues vues de dos. Il y a un paysage à l'arrière-plan. ...

Peinture figurative contemporaine à l'huile sur toile de l'artiste polonaise Katarzyna Szydlowska. Peinture de photos de femmes nues. Elle est assise sur la plage, il y a la mer et l...

KATARZYNA SZYDLOWSKA (née en 1969) Katarzyna Szydlowska a étudié à l'Académie européenne des arts sous la direction des prof. Jerzy Duda Gracz, Antoni Fa?at et Franciszek Starowieysk...