David Yarrow
Catwalk
2021

Name: Catwalk
Brand: David Yarrow
Rating: 4.8 (10 reviews)

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Catwalk Dinokeng, South Africa - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Chacun est signé, daté et numéroté au recto. Edition Size: 20 Available sizes: 48 x 67 inches 67 x 96 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Chacun est signé, daté et numéroté au recto. Le prix comprend le cadre en frêne noir personnalisé de David Yarrow, le passe-partout d'archivage blanc et l'acrylique de protection contre les UV. Pour les œuvres non encadrées, 1500 $ seront déduits du prix. David Yarrow s'est forgé une réputation inégalée en capturant la beauté des paysages, des cultures et des animaux menacés de la planète. Né à Glasgow, en Écosse, en 1966, il est aujourd'hui un photographe d'art de renommée internationale et le photographe animalier le plus vendu en Europe. "In early 2015, I took a photograph in an old saloon high in the mountains of western Montana. The image of a large adult wolf walking purposefully towards my camera, whilst life in the bar continued as normal behind him, became coveted. I was flattered that the last available edition sold for $100,000 at Sotheby’s a few years later. I think the price paid was a tribute to the magnificence of the wolf as much as it was to the authenticity of the concept. There was a compositional balance to that image and whilst the barman and the customers were way out of the focal range of the camera lens, their anonymity added to the narrative and didn’t detract the eye from the wolf. Focus can deliberately exclude as well as include, and in layered images such as the Wolf of Main Street, this approach works well as it directs the viewer without losing the wider story. In retrospect, the photograph was a pivotal moment in my career and the barman that day - Thomas Rosenthal - has become a dear friend and is now part of the DY production team in America. We borrowed from the depth offered by that saloon in many sets around the world over the next few years. Whilst I am all for fresh challenges, if a concept works, I tend to go back. In 2021 my ambition was to leverage my long-term relationship with Kevin Richardson - The Lion Whisperer - to create something special in his lion sanctuary north east of Pretoria. The project was delayed by COVID as South Africa only really opened up in the autumn, but this gave the original premise time to marinate in my mind. I wanted to glorify the lion’s splendour - as did Kevin - but I also wanted to build a much wider story around the key subject. As we spitballed a few ideas around, two governing principles became clear. The first was that the lion could only be on set if I was in a cage and no one, other than Kevin, was in his domain. This is not just for safety reasons, it is also because we had to remove any conceivable distraction for Vayetse, my go to lion within Kevin’s care. The second conclusion was that we should build a set predicated on compositional mathematics before anything else. In other words, I knew my lens and camera settings before we started construction, not on the week of the shoot. There was a great deal of creative processing long before we arrived in South Africa as this was very much a picture that was going to be made, not taken. In building the story, my instincts were to play on the vibe of a Paris Catwalk - after all, we had access not just to any cat to strut down our catwalk, but the King of Africa; a magnificent adult male lion. I have been to enough fashion shows in my life to know that it’s a theatre and the attendees tend to be united in their passion and behaviour. There may be more cultural refinement in the Paris fashion shows than at a club football match, but both theatres attract collective tribes. This prompted me to indulge with the idea that we should incorporate a tribal crowd into the set - albeit a literal tribe not a metaphorical one. We were certainlyintherightpartoftheworld,theheartlandoftheZulupeople. ThelargestethnicgroupandnationinSouthAfrica,withanestimated population of 10-12 million, was within a morning’s drive of where we were shooting. My plan was to bring around 100 adult Zulus to the set - all dressed in traditional attire and armed with spears and shields. The word went out and we had no shortage of applicants. With each and every member of the cast, we discussed whether there were any cultural appropriation issues in asking them to dress traditionally. As I have found with Native Americans, they said it would be a celebration of their culture; of which they were rightly proud. To many the word “Zulu” evokes memories of Michael Cain in the 1964 British epic war film depicting the Battle of Rorke’s Drift between the British Army and the Zulus. Luckily that battle was 140 years ago and the script has changed. The Zulus on set could not have been more cooperative with this Brit and there was a carnival mood at breakfast despite many of them having been picked up at home at 2 am. It was one of the more memorable mornings of my career to be able to immerse myself in the uplifting energy of Zulu life."

Créateur:
David Yarrow (1966, Écossais)
Année de création:
2021
Dimensions:
Hauteur : 121,92 cm (48 po)Largeur : 170,18 cm (67 po)Profondeur : 5,08 cm (2 po)
Support:
Pigment d'archive
Mouvement et style:
Contemporain
Période:
XXIe siècle
État:
Adresse de la galerie:
Chicago, IL
Numéro de référence:
1stDibs : LU38839554102

Tout parcourir David Yarrow

David Yarrow

David Yarrow, né en 1966 en Écosse, s'est mis très tôt à la photographie . À 20 ans, il s'est retrouvé à travailler comme photographe pour The London Times sur le terrain lors de la finale de la Coupe du monde de football à Mexico. Ce jour-là, il a pris la photo sensationnelle de Diego Maradona tenant la Coupe du monde et, par la suite, il a été invité à couvrir les Jeux Olympiques et de nombreux autres événements sportifs de premier plan.

Bien des années plus tard, Diptych Fine Arts s'est établi en tant que photographe d'art en documentant le monde naturel sous de nouvelles perspectives et ces dernières années ont été déterminantes pour sa carrière dans le monde de la photographie d'art contemporaine.

Les photographies évocatrices et immersives de la vie sur terre de Yarrow sont très particulières et lui ont valu une popularité croissante auprès des collectionneurs d'art et des célébrités. Ses grandes images monochromes réalisées à Los Angeles sont exposées dans les plus grandes galeries et musées d'Europe et d'Amérique du Nord. Yarrow est aujourd'hui reconnu comme l'un des photographes d'art les plus vendus au monde et ses œuvres en édition limitée se vendent régulièrement à des prix élevés chez Sotheby's et dans d'autres maisons de vente aux enchères.

En septembre 2019, Rizzoli a publié son deuxième livre de Yarrow, avec une préface personnelle écrite par la star mondiale de la NFL Tom Brady et une postface réfléchie écrite par l'icône culturelle américaine et le top model Cindy Crawford. Tous les droits d'auteur du livre ont été reversés à des organisations caritatives de protection de la nature : Tusk au Royaume-Uni et WildAid aux États-Unis.

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David Yarrow

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XXIe siècle et contemporain, Contemporain, Photographie noir et blanc