Peter Berlin

Double autoportrait avec bandeau rouge

c. 1970/imprimé ultérieurement

Impression au pigment d'archivage Signé à l'encre noire, recto 14 x 11 pouces, taille de la feuille 10 x 10 pouces, taille de l'image Cette œuvre d'art est proposée par ClampArt, s...

Impression au pigment d'archivage Signé à l'encre noire, recto 14 x 11 pouces, taille de la feuille 10 x 10 pouces, taille de l'image Cette œuvre d'art est proposée par ClampArt, s...

Impression au pigment d'archivage Signé à l'encre noire, recto 14 x 11 pouces, format de la feuille 10 x 10 pouces, taille de l'image Cette œuvre d'art est proposée par ClampArt, s...

Double Self-Portrait en jean bleu c. 1970/imprimé plus tard Signé à l'encre noire, au verso Impression au pigment d'archivage 14 x 11 pouces, feuille 10 x 10 pouces, image

photographie à la gélatine d'argent vintage de 11 x 14" de la star de films pour adultes Cal Culver (alias Casey Donovan), photographiée en 1972 pour le magazine 'After Dark'. Signé ...

Jack Mitchell, milieu du 20e siècle, belle photographie de nu masculin prise dans les années 1970. Tirage original à la gélatine argentique de collection, portant au verso le cachet ...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent état. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig...

Jack Mitchell mid-20th Century bold male nude from 1971. Tirage original à la gélatine argentique de grande collection, portant au verso le cachet du photographe "Copyright 1971 JACK...