Mitch Dobrowner

Rope Out, photographie en édition limitée, signée, encre pigmentaire d'archive

2011

Vortex N° Duae, photographie en édition limitée, signée, encre pigmentaire d'archives Depuis plus de dix ans, Mitch Dobrowner voyage à travers le pays avec des chasseurs de tempête...

Lightning Strikes, photographie en édition limitée, signée, encre pigmentaire d'archives Dobrowner a toujours été attiré par la météo et, en 2009, il a commencé à rechercher active...

Photographie de paysage en noir et blanc. Arbre isolé dans un champ de maïs pendant un orage et des nuages géants, Autriche. Tirage à l'encre pigmentaire d'archives faisant partie d'...

66 Degrees North Námafjall Geothermal Area, Iceland - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Chacun est signé, daté et numéroté au recto. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Chacun est signé, daté et numéroté au recto. Le prix comprend le cadre en frêne noir personnalisé de David Yarrow, le passe-partout d'archivage blanc et l'acrylique de protection contre les UV. Pour les œuvres non encadrées, 1500 $ seront déduits du prix. David Yarrow s'est forgé une réputation inégalée en capturant la beauté des paysages, des cultures et des animaux menacés de la planète. Né à Glasgow, en Écosse, en 1966, il est aujourd'hui un photographe d'art de renommée internationale et le photographe animalier le plus vendu en Europe. "Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded. I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides. But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage. The end result is a strong image and certainly authentic. Its stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse portraits...